A Course in Miracles says that this world and every aspect of it got started when the Son of God remembered not to laugh. What we failed to laugh at is the joke that is ourselves. Now, however, you can have a true experience of metaphysical mirth - you might even, yourself, achieve "full realization". 

During this talk, Iron John author Robert Bly gives a delicate and lively view of the fantastic flowering of feeling in 12th century Provence. The feeling thought, developed from Arabic, Gnostic, and Albigensian sources, blossoms as love poetry famous at that time. In this recording, Bly distinguishes between the literal mode, the psychological mode, and the mythological mode, and locates the “Amor” or ecstatic love in the latter, which led to Sufism among the Arabs. 

"As a man is, so he sees." These words of mystical poet and artist William Blake are just as relevant now as they were when they were written in 1802 - perhaps more so. Throughout his life, Blake undertook a voyage beyond rationality and materialism to an interior, visionary realm where "all things appear as they are - infinite." Yet all human beings, he believed, are capable of opening their eyes to a fuller experience of life.

A poet, translator, and social theorist, Bly has published more than 30 collections of poetry, including The Light Around the Body (1967), which won a National Book Award, and most recently Stealing Sugar from the Castle: Selected Poems (2013). His honors include fellowships from Guggenheim and Rockefeller Foundations and the National Endowment for the Arts, as well as the Robert Frost Medal from the Poetry Society of America. 

In ordinary life, a mentor can guide a young man through various disciplines, helping to bring him out of boyhood into manhood; and that in turn is associated not with bodybuilding, but with building an emotional body capable of containing more than one sort of ecstasy. 

This discussion between best-selling authors Deborah Tannen (You Just Don't Understand) and Robert Bly (Iron John) is presented as a sort of continuing education program. It is utterly delightful. The authors are both funny and serious. They care a great deal about the topic of women and men's conversational styles. The production is so well done that even questions from the audience are picked up by the microphones. 

When a woman or a father attacks a naive male, he immediately opens himself up and takes the attack right into himself. "Oh, yes, that is true. I am really bad!" It does not occur to him that the attack may be something quite different. Maybe the woman or father is angry at something else and is displacing or projecting the anger onto the man. The naive male takes in the attack, feels the wound, and then bends over, psychologically.  

Leaving naivete behind may open up the wilder regions of maleness, where men can wrestle with their demons and, in time, reach maturity and balance, according to Bly, poet and men's workshop facilitator. This is a fascinating dialogue which explores the mystery of maleness and includes Bly's storytelling mastery and poetry.

An extraordinary visit with one of America's leading poets provides a unique exploration of the mystery of maleness. Bly uses fairy tales to illuminate the dark recesses of the psyche, and the result is a powerful intimation of the male experience and potential. From the soft, feminine male persona to the deeply buried wildman, Bly takes us on a journey through unmapped territory of the masculine. For men and women this is a conversation not to be missed.

Characterized by petty rivalries, self-indulgence and lack of responsibility, our actions fail to fulfill what Robert Bly describes as our true soul longing. With characteristic irreverence and storytelling from various cultures, Bly tells us what we should be doing about green-haired adolescents and idle elders, not to mention televisions and computers. His insightful focus illuminates the truths and possibilities of a culture caught in an adolescent phase of development.