He’s handsome. He’s charming. He’s a total gentleman ... and he’s totally outgunned and outnumbered. He’s Michael Patrick Obañon. Obañon’s lost his inheritance—a 100,000-acre New Mexico spread—and he could lose his life if he’s not careful. A ruthless band of renegades have seized his land, and he’s determined to get it back... Obañon’s got one secret weapon: his fierce intelligence. He can’t outshoot the outlaws, so he’ll have to find a way to outwit them....

No one more vividly captures the rugged majesty and enduring spirit of the American West than Louis L'Amour. Collected for the very first time are seven unabridged frontier tales from a legendary master of the genre. Volume One celebrates this remarkable voice in American fiction with a captivating blend of some of his best-loved work.

Johnny Buck is a young cowboy, working for the Bar W. In the process of roping an old stob-horned steer, Buck is thrown from his horse - and into a hidden cleft where he encounters the mystery of a murdered man and a bag of ore that just might be gold.

Most folks would call Kim Sartain an easygoing, peace-loving man. But the few who crossed the young drifter knew there was nothing he liked better than a good fight. When cattleman Jim Targ challenges Sartain's right to ride across an unclaimed stretch of meadow, Sartain decides he'll do better than ride through: He'll put down stakes there and homestead the land. So there's more at risk than land and pride when Targ hires a gunman to teach Sartain a permanent - and deadly - lesson

Once, Frank Morgan had a wife and a future on the land — until a rich man with a grudge drove him out of Colorado. Since then, Morgan's taken up the one skill that always came easy — gunfighting — and drifted to a mining town in the New Mexico Territory. But there's nothing easy about two vicious gangs descending on the town and threatening to wreak havoc. With his reputation preceding him, Morgan is elected to stand in the outlaws' way. 

Kate Lundy, owner of the Tumbling B, and Conn Dury, her foreman, told Tom the rules: men from the cattle drives are forbidden on the north side of town. People appreciated the money the cowboys spent but thought them too coarse to be near their homes. Enticed to come calling by Linda McDonald, daughter of one of the leading citizens, Tom Lundy broke the law and crossed the line. Later that night, he was dead. Outraged by her brother's murder, Kate vows to destroy the entire town. 

In Riders of the Dawn, a young gunslinger is changed for the better by a meeting with a beautiful woman. A classic range-war western, this novel features that powerful, romantic, strangely compelling vision of the American West for which L'Amour's fiction is known. In the author's words: "It was a land where nothing was small, nothing was simple. Everything, the lives of men and the stories they told, ran to extremes."

Louis L'Amour is now one of the most iconic Western writers of all time, but once upon a time he was Jim Mayo, a regular writer for the pulps. Some of the tales he wrote in those days stuck with him enough that he later revised and expanded them into novels. But there was a special magic to the originals, and after research and restoration, these stories appear here now in their original form.

In these extraordinary stories, we meet a man who is forced to defend himself by taking another’s life - and must pay for his actions in a most punishing manner; a young thrill-seeker who finally finds a place he can call home, and vows to stay there - regardless of the man who tries to stand in his way; and a drifter who honors a deathbed promise to a stranger by embarking on an unlikely mission of mercy.   

Ross Hardy had made his decision. He sat in the middle of all he owned, a splendid Appaloosa gelding, a fine California saddle, a .44 Winchester rifle, and two walnut-stocked Colt .44 pistols. These were his all. It was a life that had left him rich in experience, but poor in goods of the world. The experience was the hard-fisted experience of cold winters, dry ranges, and the dusty bitterness of cattle drives.

Louis L'Amour said that the West was no place for the frightened or the mean. It was a "big country needing big men and women to live in it", This volume presents eight of L'Amour's ever-popular short stories - history that lives forever.

The open West was a land where wanderers could find themselves a home--a home to fight for, to be changed by, sometimes to die for. From a has-been boxer to a ranch hand taking on his bosses' troubles, the characters in these classic Louis L'Amour short stories are all "riding for the brand" - staying loyal to what matters.

There will never be another Western writer like Louis L’Amour. A legendary author and indisputably the greatest storyteller in his genre of all time, L’Amour captivated millions of readers and has sold well over three hundred million copies of his works, which includes nearly ninety novels and countless short stories. Mistakes Can Kill You highlights an essential selection featuring nine of L’Amour’s earlier short stories, sometimes written under the pen name Jim Mayo, that exemplify the rugged morality of the best Western writing.

First time in audiobook form, this "lost" Louis L'Amour novel, published in three parts in the old pulp magazines during the 1950s, showcases the story of the settling of the west in the lives and loves of the riders of the Tumbling K ranch. Once again, Louis L'Amour delivers an unforgettable novel of men and women facing the raw challenges of the range land. Ward McQueen and Kim Sartain are friends and hands on the Tumbling K ranch. One will find love with its passionate owner, Ruth Kermett.

In the first in this trio of Western stories by Louis L'Amour - "Black Rock" - Jim Gatlin, a Texas trail driver, arrives in the town of Tucker where he finds himself quickly drawn into the middle of an all-out battle for the XY Ranch when, due to a case of mistaken identity, he kills the segundo of Wing Cary's Flying C Ranch. Gatlin is a dead-ringer for Jim Walker, who, like Cary, wants control of the XY. Gatlin is thrown into a situation in which all he can do but fight for his life.