World renowned critic John Gardner has received prestigious awards for his wide range of literary achievements including short stories, novels, and essays. When he turns his talents to retelling Beowulf, the earliest epic in British literature, the result is a work that combines extensive knowledge with a marvelous strain of pure fun. In Gardner's version of the epic, instead of lauding the helmeted hero, Beowulf, the spotlight shines on Grendel.

New York Times best seller and Whitebread Book of the Year, Nobel Laureate Seamus Heaney's new translation of Beowulf comes to life in this gripping audio. Heaney's performance reminds us that Beowulf, written near the turn of another millennium, was intended to be heard not read.

From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings - high and gabled - and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside - in lawns and on playgrounds - wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall’s periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights.

Franz Kafka's 1915 novella of unexplained horror and nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. It is the story of traveling salesman Gregor Samsa, who wakes one morning to find himself transformed into a monstrous insect. This hugely influential work inspired George Orwell, Albert Camus, Jorge Louis Borges, and Ray Bradbury, while continuing to unsettle millions of readers.

This brilliant new treatment of the world's oldest epic is a literary event on par with Seamus Heaney's wildly popular Beowulf translation. Esteemed translator and best-selling author Stephen Mitchell energizes a heroic tale so old it predates Homer's Iliad by more than a millennium.

Called “our finest black-humorist” by The Atlantic Monthly, Kurt Vonnegut was one of the most influential writers of the 20th century. Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase, We Are What We Pretend To Be.

According to Kurt Vonnegut's alter ego, the old science fiction writer Kilgore Trout, a global timequake will occur on February 13, 2001, at 2:27 p.m. It will be the moment when the universe suffers a crisis of conscience: Should it go on expanding indefinitely or collapse and make another great big BANG? For its own cosmic reasons, it decides to back up a decade to 1991, giving the world a 10-year case of deja vu, making everybody and everything do exactly what they'd done during the past decade.

Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustave von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.

Set in the time of Charlemagne and narrated by a nun with her own secrets to keep, The Nonexistent Knight tells the story of Agilulf, a gleaming white suit of armor with nothing inside it. A challenge to his honor sends Agilulf on a search through France, England, and North Africa to confirm the chastity of a virgin he saved from rape years earlier.    

The grand-prize winner of a writing contest sponsored by the Philadelphia Dollar Newspaper, "The Gold-Bug" was one of Poe's most popular stories during his lifetime. Similar to his ratiocination tales - early versions of what we now call detective fiction - "The Gold-Bug" is full of mystery and adventure and includes a cryptogram, invisible ink, a scarab-like bug, and pirate treasure.

Eliot Rosewater, a drunk volunteer fireman and president of the fabulously rich Rosewater Foundation, is about to attempt a noble experiment with human nature, with a little help from writer Kilgore Trout. The result is Kurt Vonnegut's funniest satire, an etched-in-acid portrayal of the greed, hypocrisy, and follies of the flesh we are all heir to.

When Oberon, King of the Fairies, uses his magic upon four runaway lovers in a midsummer wood outside Athens, chaos ensues. Who really loves whom? Meanwhile, a band of well-meaning but bungling local actors have their rehearsal sabotaged by the mischievous Puck, who bewitches their leader, Bottom, and Titania, the Fairy Queen. The result is a lively and anarchic comedy that can only be resolved by an elaborate disentangling of spells.

Thomas Paine published Common Sense in 1776, a time when America was a hotbed of revolution. The pamphlet, which called for America's political freedom, sold more than 150,000 copies in three months. Paine not only spurred his fellow Americans to action but soon came to symbolize the spirit of the Revolution itself. His persuasive pieces, written so elegantly, spoke to the hearts and minds of all those fighting for freedom from England.

Neil Gaiman has long been inspired by ancient mythology in creating the fantastical realms of his fiction. Now he turns his attention back to the source, presenting a bravura rendition of the great northern tales. In Norse Mythology, Gaiman fashions primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds; delves into the exploits of the deities, dwarves, and giants; and culminates in Ragnarok, the twilight of the gods and the rebirth of a new time and people.

Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the kingdom of Phthia to be raised in the shadow of King Peleus and his golden son, Achilles. “The best of all the Greeks”—strong, beautiful, and the child of a goddess—Achilles is everything the shamed Patroclus is not. Yet despite their differences, the boys become steadfast companions. Their bond deepens as they grow into young men and become skilled in the arts of war and medicine—much to the displeasure and the fury of Achilles’ mother, Thetis, a cruel sea goddess with a hatred of mortals.

New York Times best seller and Whitebread Book of the Year, Nobel Laureate Seamus Heaney's new translation of Beowulf comes to life in this gripping audio. Heaney's performance reminds us that Beowulf, written near the turn of another millennium, was intended to be heard not read.

The oldest long poem in Old English, written about AD 1,000, Beowulf tells the story of a great warrior of southern Scandinavia, in both youth and maturity. The monster Grendel terrorizes the Scyldings of Hrothgar's Danish Kingdom until Beowulf defeats him. As a result, he has to face her enraged mother. Beowulf dies after a battle against a fierce dragon.

From the perspective of those who live in Herot Hall, the suburb is a paradise. Picket fences divide buildings - high and gabled - and the community is entirely self-sustaining. Each house has its own fireplace, each fireplace is fitted with a container of lighter fluid, and outside - in lawns and on playgrounds - wildflowers seed themselves in neat rows. But for those who live surreptitiously along Herot Hall’s periphery, the subdivision is a fortress guarded by an intense network of gates, surveillance cameras, and motion-activated lights.

When sleep was at its deepest, night at its blackest, up from the mist-filled marsh came Grendel stalking. Thus begins the battle between good and evil, for lying in wait and anxious to challenge the ogre Grendel is a young man, strong-willed and fire-hearted. This man is Beowulf, whose heroic dragon-slaying deeds were sung in the courts of Anglo-Saxon England more than a thousand years ago.

Written a thousand years ago, this long poem is the very first surviving piece of English literature. Join Beowulf, a young warrior, as he achieves glory by fighting and killing three fantastic monsters. This new translation, by the Nobel laureate poet Seamus Heaney, offers modern listeners an accessible, intensely dramatic text. It amply demonstrates why this epic has spread its influence over more than a millennium of literature.

The origins, history and authorship of Beowulf are shrouded in uncertainty. This heroic epic probably began, as most do, with a wandering troubadour strumming a stringed instrument, sitting before a hearth-fire, and singing the verses to a spellbound audience arrayed before him. Beowulf is a rousing adventure story, filled with intrepid heroes, monsters and fire-breathing dragons, which can be listened to for the sheer enjoyment of the tale.

Beowulf is considered the finest heroic poem in Old English. It celebrates the character and exploits of Beowulf, a young nobleman and warrior, as he proves his superhuman strength and endurance. He also represents the ideal lord and vassal, rewarding his men generously and accomplishing glorious deeds to honor his king.

Beowulf is the greatest surviving work of literature in Old English, unparalleled in its epic grandeur and scope. It tells the story of the heroic Beowulf and of his battles, first with the monster Grendel, who has laid waste to the great hall of the Danish king Hrothgar, then with Grendel's avenging mother and finally with a dragon that threatens to devastate his homeland.

This brilliant new treatment of the world's oldest epic is a literary event on par with Seamus Heaney's wildly popular Beowulf translation. Esteemed translator and best-selling author Stephen Mitchell energizes a heroic tale so old it predates Homer's Iliad by more than a millennium.

Out of the mixture of Latin and Germanic paganism and the Christianity of the Early Middle Ages has sprung one of the world's supremely great pieces of literature. J.R.R. Tolkien, author of The Lord of the Rings, delivered a famous lecture to the British Academy in 1936 in which he maintained that Beowulf was a poem all of a piece, and not (as had been suggested) a jumble of fragments for pedantic scholars to paw over.

It's never been easy to be a hero. When Beowulf arrives at Hrothgar's hall, he discovers that the hall is beset by Grendel, an evil creature that kills and pillages with impunity. Beowulf, in heroic fashion, bests Grendel in combat, then follows Grendel back to his lair to finish the job.