Feed is an electrifying and critically acclaimed novel of a world a half-step from our own that the New York Times calls “Astonishing” a novel of zombies, geeks, politics, social media, and the virus that runs through them all - from New York Times best seller Mira Grant. The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: Feed.

When the Imagine Network commissioned a documentary on mermaids, to be filmed from the cruise ship Atargatis, they expected what they had always received before: an assortment of eyewitness reports that proved nothing, some footage that proved even less, and the kind of ratings that only came from peddling imaginary creatures to the masses.

Shaun and Georgia Mason got out. That's the story people tell, anyway. They told the truth and they lived happily ever after, somewhere in the wilds of Canada. But running away is complicated, and when circumstances force them to return to what they left behind, they'll have to face the consequences of their own actions...and the actions of others. 

Modern medicine has conquered or contained many of the diseases that used to carry children away before their time, reducing mortality and improving health. Vaccination and treatment are widely available. There are still monsters left to fight, but the old ones, the simple ones, trouble us no more. Or so we thought. For with the reduction in danger comes the erosion of memory, as pandemics fade from memory into story into fairy tale. Those old diseases can't have been so bad, people say, or we wouldn't be here to talk about them. They're never coming back.... It begins with a fever.

From New York Times best-selling author Mira Grant comes a vision of a decade in the future, where humanity thrives in the absence of sickness and disease. We owe our good health to a humble parasite - a genetically engineered tapeworm developed by the pioneering SymboGen Corporation. When implanted, the Intestinal Bodyguard worm protects us from illness, boosts our immune system - even secretes designer drugs. It's been successful beyond the scientists' wildest dreams. Now, years on, almost every human being has a SymboGen tapeworm living within them.

The Price family has spent generations studying the monsters of the world, working to protect them from humanity - and humanity from them. Enter Verity Price. Despite being trained from birth as a cryptozoologist, she'd rather dance a tango than tangle with a demon, and is spending a year in Manhattan while she pursues her career in professional ballroom dance. Sounds pretty simple, right?

Rose Winter has enough problems. With a marriage going down the tubes and a dreaded anniversary party on the horizon, the last thing she needs is the zombie apocalypse. She wanted to get drunk and sing karaoke, not murder her undead neighbors. It’s clear the party’s over, however, now Rose has more problems - a missing husband, an overbearing houseguest, and keeping her family alive.  

Melanie has a destiny, though it isn’t the one everyone assumes it to be. She’s delicate; she’s fragile; she’s dying. Now, truly, is the winter of her soul. Harry doesn’t want to believe in destiny, because that means accepting the loss of the one person who gives his life meaning, who brings summer to his world.

The world of Faerie never disappeared: it merely went into hiding, continuing to exist parallel to our own. Secrecy is the key to Faerie’s survival—but no secret can be kept forever, and when the fae and mortal worlds collide, changelings are born. Half-human, half-fae, outsiders from birth, these second-class children of Faerie spend their lives fighting for the respect of their immortal relations.

Miah Gray is a 27-year-old former army soldier living in rural New Hampshire with his sister, mother, and her boyfriend. He is plagued by PTSD, finding solace, but not redemption, with the aid of prescribed cannabis. All he wants to do is get high, relax with a good sandwich, and watch a meteor shower with his neighborhood crush, Jen. When the sun's light is blotted out the following morning and the world is plunged into darkness, Miah finds himself locked down with his family, covering windows with trash bags, lighting candles, and following the arcane rules of an ancient prophecy.

In this musical romantic comedy, with actors, singers, and full orchestra, meet Emily who may or may not be with the right guy. She gets plenty of time to wonder about him as he haunts the pub where she works. Meet Ben, a twenty-something teacher who may one day find the courage to approach the miraculous beauty studying at the back of that pub. And meet Pablo, the handsome and awkward Spaniard, an unlikely hero who puts the pub back in post-puberty-based musical romantic comedies.

Rose Marshall died in 1952 in Buckley Township, Michigan, run off the road by a man named Bobby Cross - a man who had sold his soul to live forever, and intended to use her death to pay the price of his immortality. Trouble was, he didn't ask Rose what she thought of the idea. It's been more than sixty years since that night, and she's still sixteen, and she's still running. It's been more than sixty years since that night, and she's still sixteen, and she's still running.

Children have always disappeared under the right conditions - slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere...else. But magical lands have little need for used-up miracle children. Nancy tumbled once, but now she's back. The things she's experienced...they change a person. The children under Miss West's care understand all too well. And each of them is seeking a way back to their own fantasy world.

Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. Life couldn’t be better…until Andrew begins to pick up on the facts that (1) every Away Mission involves some kind of lethal confrontation with alien forces; (2) the ship’s captain, its chief science officer, and the handsome Lieutenant Kerensky always survive these confrontations; and (3) at least one low-ranked crew member is, sadly, always killed.

When the gods are banished from the heavens, they must travel through Faern in the guise of mortals. When four companions, last survivors of the Company of the Lynx, find themselves in possession of a mysterious amulet, they must escape death at the hand of Bane, god of murder. When magic itself runs wild, no one can say that the most innocent of spells will not destroy the world.