Caedmon is proud to release this archival full-cast recording of Tennessee Williams's A Streetcar Named Desire. Blanche DuBois arrives at her sister Stella's New Orleans apartment seeking refuge from a troubled past but her ethereal spirit irks Stella's husband, the loutish Stanley Kowalski. Crudely, relentlessly, he unmasks the lies and delusions that sustain Blanche, until her frail hold on reality is shockingly severed.

In 1951, chemist Rosalind Franklin (Anna Chlumsky) works relentlessly in her King’s College London lab, closing in on a major discovery that could unlock the mysteries of the DNA molecule. Undermined by her colleague Maurice Wilkins (Omar Metwally), she struggles to compete with rival team Watson and Crick (David Corenswet and Aasif Mandvi) as pressure intensifies to produce results. 

When Memoirs was first published in 1975, it created quite a bit of turbulence in the media - though long self-identified as a gay man, Williams' candor about his love life, sexual encounters, and drug use was found shocking in and of itself, and such revelations by America's greatest living playwright were called "a raw display of private life" by the New York Times Book Review. As it turns out, Williams' look back at his life is not quite so scandalous as it once seemed.

Tom shares the cramped and claustrophobic tenement home with his overbearing mother, Amanda, and painfully shy sister, Laura. He works in a warehouse but dreams of becoming a poet, escaping his mundane life. Laura hides at home, lacking the confidence to engage meaningfully with the outside world, preferring instead to lose herself in her collection of fragile glass animals. Amanda sells magazine subscriptions over the phone and commits herself to finding a match for her daughter. One day, Tom succumbs to his mother's pressure and brings home a gentleman caller....

Patti Smith: Words and Music features live audio of performances captured over three evenings at the Minetta Lane Theatre, woven into a single, one-of-a-kind audio event.

Lydia (Aja Naomi King) and Henry (Jason Butler Harner)’s dinner guests (Madeline Brewer and William Jackson Harper) are about to arrive when Henry’s spontaneous marriage proposal threatens to burn the evening to a crisp. Wine bottles and years of unspoken tensions are uncorked, and before the evening is through, Lydia must confront her long-held fears and feelings if she’s going to commit to a future with Henry. 

Imagine a 1980s world of sumptuous hotel rooms, restaurants, New York City penthouses, and the powerful men who move easily between these pinnacles of luxury. They are music producers, rock stars, writers, and restaurateurs. They are household names like Billy Joel, Art Garfunkel, Eric Clapton, and Sting. And yet, each man has an entire aspect to his life that he doesn’t talk about publicly—his depression, his rocky marriage, his feelings of shame and failure, his private loss of faith. And now: The phone rings. Imagine the woman who has each of these men at her beck and call.  

“When I become mayor, we become mayor.” Ras Baraka’s famous words speak to exactly who he is as a leader - a fiercely loyal member of his community. In this innovative and ground-breaking Audible Original, hear how Baraka - the mayor of Newark, New Jersey - grew from spoken-word artist to school principal to successful politician.

Austen wrote, 'I am going to take a heroine whom no-one but myself will much like' and thus introduces the handsome, clever, rich - and flawed, Emma Woodhouse. Emma is perfectly content with her life and sees no need for either love or marriage; nothing however delights her more than matchmaking her fellow residents of Highbury. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

 Legal Immigrant is Alan Cumming's collection of musings on his experiences as a US citizen, growing older, and what it feels like to be an immigrant in today's America, featuring songs and stories that are as eclectic and idiosyncratic as Alan himself. The audio, recorded live at the Minetta Lane Theatre, is a smorgasbord of genres, styles, and tales. Replete with laughter, tears and, of course, provocation, featuring covers of songs made famous by a diverse array of musical legends.

It’s 1949 in Detroit’s Black Bottom neighborhood, and there’s no better place to hear or play jazz than Paradise Club. Blue (Emmy and Grammy Award winner Blair Underwood), club owner and trumpeter, can wail like no other, but as forces outside the club conspire to irreparably change life inside and outside Paradise’s walls, he must decide whether to stay or sell. Beholden to his girlfriend (Grammy Award winner Kristolyn Lloyd) and fellow bandmates (André Holland and Keith Randolph Smith), Blue faces an uncertain future as he reckons with his troubled past.

Two giants of the theater, five-time Tony Award® winner Angela Lansbury and three-time Tony Award winner James Earl Jones, star in 1988’s Pulitzer Prize-winner for Drama. Driving Miss Daisy is Alfred Uhry’s tale that follows the complicated friendship between a feisty Jewish widow and her Black chauffeur in mid-century Atlanta over the course of 20 years.

Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.

Emmy Award winner Matthew Rhys stars in this fascinating and award-winning one-man show about international star of stage and screen Richard Burton. Written by Mark Jenkins, Playing Burton offers a penetrating look at the notorious actor’s life, from growing up in an impoverished mining community in South Wales to becoming one of the greatest performers of his generation.

After 40 years with his beloved wife, Henry is alone for the first time. His sudden bachelorhood is a struggle for him and his daughter Lisa, who is feeling pressure to fill the void. To give Henry the companionship he’s craving, Lisa buys him a personal robotic assistant. The device transforms Henry’s life and inspires him to embrace the possibility of romance during his golden years.