When the British Empire sets its sights on India in the mid-nineteenth century, it expects a quick and easy conquest. India is fractured and divided into kingdoms, each independent and wary of one another, seemingly no match for the might of the English. But when they arrive in the Kingdom of Jhansi, the British army is met with a surprising challenge.

The Ramayana, one of the world's greatest epics, is also a tragic love story. In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the center of the novel: This is Sita's version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the margins: Kaikeyi, Surpanakha, Mandodari.

Sharp-eyed, stubborn, and passionate, Jindan was known for her beauty. When she caught the eye of Maharaja Ranjit Singh, she was elevated to royalty, becoming his youngest and last queen—and his favorite. And when her son, barely six years old, unexpectedly inherited the throne, Jindan assumed the regency. She transformed herself from pampered wife to warrior ruler, determined to protect her people and her son’s birthright from the encroaching British Empire.

Orphaned at birth, 17-year-old Korobi Roy is the scion of a distinguished Kolkata family and has enjoyed a privileged, sheltered childhood with her adoring grandparents. But she is troubled by the silence that surrounds her parents’ death and clings fiercely to her only inheritance from them: the love note she found hidden in her mother's book of poetry. Korobi dreams of one day finding a love as powerful as her parents’, and it seems her wish has come true when she meets the charming Rajat, the only son of a high-profile business family....

An experienced psychologist, Maggie carefully maintains emotional distance from her patients. But when she meets a young Indian woman who tried to kill herself, her professional detachment disintegrates. Cut off from her family in India, Lakshmi is desperately lonely and trapped in a loveless marriage. Moved by her plight, Maggie treats Lakshmi in her home office for free, quickly realizing that the despondent woman doesn't need a shrink; she needs a friend.

Best-selling author Thrity Umrigar won the Nieman Fellowship and earned a finalist spot for the PEN/Beyond Margins award with The Space Between Us. Set in modern-day India, this evocative novel follows upper-middle-class Parsi housewife Sera Dubash and 65-year-old illiterate household worker Bhima as they make their way through life. Though separated by their stations in life, the two women share bonds of womanhood that prove far stronger than the divisions of class or culture.

Anju and Sudha formed an astounding, almost psychic connection during their childhood in India. When Anju invites Sudha, a single mother in Calcutta, to come live with her and her husband, Sunil, in California, Sudha foolishly accepts, knowing full well that Sunil has long desired her. As Sunil's attraction rises to the surface, the trio must struggle to make sense of the freedoms of America - and of the ties that bind them to India and to one another.

Bhima, the unforgettable main character of Thrity Umrigar’s beloved national best seller, The Space Between Us, returns in this triumphant sequel - a poignant and compelling novel in which the former servant struggles against the circumstances of class and misfortune to forge a new path for herself and her granddaughter in modern India. Poor and illiterate, Bhima had faithfully worked for the Dubash family, an upper-middle-class Parsi household, for more than 20 years. 

Rakhi, a young painter and single mother, is struggling to come to terms with her relationship with ex-husband Sonny, a hip Bay Area DJ, and with her dreamteller mother, who has rarely spoken about her past or her native India. Rakhihas her hands full, juggling a creative dry spell, raising her daughter, and trying to save the Berkeley teahouse she and her best friend Belle own. But greater challenges are to come.

India, 1986: Mukta, a 10-year-old village girl from the lower-caste Yellama cult, has come of age and must fulfill her destiny of becoming a temple prostitute, as her mother and grandmother did before her. In an attempt to escape her fate, Mukta is sent to be a house girl for an upper-middle class family in Mumbai. There she discovers a friend in the daughter of the family, high-spirited eight-year-old Tara, who helps her recover from the wounds of her past.

It’s the spring of 1969, and Lakshmi, now married to Dr. Jay Kumar, directs the Healing Garden in Shimla. Malik has finished his private school education. At 20, he has just met a young woman named Nimmi when he leaves to apprentice at the Facilities Office of the Jaipur Royal Palace. Their latest project: a state-of-the-art cinema. Malik soon finds that not much has changed as he navigates the Pink City of his childhood. Power and money still move seamlessly among the wealthy class, and favors flow from Jaipur’s Royal Palace, but only if certain secrets remain buried.

India’s only female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay. 

The term "sleeping dictionary" was coined for young Indian women who slept with British men and educated them in the ways of India. Set between 1925 and the end of World War II, The Sleeping Dictionary is the story of Kamala, born to a peasant family in West Bengal, who makes her way to Calcutta of the 1930s. Haunted by a forbidden love, she is caught between the raging independence movement and the British colonial society she finds herself inhabiting.

Best-selling author and PEN and Beyond Margins Award finalist Thrity Umrigar’s acclaimed novels “resonate with rich prose and vibrant depictions of India” ( Booklist). In The World We Found, Armaiti, Laleh, Kavita, and Nishta - once friends at the University of Bombay - reconnect 30 years later when Armaiti is diagnosed with cancer. Coming together, all four women are forced to reexamine their lives.

Shanghai, 1912. Violet Minturn is the privileged daughter of the American madam of the city's most exclusive courtesan house. But when the Ching dynasty is overturned, Violet is separated from her mother in a cruel act of chicanery and forced to become a "virgin courtesan." Half-Chinese and half-American, Violet grapples with her place in the worlds of East and West - until she is able to merge her two halves, empowering her to become a shrewd courtesan who excels in the business of seduction and illusion, though she still struggles to understand who she is.

Winner of a Pushcart Prize for poetry and an American Book Award for her short stories, Chitra Banerjee Divakaruni explores themes of women, immigration, and her vibrant Indian culture to great effect. Divakaruni expands on these ideas in One Amazing Thing, a project long in the making and full of electric prose.

Anju and Sudha formed an astounding, almost psychic connection during their childhood in India. When Anju invites Sudha, a single mother in Calcutta, to come live with her and her husband, Sunil, in California, Sudha foolishly accepts, knowing full well that Sunil has long desired her. As Sunil's attraction rises to the surface, the trio must struggle to make sense of the freedoms of America - and of the ties that bind them to India and to one another.

In her most intimate and seamlessly crafted work to date, Chimamanda Ngozi Adichie turns her penetrating eye on America in 12 dazzling stories that explore the ties that bind men and women, parents and children, Africa and the United States.

An Iranian girl escapes to America as a child, but her father stays behind. Over 20 years, as she transforms from confused immigrant to overachieving Westerner to sophisticated European transplant, daughter and father know each other only from their visits: four crucial visits over two decades, each in a different international city. The longer they are apart, the more their lives diverge, but also the more each comes to need the other's wisdom and, ultimately, rescue.

For a long time, Nadja Spiegelman believed her mother was a fairy. More than her famous father, Maus creator Art Spiegelman, and even more than most mothers, hers - French-born New Yorker art director Françoise Mouly - exerted a force over reality that was both dazzling and daunting. As Nadja's body changed and "began to whisper to the adults around me in a language I did not understand", their relationship grew tense.

An experienced psychologist, Maggie carefully maintains emotional distance from her patients. But when she meets a young Indian woman who tried to kill herself, her professional detachment disintegrates. Cut off from her family in India, Lakshmi is desperately lonely and trapped in a loveless marriage. Moved by her plight, Maggie treats Lakshmi in her home office for free, quickly realizing that the despondent woman doesn't need a shrink; she needs a friend.

Handsome anesthesiologist Neel is sure he can resist his family’s pleas that he marry a "good" Indian girl. With a girlfriend and a career back in San Francisco, the last thing Neel needs is an arranged marriage. But that’s precisely what he gets. His bride, Leila, a 30-year-old teacher, comes with her own complications. They struggle to reconcile their own desires with others’ expectations in this story of two people, two countries, and two ways of life that may be more compatible than they seem.

Best-selling author and PEN and Beyond Margins Award finalist Thrity Umrigar’s acclaimed novels “resonate with rich prose and vibrant depictions of India” ( Booklist). In The World We Found, Armaiti, Laleh, Kavita, and Nishta - once friends at the University of Bombay - reconnect 30 years later when Armaiti is diagnosed with cancer. Coming together, all four women are forced to reexamine their lives.

A dazzlingly accomplished debut collection explores the ties that bind parents and children, husbands and wives, lovers and friends to one another and to the places they call home. In “Who Will Greet You at Home”, a National Magazine Award finalist for The New Yorker, a woman desperate for a child weaves one out of hair, with unsettling results. In “Wild”, a disastrous night out shifts a teenager and her Nigerian cousin onto uneasy common ground. In "The Future Looks Good", three generations of women are haunted by the ghosts of war.

These nine globe-trotting, unforgettable stories from Mia Alvar, a remarkable new literary talent, vividly give voice to the women and men of the Filipino diaspora. Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere - and sometimes turning back again.