Mark Antony, one of the three rulers of the Roman world, has become the thrall of the fascinating Cleopatra. Affairs of state call him to Rome, but the attractions of the queen of Egypt prove impossible to resist. From one of history's greatest love stories Shakespeare builds this magnificent tragedy of the clash between love and duty.

The noble Titus returns victorious to Rome bringing Tamora, Queen of the Goths as his captive. When one of Tamora's sons is condemned to die, she vows revenge, and, aided by the villainous Aaron, she exacts a terrible retribution, inaugurating a grim cycle of rape, murder, and cannibalism. This macabre, often brilliant tragedy comes from the earliest stage of Shakespeare's dramatic career.

Pericles, Prince of Tyre, undergoes a tyrant's fury, storm, and shipwreck. He wins love and suffers loss, but what is lost may also be found. With the ancient poet Gower acting as narrator, we follow the adventures of Pericles from young manhood to maturity. This strange and powerful tale of loss and recovery is the first in the group of romance comedies created by Shakespeare at the end of his dramatic career.

The fabulously rich Timon believes all his friends to be as open-hearted and generous as himself. When his wealth suddenly evaporates, however, he discovers the truth and his altruism turns to a bitter hatred of mankind. Stirred up by the cynical Apemantus, Timon retreats to the woods where he plots the destruction of Athens, the city that had formerly seemed to embody everything pleasurable and civilized. The cosmic scope of his hatred is communicated in a series of powerful and disturbing dramatic tableaux.

Telling his followers he is leaving the city on affairs of state, the Duke of Vienna appoints the puritanical Angelo to govern in his absence. Will Angelo prove as virtuous as he seems once power is in his hands? Roaming the city disguised as a friar, the duke looks on as Angelo's lust for the virtuous Isabella sweeps him into the corruption he has so sternly condemned in others. The duke's manipulation at last produces a happy ending for this dark comedy, with its brilliant exploration of the themes of justice and mercy.

Palamon and Arcite, cousins and bosom friends, are taken prisoner by Duke Theseus of Athens. While in captivity, they spy the beautiful Emilia. Both fall instantly in love with her, and their attachment to each other turns to hate. This dark-edged tragicomedy is now widely regarded as having been written by Shakespeare in collaboration with John Fletcher. Composed sometime in 1613-14, The Two Noble Kinsmen is the final play in Shakespeare's dramatic career.

King Henry is married to Katherine of Aragon, but he has been smitten by the charms of the queen's maid of honor, Anne Bullen, and is tempted to divorce his dignified and noble wife. Meanwhile, the lords of England resent the influence of Henry's trusted advisor, Cardinal Wolsey, who is gradually drawing power into his own hands. As Katherine and Wolsey suffer their tragic falls, new figures rise to fill their places, but they, too, will be brought low by the inexorable sweep of time and fortune.

Distressed by his father's death and his mother's over-hasty remarriage, Hamlet, Prince of Denmark, is faced by a specter from beyond the grave bearing a grim message of murder and revenge. The young prince is driven to the edge of madness by his struggle to understand the situation he finds himself in and to do his duty. Many others, including Hamlet's beloved, the innocent Ophelia, are swept up in his tragedy.

The young and virtuous physician's daughter Helena desperately loves Count Bertram, but he regards her as beneath his notice. When Helena cures the king of France of a mortal illness, he rewards her with Bertram's hand, but before their marriage can be consummated the count flees. To win her husband back again, Helena forms a daring and resourceful plan. A plot to unmask the strutting soldier Parolles makes up another strand in this sometimes disturbing comedy of deception and disguise.

Shakespeare's most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino: Confusion is rife. Meanwhile, Olivia's arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.

The young king of Navarre and three of his courtiers have vowed to lock themselves away for three years of study and fasting, and to forswear the company of women for this period. No sooner is their vow made than it is tested, however, as the princess of France and three of her ladies arrive in Navarre on a diplomatic mission. The young men fall instantly and hopelessly in love, and the tension between their vow and their passion forms the subject of this charming and sparkling early comedy.

Henry V is a study of kingship, patriotism, and heroic determination tempered by tender comedy as Henry courts Katherine, princess of France. Henry, the noble and courageous young king of England, decides to invade France, believing he has a rightful claim to the throne. At Agincourt he leads his army into battle against the powerful French forces and, against all the odds, wins a famous victory.

Young Claudio has fallen for the lovely heiress Hero, who also loves him. Their path to the altar looks smooth, until the evil Don John intervenes. All ends happily, thanks to his incompetent assassins and the lucky discoveries of the bungling constable Dogberry. Central to the play, one of Shakespeare's best-loved comedies, are Beatrice and Benedick, masters of wit and sworn foes to marriage - until a plot is hatched to bring them together.

The sensitive and poetic Richard II is undoubtedly the rightful king of England, but he is unscrupulous and weak. When his cousin Henry Bolingbroke returns from banishment and mounts a challenge to his authority, Richard's right to the throne proves of little help to him. Richard is forced to abdicate, but as his power is stripped away, he gains dignity and self-awareness, and he meets his death heroically.

Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.