In the sweltering summer of 1915, Pin, the 14-year-old daughter of a carnival fortune-teller, dresses as a boy and joins a teenage gang that roams the famous Riverview amusement park, looking for trouble. Unbeknownst to the well-heeled city-dwellers and visitors who come to enjoy the midway, the park is also host to a ruthless killer who uses the shadows of the dark carnival attractions to conduct his crimes. When Pin sees a man enter the Hell Gate ride with a young girl, and emerge alone, she knows that something horrific has occurred.

Documentary filmmaker Alice Lindstedt has been obsessed with the vanishing residents of the old mining town, dubbed “The Lost Village”, since she was a little girl. In 1959, her grandmother’s entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left - a woman stoned to death in the town center and an abandoned newborn - have plagued her. She’s gathered a small crew of friends in the remote village to make a film about what really happened. 

A year ago, Naomi, the investigator with an uncanny ability for finding missing children, made a promise that she would not take another case until she finds the younger sister who has been missing for years. Naomi has no picture, not even a name. All she has is a vague memory of a strawberry field at night, black dirt under her bare feet as she ran for her life.

When Jax receives nine missed calls from her older sister, Lexie, she assumes that it’s just another one of her sister’s episodes. Manic and increasingly out of touch with reality, Lexie has pushed Jax away for over a year. But the next day, Lexie is dead: drowned in the pool at their grandmother’s estate. When Jax arrives at the house to go through her sister’s things, she learns that Lexie was researching the history of their family and the property.

Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents - her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them. 

Working as a dedicated forensic psychiatrist for many years, Emma is not shocked so easily. Then she is assigned to work with Connie, a wife and mother accused of a despicable crime. Connie is suffering from dissociative amnesia - or at least seems to be. Now it is up to Emma to decide whether Connie can stand trial for her sins. But there is something about Connie that inexorably pulls Emma into her orbit. Too Close is a masterfully written riveting listen about the powerful - yet dangerous - closeness between women.

Mariana Andros is a brilliant but troubled group therapist who becomes fixated on The Maidens when one member, a friend of Mariana’s niece Zoe, is found murdered in Cambridge. Mariana, who was once herself a student at the university, quickly suspects that behind the idyllic beauty of the spires and turrets, and beneath the ancient traditions, lies something sinister. And she becomes convinced that, despite his alibi, Edward Fosca is guilty of the murder. But why would the professor target one of his students? 

A poignant and suspenseful drama that untangles the complicated ties binding three women - two sisters and their mother - in one Chinese immigrant family and explores what happens when the eldest daughter disappears, and a series of family secrets emerge, from the New York Times best-selling author of Girl in Translation.

No. It is a simple word, uttered on a summer porch in 1936. And it will haunt Kitty Milton for the rest of her life. Kitty and her husband, Ogden, are both from families considered the backbone of the country. But this refusal will come to be Kitty’s defining moment, and its consequences will ripple through the Milton family for generations. For while they summer on their island in Maine, anchored as they are to the way things have always been, the winds of change are beginning to stir.

Seventeen-year-old Noel Crowe is idling in the unexpected sunshine when Christy makes his first entrance into Faha, bringing secrets he needs to atone for. Though he can't explain it, Noel knows right then: something has changed. As the people of Faha anticipate the endlessly procrastinated advent of the electricity, and Noel navigates his own coming-of-age and his fallings in and out of love, Christy's past gradually comes to light, casting a new glow on a small world.

For more than two centuries, Winterbourne Hall has stood atop a bluff overseeing the English countryside of Cornwall and the sea beyond. In 1947, Londoner Alice Miller accepts a post as governess at Winterbourne, looking after Captain Jonathan de Grey’s twin children. Falling under the de Greys’ spell, Alice believes the family will heal her own past sorrows. But then, the twins’ adoration becomes deceitful and taunting. Their father, ever distant, turns spiteful and cruel. The manor itself seems to lash out. Alice finds her surroundings subtly altered, her air slightly chilled.

It is in 1950s Brighton that Marion first catches sight of Tom. He teaches her to swim, gently guiding her through the water in the shadow of the city's famous pier, and Marion is smitten - determined her love alone will be enough for them both. A few years later, near the Brighton Museum, Patrick meets Tom. Patrick is besotted, and opens Tom's eyes to a glamorous, sophisticated new world of art, travel, and beauty. The two lovers must share him, until one of them breaks and three lives are destroyed.

Three men search for some version of home; their lives move inexorably toward a reckoning that will draw them all together. For Farouk, family is all. He has protected his wife and daughter as best he can from the war and hatred that has torn Syria apart. If they stay, they will lose their freedom. Lampy is distracted; he has too much going on in his small town life in Ireland. He has the city girl for a bit of fun, but she's not Chloe. The game was always the lifeblood coursing through John's veins: manipulating people for his enjoyment. But it was never enough. 

When single mother Liv is commissioned to paint a mural in a 100-year-old lighthouse on a remote Scottish island, it's an opportunity to start over with her three daughters - Luna, Sapphire, and Clover. When two of her daughters go missing, she's frantic. She learns that the cave beneath the lighthouse was once a prison for women accused of witchcraft. The locals warn her about wildlings, supernatural beings who mimic human children, created by witches for revenge. Liv is told wildlings are dangerous and must be killed.