Originally distributed as a self-published booklet, A Season in Hell by Arthur Rimbaud quickly established him to be the "first punk" and a visonary mentor to the Beat poets for both his recklessness and fiery poetry according to famous poet of the Beat Generation, Allen Ginsberg.

Here are 35 of the greatest poems in the French language, carefully selected and read in French by Bill Homewood, the bilingual English classical actor who has spent half his life in France. To help those English speakers with just a little French to appreciate the glories of these poems, he provides his own clear English translations.

Sensual, macabre, joyous and liberating, The Flowers of Evil, or Les Fleurs du Mal, is a beautifully debauched reflection on dreams, sin, life, and death. With subjects ranging from travel to drugs, sex to faith, sleep to contemplation, Baudelaire finds new beauty in the most sinister and corrupt of situations. His morbid and nightmarish Romanticism was completely unique: cynical and bleak, but also inspiring. The book was highly controversial upon its release and Napoleon III’s government prosecuted Baudelaire for "an insult to public decency".

Adopting the methodology of the music charts, The Classic Hundred Poems presents the "top 100" poems of all time. The selections are illuminated by the informative notes of editor William Harmon and read by an ensemble of contemporary poets including Alfred Corn and Rita Dove.

Today Byron is regarded as the ultimate romantic - a rebel, a Casanova, and a man of intense, brooding passion. He was the most famous literary man of his time, and his poetry, endlessly witty and often insightful, was immensely popular and hugely influential. From the delicate romanticism of "She Walks in Beauty" to the evocative reflections of "So We’ll Go No More a Roving", Byron’s poems were unrivaled in their power and potency. 

Samuel Taylor Coleridge, in collaboration with his friend, William Wordsworth, revolutionized English poetry. In 1798 they produced their Lyrical Ballads, poems of imagination and reflection using "the language of men" - pointing the way forward for a generation of Romantic poets.

William Wordsworth (1770-1850) was born in Cockermouth, in the Lake District. His Lyrical Ballads, written in collaboration with Coleridge, was published in 1798, and shortly afterwards he settled in Dove Cottage, Grasmere, with his sister Dorothy. Inspired in his early manhood by the French Revolution, he grew disillusioned with revolutionary politics and in later life became decidedly conservative. He left a vast body of work, ranging from delicately simple lyrics to deeply meditative odes.

One of the most revered works in English literature, Great Expectations traces the coming of age of a young orphan, Pip, from a boy of shallow aspirations into a man of maturity. From the chilling opening confrontation with an escaped convict to the grand but eerily disheveled estate of bitter old Miss Havisham, all is not what it seems in Dickens’ dark tale of false illusions and thwarted desire.

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

Speak, Memory, first published in 1951 as Conclusive Evidence and then assiduously revised in 1966, is an elegant and rich evocation of Nabokov’s life and times, even as it offers incisive insights into his major works, including Lolita, Pnin, Despair, The Gift, The Real Life of Sebastian Knight, and The Luhzin Defense.

In early nineteenth-century Russia, the threat of Napoleon’s invasion looms, and the lives of millions are about to be changed forever. This includes Pierre Bezúkhov, illegitimate son of an aristocrat; Andrew Bolkónski, ambitious military scion; and Natásha Rostóva, compassionate daughter of a nobleman. All of them are unprepared for what lies ahead. Alongside their fellow compatriots - a catalog of enduring literary characters - Pierre, Andrew, and Natásha will be irrevocably torn between fate and free will.

Marcel's suspicions regarding Albertine's lesbian desires lead to his keeping her a virtual prisoner in his Paris apartment. The Captive is a masterly portrayal of obessional jealousy.

Paris, 1933: Three contemporaries meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are the young Jean-Paul Sartre, Simone de Beauvoir, and longtime friend Raymond Aron, a fellow philosopher who raves to them about a new conceptual framework from Berlin called phenomenology. "You see," he says, "if you are a phenomenologist, you can talk about this cocktail and make philosophy out of it!"

Finnegans Wake is the greatest challenge in 20th-century literature. Who is Humphrey Chimpden Earwicker? And what did he get up to in Phoenix Park? And what did Anna Livia Plurabelle have to say about it? In the rich nighttime and the language of dreams, here are history, anecdote, myth, folk tale and, above all, a wondrous sense of humor, colored by a clear sense of humanity. In this exceptional reading by the Irish actor Barry McGovern, with Marcella Riordan, the world of the Wake is more accessible than ever before. 

Why a poetry album? Easy answer: I love poetry. I love reading it. I love memorizing it. I love hearing great actors recite it. As the poet Mark Strand wrote, “Ink runs from the corners of my mouth / There is no happiness like mine / I have been eating poetry.” In the past, when I was full from eating, I have had the audacity to set poetry to music. But, on this audiobook, you will hear the music of the poems.