She was fleeing from an unwelcome marriage and so was he. When Selina sought shelter with the Marquis of Castleton, she never dreamed that it would lead to them being chased across Europe in a powerful yacht. Before long she was embroiled in a rollicking adventure. Dressed as a man to avoid detection, Selina fell into one scrape after another, yet always knowing that the Marquis would rescue her. But she was despairingly sure that he saw her only as a child and she was beginning to long for more.

It is 1831 when eight-year-old Aurelia Vennaway finds a naked baby girl abandoned in the snow on the grounds of her aristocratic family's magnificent mansion. Her parents are horrified that she has brought a bastard foundling into the house, but Aurelia convinces them to keep the baby, whom she names Amy Snow. Amy is brought up as a second-class citizen, but she and Aurelia are as close as sisters. When Aurelia dies at the age of 23, she leaves Amy 10 pounds. But Aurelia also left her much more.

Julian Fellowes's Belgravia is the story of a secret. A secret that unravels behind the porticoed doors of London's grandest postcode. Set in the 1840s, when the upper echelons of society began to rub shoulders with the emerging industrial nouveau riche, Belgravia is peopled by a rich cast of characters. But the story begins on the eve of the Battle of Waterloo in 1815. At the Duchess of Richmond's new legendary ball, one family's life will change forever.

When attractive, impulsive English widow Lilia takes a holiday in Italy, she causes a scandal by marrying Gino, a dashing and highly unsuitable Italian 12 years her junior. Her prim, snobbish in-laws make no attempt to hide their disapproval, and when Lilia's decision eventually brings disaster, her English relatives embark on an expedition to face the uncouth foreigner.

Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power, and sexual conquest than the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal, and murder follow, testing the wreckage left by human misery to find "man in man."

Prince Lyov Nikolayevitch Myshkin is one of the great characters in Russian literature. Is he a saint or just naïve? Is he an idealist or, as many in General Epanchin's society feel, an "idiot"? Certainly his return to St. Petersburg after years in a Swiss clinic has a dramatic effect on the beautiful Aglaia, youngest of the Epanchin daughters, and on the charismatic but willful Nastasya Filippovna. As he paints a vivid picture of Russian society, Dostoyevsky shows how principles conflict with emotions - with tragic results.

Exiled to four years in Siberia, but hailed by the end of his life as a saint, prophet, and genius, Fyodor Dostoevsky holds an exalted place among the best of the great Russian authors. One of Dostoevsky’s five major novels, Devils follows the travails of a small provincial town beset by a band of modish radicals - and in so doing presents a devastating depiction of life and politics in late 19th-century Imperial Russia.

Cyril Gordon, an intrepid Secret Service Agent, has completed part of his mission in obtaining a coded message vital to the nation's security. But desperate men are pursuing him and with the help of a handy cab and a disguise, he makes his escape. The cab deposits him at a church where, astoundingly, everyone seems to be waiting for him to complete a wedding party, certain he's the missing best man.

When her vile brother's wicked scheming ruins her reputation, Eleanor Chivenham is forced into a marriage of convenience. Yet there is much more to her new husband than meets the eye, and soon her heart is filled with unexpected desires.

After his great portrayal of a guilty man in Crime and Punishment, Dostoevsky set out in The Idiot to portray a man of pure innocence. The 26-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people”. Even before he reaches home, he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement.

When the dashing Jack Carstares is unfairly accused of cheating at cards, he leaves the country in disgrace. Returning some years later disguised as a highwayman, his reappearance heralds a dramatic chain of events that includes a Duke, a damsel, a duel, and not one, but two kidnappings. Written when she was just 17, The Black Moth was Heyer’s first novel, but it bears many of the hallmarks of her later romances, being vivid, witty, and peppered with historical insight.

For 170 years Edward Fairfax Rochester has stood as one of literature's most romantic, most complex, and most mysterious heroes. Sometimes haughty, sometimes tender - professing his love for Jane Eyre in one breath and denying it in the next - Mr. Rochester has for generations mesmerized, beguiled, and, yes, baffled fans of Charlotte Brontë's masterpiece. But his own story has never been told.

The year is 1835, and Carolina Adams finds herself enchanted by an unlikely suitor: the railroad. Frustrated by society's expectations upon her gender, she longs to study more masculine subjects and is thrilled when her father grants her a tutor. James Baldwin arrives to serve as Carolina's teacher, but of more importance, he is to court Carolina's beautiful older sister, Virginia. Will expectations - and Virginia's Southern charm - elicit the hoped-for proposal? Or will James and Carolina dare to acknowledge the mutual interests and feelings growing between them?

Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of "telegrams and anger". When the elder Mrs. Wilcox dies and her family discovers she has left their country home - Howards End - to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve.

Lord Michael Dunham is bored of society, bored of fickle women, but above all that, he is afraid. His father suffered from madness, and Michael is terrified that he will inherit the same affliction. He scrutinizes his every mood swing, his every expression, to see if he can detect any signs that he is developing the symptoms. It blights his life. He has determined that he will never marry, putting a wife through the same that his mother suffered, and he certainly will never have children. The disease will die with him.