You might ask the obvious question: What do I, a 17-year-old Haitian American from Miami with way too little life experience, have to say about anything? Actually, a lot. Thanks to "the incident" (don’t ask), I’m spending the next two months doing what my school is calling a "spring volunteer immersion project." It’s definitely no vacation. I’m toiling away under the ever-watchful eyes of Tati Estelle at her new nonprofit. And my lean-in queen of a mother is even here to make sure I do things right.

In Compton, California, 10 Black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988, Mayisha Akbar founded the Compton Jr. Posse to provide local youth with a safe alternative to the streets.

Izumi Tanaka has never really felt like she fit in - it isn’t easy being Japanese American in her small, mostly White, northern California town. Raised by a single mother, it’s always been Izumi - or Izzy, because “it’s easier this way” - and her mom against the world. But then Izumi discovers a clue to her previously unknown father’s identity...and he’s none other than the Crown Prince of Japan. Which means outspoken, irreverent Izzy is literally a princess.

Just as I Am is my truth. It is me, plain and unvarnished, with the glitter and garland set aside. Here, I am indeed Cicely, the actress who has been blessed to grace the stage and screen for six decades. Yet I am also the church girl who once rarely spoke a word. I am the teenager who sought solace in the verses of the old hymn for which this book is named. I am a daughter and mother, a sister, and a friend. I am an observer of human nature and the dreamer of audacious dreams.

Ever since Ellie wore a whale swimsuit and made a big splash at her fifth-birthday party, she's been bullied about her weight. To cope, she tries to live by the Fat Girl Rules - like "no making waves", "avoid eating in public", and "don't move so fast that your body jiggles". And she's found her safe space - her swimming pool - where she feels weightless in a fat-obsessed world. In the water, she can stretch herself out like a starfish and take up all the room she wants. It's also where she can get away from her mom, who thinks criticizing Ellie's weight will motivate her to diet.

Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. If he’s lucky, he’ll get a job at the hospital cafeteria. If he’s extra lucky, he’ll earn more than minimum wage. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. 

Balram Halwai is a complicated man. Servant. Philosopher. Entrepreneur. Murderer. Balram tells us the terrible and transfixing story of how he came to be a success in life - having nothing but his own wits to help him along. Through Balram's eyes, we see India as we've never seen it before: the cockroaches and the call centers, the prostitutes and the worshippers, the water buffalo and, trapped in so many kinds of cages that escape is (almost) impossible, the white tiger.

With a charisma as undeniable as it is unexpected, Balram teaches us that religion doesn't create morality and money doesn't solve every problem.

A mesmerizing, moving, and elegantly written debut novel, The Language of Flowers beautifully weaves past and present, creating a vivid portrait of an unforgettable woman whose gift for flowers helps her change the lives of others even as she struggles to overcome her own troubled past. The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it's been more useful in communicating grief, mistrust, and solitude.

Light-skinned Black woman Irene Redfield encounters an old childhood friend - Clare - who is now "passing" as a White woman. Clare is married to a racist White man, who doesn't know she has African American blood. In spite of the danger of being found out by her husband and society at large, she finds herself helplessly drawn to Irene's world.

In 1985 southern Sudan is ravaged by war. Rebels and government forces battle for control, with ordinary people…people like the boy, Salva Dut…caught in the middle. When Salva's village is attacked, he must embark on a harrowing journey that will propel him through horror and heartbreak, across a harsh desert, and into a strange new life. Years later, in contemporary South Sudan, a girl named Nya must walk eight hours a day to fetch water. The walk is grueling, but there is unexpected hope.

There are no monsters anymore, or so the children in the city of Lucille are taught. Jam and her best friend, Redemption, have grown up with this lesson all their life. But when Jam meets Pet, a creature made of horns and colors and claws, who emerges from one of her mother's paintings and a drop of Jam's blood, she must reconsider what she's been told. Pet has come to hunt a monster, and the shadow of something grim lurks in Redemption's house. Jam must fight not only to protect her best friend, but also to uncover the truth.

It’s the summer of 2019, and Professor Pi Suleman is a Black man from Memphis with a lot to endure - not only as a Black man in Trump’s America but in his hard-earned career as an adjunct professor. Pi is constantly forced to bite his tongue in the face of one of his tenured colleague’s prejudices and microaggressions. At the same time, he’s being blackmailed by a powerful professor who threatens to claim he has assaulted her, when in fact the truth is just the opposite, trapping him in a he-said-she-said with a white woman that, in this society, Pi knows he will never win.

Enter the hilarious world of ten-year-old Kenny and his family, the Weird Watsons of Flint, Michigan. There's Momma, Dad, little sister Joetta, Kenny, and Byron, Kenny's older brother, who at thirteen is an "official juvenile delinquent." When Momma and Dad decide it's time for a visit to Grandma, Dad comes home with the amazing Ultra-Glide, and the Watsons set out on a trip like no other. Heading south, they're going to Birmingham, Alabama, and toward one of the darkest moments in America's history.

Academy Award nominee Samuel L. Jackson ( Pulp Fiction, Star Wars films), fresh off the success of his uproarious, Audie-nominated performance of the mock children’s book Go the F**k to Sleep, delivers a swaggering, darkly-humored rendering of Chester Himes’ classic first novel.

Fred Daniels, a Black man, is picked up by the police after a brutal double murder and tortured until he confesses to a crime he did not commit. After signing a confession, he escapes from custody and flees into the city’s sewer system. This is the devastating premise of this scorching novel, a never-before-seen masterpiece by Richard Wright.