In the late 1950s, in the small town of West Annett, Maine, a minister struggles to regain his calling, his family, and his happiness in the wake of profound loss. At the same time, the community he has served so charismatically must come to terms with its own strengths and failings, faith and hypocrisy, loyalty and abandonment, when a dark secret is revealed.

At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse. 

Here are two sisters: One trades self-respect for a wealthy husband while the other finds in the pages of a book a kindred spirit who changes her life. The janitor at the local school has his faith tested in an encounter with an isolated man he has come to help; a grown daughter longs for mother love even as she comes to accept her mother's happiness in a foreign country; and the adult Lucy Barton (the heroine of My Name Is Lucy Barton, the author's celebrated New York Times best seller) returns to visit her siblings after 17 years of absence.

“Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” 

Jonathan Franzen’s gift for wedding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads. A tour de force of interwoven perspectives and sustained suspense, its action largely unfolding on a single winter day, Crossroads is the story of a Midwestern family at a pivotal moment of moral crisis. Jonathan Franzen’s gift for melding the small picture and the big picture has never been more dazzlingly evident.

Praised as "deeply affecting" and "heartbreaking" by The Guardian (UK), this is a faithful adaptation of the Pulitzer Prize-winning author Elizabeth Strout's best-selling novel of the same name. Unsteady after an operation, Lucy Barton wakes to find her mother sitting at the foot of her bed. She hasn't seen her in years, and her visit brings back to Lucy her desperate rural childhood, and her escape to New York. As she begins to find herself as a writer, she is still gripped by the urgent complexities of family life.

Diana O’Toole is perfectly on track. She will be married by 30, done having kids by 35, and move out to the New York City suburbs, all while climbing the professional ladder in the cutthroat art auction world. She’s an associate specialist at Sotheby’s now, but her boss has hinted at a promotion if she can close a deal with a high-profile client. She’s not engaged just yet, but she knows her boyfriend, Finn, a surgical resident, is about to propose on their romantic getaway to the Galápagos - days before her 30th birthday.

In June 1954, 18-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served 15 months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother Billy and head to California, where they can start their lives anew. 

Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on the brink of a new and optimistic era. But for Elsa Wolcott, deemed too old to marry in a time when marriage is a woman’s only option, the future seems bleak. Until the night she meets Rafe Martinelli and decides to change the direction of her life. With her reputation in ruin, there is only one respectable choice: marriage to a man she barely knows.

Set in Constantinople in the 15th century, in a small town in present-day Idaho, and on an interstellar ship decades from now, Anthony Doerr’s gorgeous third novel is a triumph of imagination and compassion, a soaring story about children on the cusp of adulthood in worlds in peril, who find resilience, hope - and a book. In Cloud Cuckoo Land, Doerr has created a magnificent tapestry of times and places that reflects our vast interconnectedness - with other species, with each other, with those who lived before us, and with those who will be here after we’re gone.

One Sunday afternoon in Southern California, Bert Cousins shows up at Franny Keating's christening party uninvited. Before evening falls, he has kissed Franny's mother, Beverly - thus setting in motion the dissolution of their marriages and the joining of two families.

> The Chaperone is a captivating novel about the woman who chaperoned an irreverent Louise Brooks to New York City in 1922, and the summer that would change them both. Only a few years before becoming a famous actress and an icon for her generation, a 15-year-old Louise Brooks leaves Wichita to make it big in New York. Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone who is neither mother nor friend. Cora Carlisle is a complicated but traditional woman with her own reasons for making the trip.

St. Elizabeth's is a lovely old place in a small town in Kentucky that used to be the beautiful Hotel Louisa. In the 1960s, it is a home for unwed mothers run by nuns. Life at St. Elizabeth's is not unpleasant, but it is temporary. All the pregnant women who come there will go home within the year. Except for Rose, a beautiful, mysterious woman, who is neither unwed nor alone. She is simply pregnant and doesn't want her husband or her mother to know. She plans to give her baby up because she knows she cannot be the mother the baby needs.

Penobscot Indian Molly Ayer is close to "aging out" out of the foster care system. A community-service position helping an elderly woman clean out her home is the only thing keeping Molly out of juvie and worse.... As she helps Vivian sort through her possessions and memories, Molly learns that she and Vivian aren’t as different as they seem to be. A young Irish immigrant orphaned in New York City, Vivian was put on a train to the Midwest with hundreds of other children whose destinies would be determined by luck and chance.

Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day, his routines are blown apart when his woman friend (he refuses to call anyone in her late 30s a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever.