You’d never know what secrets the house on Hogarth Street holds - what’s happening, right this second, behind closed doors. An emerald-green front lawn. Perfectly trimmed hedging. An ivy-covered front gate and the scent of honeysuckle in the air. In the yard, two scooters lie on the grass. One blue, one pink, belonging to five-year-old twins.

I only try on one of Nina’s pristine white dresses once. Just to see what it’s like. But she soon finds out...and by the time I realize my attic bedroom door only locks from the outside, it’s far too late. But I reassure myself: The Winchesters don’t know who I really am. They don’t know what I’m capable of....

Saffron vowed to love Miles no matter what life threw at them both. But when her mother-in-law moves into their happy family home, Saffron’s shiny life begins to tarnish. Even as Caprice’s barbed comments turn to something more sinister, Saffron hopes the new nanny’s arrival will shield her from the worst of it. She’s starting to feel paranoid in her own home.

We live in a close-knit community. Thirty houses surrounding a square of garden that is perfect for our kids. We congregate here on major holidays, each family bringing a plate and sharing food and conversation. It’s in the garden that I first met her. The woman who would worm her way into my family and piece by piece tear it apart.

Kathy Hamilton drives away from her sister-in-law’s pristine-white suburban house in Maple Falls certain she’s left her daughter in safe hands. On the hottest day of the year, a birthday is the perfect excuse to gather friends, family, and neighbors around the pool for a barbecue. But when she returns hours later to find her little girl has vanished, her world shatters.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Ciara and Oliver meet in a supermarket queue in Dublin and start dating the same week COVID-19 reaches Irish shores. When lockdown threatens to keep them apart, Oliver suggests they move in together. Ciara sees a unique opportunity for a relationship to flourish without the scrutiny of family and friends. Oliver sees a chance to hide who - and what - he really is.

Aaron Decker's life changes one December morning when his wife, Allison, is killed. Haunted by her absence - and her ghost - Aaron goes through her belongings, where he finds a receipt for a motel room in another part of the country. Piloted by grief and an increasing sense of curiosity, Aaron embarks on a journey to discover what Allison had been doing in the weeks prior to her death.

Private investigator Jim Bean is a straightforward, to-the-point man. He likes his cases to follow suit. But when his latest client, Sophie Evers, asks him to find her brother Daniel, Jim has no idea how complicated his life is about to become. As he falls deep into a manipulative game of cat and mouse, Jim uncovers the horrible truth about Sophie. Now he must set things right before her plan leads to the loss of innocent souls...even more than it already has. 

She bursts into my life like a storm, and nothing is the same again. One by one, I watch as my friends fall under her spell. Only I see that her smiles don’t reach her cold, furious eyes. And when I’m accused of things I didn’t do, when my home is vandalized, I know she’s behind it. But she only lets her mask slip when no one is looking, so if I say anything, I’ll look crazy. So when the baby shower comes around, I’m sitting on a velvet sofa in a posh hotel room, surrounded by balloons. But that afternoon, I finally learn the unbelievable truth. There is no baby....

When Sarah Larsen finds the notice, posted on creamy card stock in her building’s lobby, one glance at the exclusive address tells her she’s found her ticket out of a dead-end job - and life. At the interview, the job seems like a dream come true: a glamorous penthouse apartment on the Upper West Side of NYC; a salary that adds several zeroes to her current income; the beautiful, worldly mother of her charge, who feels more like a friend than a potential boss. She’s overjoyed when they offer her the position and signs the NDA without a second thought.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

The Inn at Gloucester stands alone on the rocky shoreline. Its seclusion suits former Boston police detective Bill Robinson, novice owner and innkeeper. As long as the dozen residents pay their rent, Robinson doesn't ask any questions. Neither does Sheriff Clayton Spears, who lives on the second floor. Then Mitchell Cline arrives, with a deadly new way of doing business. His crew of local killers break laws, deal drugs, and bring violence to the doors of the Inn. 

Before moving in with the Crouch family, Juno thought Winnie and her husband, Nigel, had the perfect marriage, the perfect son — the perfect life. Only now that she’s living in their beautiful house, she sees the cracks in the crumbling facade are too deep to ignore. Still, she isn’t one to judge. After her grim diagnosis, the retired therapist simply wants a place to live out the rest of her days in peace. But that peace is shattered the day Juno overhears a chilling conversation between Winnie and Nigel....

Long ago, Nathan lived in a house in the country with his abusive father—and has never told his family what happened there. Long ago, Maddie was a little girl making dolls in her bedroom when she saw something she shouldn’t have—and is trying to remember that lost trauma by making haunting sculptures. Long ago, something sinister walked in the mountains and the coal mines of their hometown in rural Pennsylvania. Now, Nate and Maddie Graves are married, and they have moved back to their hometown with their son, Oliver. And now what happened long ago is happening again...to Oliver.