A provocative and original investigation of our cultural fascination with crime, linking four archetypes - Detective, Victim, Attorney, Killer - to four true stories about women driven by obsession. In this illuminating exploration of women, violence, and obsession, Rachel Monroe interrogates the appeal of true crime through four narratives of fixation. In the 1940s, a bored heiress began creating dollhouse crime scenes depicting murders, suicides, and accidental deaths. Known as the “Mother of Forensic Science,” she revolutionized the field of what was then called legal medicine.

I order another bourbon, neat. This is the drink that will flip the switch. I don’t even know how I got here, to this place, to this point. Something is happening to me lately. I’m drinking too much. My sheets are soaking wet when I wake up from nightmares of decaying corpses. I order another drink and swig it, trying to forget about the latest case I can’t shake. Crime solving for me is more complex than the challenge of the hunt, or the process of piecing together a scientific puzzle. The thought of good people suffering drives me to the point of obsession. 

Wealthy, beautiful, and brilliant, Shele Danishefsky had fulfillment at her fingertips. Having conquered Wall Street, she was eager to build a family with her much younger husband, promising Ivy League graduate Rod Covlin. But when his hidden vices surfaced, marital harmony gave way to a merciless divorce. Rod had long depended on Shele's income to fund his tastes for high stakes backgammon and infidelity - and she finally vowed to sever him from her will. In late December 2009, Shele made an appointment with her lawyer. She would never make it to that meeting.

The names of notorious serial killers are usually well-known; they echo in the news and in public consciousness. But most people have never heard of Israel Keyes, one of the most ambitious and terrifying serial killers in modern history American Predator is the ambitious culmination of years of interviews with key figures in law enforcement and in Keyes's life, and research uncovered from classified FBI files. Callahan takes us on a journey into the chilling, nightmarish mind of a relentless killer, and to the limitations of traditional law enforcement.

In the era of Grindr and same-sex marriage, gay bars are closing down at an alarming rate. What, then, was the gay bar? Set between Los Angeles, San Francisco, and London, Gay Bar takes us on a time-traveling, transatlantic bar hop through pulsing nightclubs, after-work dives, hardcore leather bars, gay cafes, and saunas, asking what these places meant to their original clientele, what they meant to the author as a younger man, and what they mean now.

The prize-winning and best-selling author of Say Nothing presents a grand, devastating portrait of three generations of the Sackler family, famed for their philanthropy, whose fortune was built by Valium and whose reputation was destroyed by OxyContin. Empire of Pain is a masterpiece of narrative reporting and writing, exhaustively documented and ferociously compelling.

Why we think it’s a great listen: It’s a story that most people know, told here in an unforgettable way – an audio masterpiece that rivals the best thrillers, thanks to Capote genre-defining words and Brick’s subtle but powerful characterizations. On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues.

Detective Derek Mois wasn’t sure what he was dealing with when in March 2008 he walked into a home in an affluent Omaha neighborhood and was confronted with two bodies. Both had been murdered with kitchen knives plunged into their throats. Who would do something so vile, and why? Lacking answers, Mois and other detectives working the case were stumped. Five years later, a strikingly similar crime occurred in which two more victims were brutally murdered with knives expertly thrust into their jugular veins.

In the 1960s, Edgar Smith, in prison and sentenced to death for the murder of teenager Victoria Zielinski, struck up a correspondence with William F. Buckley, the founder of National Review. Buckley, who refused to believe that a man who supported the neoconservative movement could have committed such a heinous crime, began to advocate not only for Smith’s life to be spared but also for his sentence to be overturned. So begins a bizarre and tragic tale of mid-century America. 

Two months before Gianni Versace was murdered on the steps of his Miami Beach mansion by Andrew Cunanan, award-winning journalist Maureen Orth was investigating a major story on the serial killer for Vanity Fair. Culled from interviews with more than 400 people and insights from thousands of pages of police reports, Orth tells the complete story of Cunanan, his unwitting victims, and the moneyed, hedonistic world in which they lived...and died.

As a young man, Randall Woodfield had it all; he was a star athlete with good looks and an award-winning student. Working in the swinging West Coast bar scene, he had more than his share of women. But he wanted more than just sex. An appetite for unspeakable violent acts led him to cruise the I-5 highway through California to Washington, leaving a trail of victims along the way. As the list of the dead grew, the police mobilized to stop a twisted killer who had 44 known deaths to his name.

Fire Island, a thin strip of beach off the Long Island coast, has long been a vital space in the queer history of America. Both utopian and exclusionary, healing and destructive, the island is a locus of contradictions, all of which coalesce against a stunning ocean backdrop. Now, poet and scholar Jack Parlett tells the story of this iconic destination—its history, its meaning and its cultural significance—told through the lens of the artists and creators who sought refuge on its shores. 

Lurking beneath the progressive activism and sex positivity in the 1970 to '80s, a dark undercurrent of violence rippled across the American landscape. With reported cases of sexual assault and homicide on the rise, the FBI created a specialized team - the “Mindhunters”, better known as the Behavioral Science Unit - to track down the country's most dangerous criminals. And yet narrowing down a seemingly infinite list of potential suspects seemed daunting at best and impossible at worst - until Dr. Ann Wolbert Burgess stepped on the scene.

In the most extraordinary journey Ann Rule has ever undertaken, America's master of true crime has spent more than two decades researching the story of the Green River Killer, who murdered more than 49 young women. Green River, Running Red is a harrowing account of a modern monster, a killer who walked among us undetected. It is also the story of his quarry -- of who these young women were and who they might have become.

Harvey Fierstein’s legendary career has transported him from community theater in Brooklyn, to the lights of Broadway, to the absurd excesses of Hollywood and back. I Was Better Last Night bares the inner life of this eccentric nonconforming child from his roots in 1952 Brooklyn, to the experimental worlds of Andy Warhol and the Theatre of the Ridiculous, to the gay rights movements of the seventies and the tumultuous AIDS crisis of the eighties, through decades of addiction, despair, and ultimate triumph.