After the 20th century’s devastating series of wars, the world’s governments banded together into one globe-spanning entity, committed to peace at all costs. Ensuring that peace is the Vulcan supercomputer, responsible for all major decisions. But some people don’t like being taken out of the equation. And others resent the idea that the Vulcan is taking the place of God. As the world grows ever closer to all-out war, one functionary frantically tries to prevent it. But the Vulcan computer has its own plans....

Following an inexplicable urge, Ted Barton returns to his idyllic Virginia hometown for a vacation, but when he gets there, he is shocked to discover that the town has utterly changed. The stores and houses are all different and he doesn't recognize anybody. The mystery deepens when he checks the town's historical records...and reads that he died nearly twenty years earlier.

Floyd Jones has always been able to see exactly one year into his future, a gift and curse that began one year before he was even born. As a fortuneteller at a post-apocalyptic carnival, Jones is a powerful force, and may be able to free society from its paralyzing Relativism. If, that is, he can avoid the radioactively unstable government hit man on his tail.

Following a devastating nuclear war, the Moral Reclamation government took over the world and forced its citizens to live by strictly puritanical rules - no premarital sex, drunkenness, or displaying of neon signs - all of which are reinforced through a constant barrage of public messages. The chief purveyor of these messages is Alan Purcell, next in line to become head of the propaganda bureau. But there is just one problem: a statue of the government’s founder has been vandalized.

This novel, Dick said, is about Leo Runcible, "a brilliant, civic minded liberal Jew living in a rural WASP town in Marin County, California." Runcible, a real estate agent involved in a local battle with a neighbor, finds what look like Neanderthal bones in Marin and dreams of rising real estate prices because of the publicity. But it turns out that the remains are more recent, the result of an environmental problem polluting the local water supply.

In the future, most of humanity lives in massive underground bunkers, producing weapons for the nuclear war they’ve fled. Constantly bombarded by patriotic propaganda, the citizens of these industrial anthills believe they are waiting for the day when the war will be over and they can return above ground. But when Nick St. James, president of one anthill, makes an unauthorized trip to the surface, what he finds is more shocking than anything he could imagine.

When a repairman accidentally discovers a parallel universe, everyone sees it as an opportunity, whether as a way to ease Earth’s overcrowding, set up a personal kingdom, or hide an inconvenient mistress. But when a civilization is found already living there, the people on this side of the crack are sent scrambling to discover their motives. Will these parallel humans come in peace? Or are they just as corrupt and ill-intentioned as the people of this world?

What is VALIS? This question is at the heart of Philip K. Dick's groundbreaking novel, the first book in his defining trilogy. When a beam of pink light begins giving a schizophrenic man named Horselover Fat (who just might also be known as Philip K. Dick) visions of an alternate Earth where the Roman Empire still reigns, he must decide whether he is crazy or whether a godlike entity is showing him the true nature of the world.

Sometimes even gods need help. In Galactic Pot-Healer that god is an alien creature known as the Glimmung, which looks alternately like a flaming wheel, a teenage girl, and a swirling mass of ocean life. In order to raise a sunken city, he summons beings from across the galaxy to Plowman’s Planet. Joe Fernwright is one of those summoned, needed for his skills at pot-healing - repairing broken ceramics. But from the moment Joe arrives on Plowman’s Planet, things start to go awry. Is the Glimmung good or evil?

In Our Friends from Frolix 8, the world is run by an elite few. And what determines whether one is part of the elite isn’t wealth or privilege, but brains. As children, every citizen of Earth is tested; some are found to be super-smart New Men and some are Unusuals with various psychic powers. The vast majority are Undermen, performing menial jobs in an overpopulated world.

In Radio Free Albemuth, his last novel, Philip K. Dick morphed and recombined themes that had informed his fiction from A Scanner Darkly to VALIS and produced a wild, impassioned work that sounds like a visionary alternate history of the United States. Agonizingly suspenseful, darkly hilarious, and filled with enough conspiracy theories to thrill the most hardened paranoid, Radio Free Albemuth is proof of Dick's stature as our century's greatest science fiction writer.

Earth is trapped in the crossfire of an unwinnable war between two alien civilizations. Its leader is perpetually on the verge of death. And on top of that, a new drug has just entered circulation - a drug that haphazardly sends its users traveling through time. In an attempt to escape his doomed marriage, Dr. Eric Sweetscent becomes caught up in all of it. But he has questions: Is Earth on the right side of the war? Is he supposed to heal Earth’s leader or keep him sick? And can he change the harrowing future that the drug has shown him?

When a routine tour of a particle accelerator goes awry, Jack Hamilton and the rest of his tour group find themselves in a world ruled by Old Testament morality, where the smallest infraction can bring about a plague of locusts. Escape from that world is not the end, though, as they plunge into a Communist dystopia and a world where everything is an enemy. Philip K. Dick was aggressively individualistic, and no worldview is safe from his acerbic and hilarious takedowns.

Delmak-O is a dangerous planet. Though there are only 14 citizens, no one can trust anyone else and death can strike at any moment. The planet is vast and largely unexplored, populated mostly by gelatinous cube-shaped beings that give cryptic advice in the form of anagrams. Deities can be spoken to directly via a series of prayer amplifiers and transmitters, but they may not be happy about it. And the mysterious building in the distance draws all the colonists to it, but when they get there each sees a different motto on the front.

Jack Isidore doesn’t see the world like most people. According to his brother-in-law, Charley, he’s a crap artist, obsessed with his own bizarre theories and ideas, which he fanatically records in his many notebooks. He is so grossly unequipped for real life that his sister and brother-in-law feel compelled to rescue him from it. But while Fay and Charley Hume put on a happy face for the world, they prove to be just as sealed off from reality, in thrall to obsessions that are slightly more acceptable than Jack’s but a great deal uglier.