Love and marriage. Children and family. Death and grief. Life touches everyone the same. But living under lockdown, it changes us alone. In these ten beautifully moving short stories written mostly over the last year, Booker Prize winner Roddy Doyle paints a collective portrait of our strange times.

Patrick Clarke is a 10-year-old boy trying to make sense of his world. He is confused. His Ma and Da fight too much. School seems like a joke. And love, though it has a good reputation, seems pretty cruel. Paddy sees everything, but has trouble understanding it all. His story is an exuberant romp through the triumphs, indignities, and troublemaking detours of an Irish childhood.

Paula Spencer begins on the eve of Paula's 48th birthday. She hasn't had a drink for four months and five days. Having outlived an abusive husband and father, Paula and her four children are now struggling to live their adult lives, with two of the kids balancing their own addictions. Paula rebuilds her life slowly. As she goes about her daily routine working as a cleaning woman, and cooking for her two children at home, she re-establishes connections with her two sisters, her mother, and grandchildren, expanding her world.

Just moved into a new apartment, alone for the first time in years, Victor Forde goes every evening to Donnelly's for a pint, a slow one. One evening his drink is interrupted. A man in shorts and a pink shirt comes over and sits down. He seems to know Victor's name and to remember him from secondary school. His name is Fitzpatrick. Victor dislikes him on sight, dislikes, too, the memories that Fitzpatrick stirs up of five years being taught by the Christian Brothers.

Paula Spencer is a 39-year-old working-class woman struggling to reclaim her dignity after marriage to an abusive husband and a worsening drinking problem. Paula recalls her contented childhood, the audacity she learned as a teenager, the exhilaration of her romance with Charlo, and the marriage to him that left her feeling powerless. Capturing both her vulnerability and her strength, Roddy Doyle gives Paula a voice that is real and unforgettable.

Narrated by Stephen Hogan and introduced by Roy Keane. In an 18-year playing career for Cobh Ramblers, Nottingham Forest, and Manchester United (under Sir Alex Ferguson) and Celtic, Roy Keane dominated every midfield he led to glory. Aggressive and highly competitive, his attitude helped him to excel as captain of Manchester United from 1997 until his departure in 2005.

In We Don't Know Ourselves, Fintan O'Toole weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society - perhaps the most astonishing national transformation in modern history. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism.

Shuggie’s mother Agnes walks a wayward path: She is Shuggie’s guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good - her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor.

The world has changed around 79-year-old librarian Millicent Carmichael, a.k.a. Missy. Though quick to admit that she often found her roles as a housewife and mother less than satisfying, Missy once led a bustling life driven by two children, an accomplished and celebrated husband, and a Classics degree from Cambridge. Now, her husband is gone, her daughter is estranged after a shattering argument, and her son has moved to his wife's native Australia, taking Missy's beloved only grandchild half-a-world away.

In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project's drug dealer at point-blank range. The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride's funny, moving novel and his first since his National Book Award-winning The Good Lord Bird.

The pearl-diving boat captained by Eliza’s eccentric father returns after months at sea—without Eliza’s father on it. Whispers from townsfolk point to mutiny or murder. Headstrong Eliza knows it’s up to her to discover who, or what, is really responsible. As she searches for the truth, Eliza discovers that beneath the glamorous veneer of the pearling industry lies a dark underbelly of sweltering, stinking decay.

Intimacy has always eluded 27-year-old Maggie Krause - despite being brought up by married parents, models of domestic bliss - until, that is, Lucia came into her life. But when Maggie’s mom, Iris, dies in a car crash, Maggie returns home only to discover a withdrawn dad, an angry brother, and, along with Iris' will, five sealed envelopes, each addressed to a mysterious man she’s never heard of. In an effort to run from her own grief and discover the truth about Iris - who made no secret of her discomfort with her daughter's sexuality - Maggie embarks on a road trip.

Flann O'Brien's most popular and surrealistic novel concerns an imaginary, hellish village police force and a local murder.

Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV series Lost.

Midwestern movie house owner Virgil Wander is "cruising along at medium altitude" when his car flies off the road into icy Lake Superior. Virgil survives, but his language and memory are altered, and he emerges into a world no longer familiar to him. Awakening in this new life, Virgil begins to piece together his personal history and the lore of his broken town, with the help of a cast of affable and curious locals. Into this community returns a shimmering prodigal son who may hold the key to reviving their town.

When award-winning actor, producer, and international icon Gabriel Byrne was a young boy, his grandmother brought him to the cinema for the first time. There, Byrne fell in love with the transporting power of the big screen. Growing up in 1950s and 60s Dublin within a family of eight, Byrne's formative childhood years were both carefree and challenging, spent between home, the church, school, and the streets of his ever-changing city.

In the 1980s Jimmy Rabbitte formed the Commitments, a ragtag, blue-collar collective of Irish youths determined to bring the soul music stylings of James Brown and Percy Sledge to Dublin. Time proves a great equalizer for Jimmy as he’s now approaching 50 with a loving wife, four kids, and a recent cancer diagnosis that leaves him feeling shattered and frightened. Jimmy still loves his music, and he still loves to hustle - his new thing is finding old bands and then finding the people who loved them enough to pay for their resurrected albums.

In the 1950s, ex-boxer Norman Alonso is a determined and humble Jamaican who has immigrated to Britain with his wife and children to secure a brighter future. Blighted with unexpected illness and racism, Norman and his family are resilient, but are all too aware that their family will need more than just hope to survive in their new country.

Alison Willetts is unlucky to be alive. She has survived a stroke, deliberately induced by a skilful manipulation of pressure points on the head and neck. She can see, hear and feel and is aware of everything going on around her, but is completely unable to move or communicate. Her condition is called Locked-In Syndrome.

For Emily Rossi, life may not be perfect, but it's pretty close. She has a great career, a house in the country, a solid marriage to Eric and two wonderful children - tennis superstar Daniel and quiet, sensitive Zara. But when her fourteen-year-old daughter brings home a toxic new best friend, Emily’s seemingly perfect family starts to spiral out of control.

The Cleverley family live a gilded life, little realising how precarious their privilege is, just one tweet away from disaster. George, the patriarch, is a stalwart of television interviewing, a 'national treasure' (his words); his wife, Beverley, a celebrated novelist; and their children, Nelson, Elizabeth, Achilles, various degrees of catastrophe waiting to happen. Together they will go on a journey of discovery through the Hogarthian jungle of the modern living where past presumptions count for nothing and carefully curated reputations can be destroyed in an instant. 

Blanche White is a plump, feisty, middle-aged African-American housekeeper working for the genteel rich in North Carolina. But when an employer stiffs her, and her checks bounce, she goes on the lam, hiding out as a maid for a wealthy family at their summer home. That plan goes awry when there's a murder and Blanche becomes the prime suspect. So she's forced to use her savvy, her sharp wit, and her old-girl network of domestic workers to discover the truth and save her own skin.

Years on from Trainspotting Sick Boy is back in Edinburgh after a long spell in London. Having failed spectacularly as a hustler, pimp, husband, father and businessman, Sick Boy taps into an opportunity which to him represents one last throw of the dice. However, to realise his ambitions within the Adult industries, Sick Boy must team up with old pal and fellow exile Mark Renton.

Ten years ago he killed my son. Today I married him. Ten years ago my darling son Jesse was murdered and our perfect family was destroyed. My strong, handsome boy, so full of life, became a memory, a photo I carried with me everywhere. But today I’m finally close to finding happiness again. My ash-blonde hair has been curled into ringlets. Carefully placed white flowers frame my delicate features. The small, drab chapel has been prettied up with white satin, and there are tiny red hearts scattered on the small table where I will soon sign the register with my new husband. 

Eve, Justin, Susie, and Ed have been friends since they were teenagers. Now in their thirties, the four are as close as ever, Thursday night bar trivia is sacred, and Eve is still secretly in love with Ed. Maybe she should have moved on by now, but she can’t stop thinking about what could have been. And she knows Ed still thinks about it, too. But then, in an instant, their lives are changed forever.

When her partner of over a decade suddenly ends things, Laurie is left reeling - not only because they work at the same law firm and she has to see him every day. Her once perfect life is in shambles, and the thought of dating again in the age of Tinder is nothing short of horrifying. When news of her ex’s pregnant girlfriend hits the office grapevine, taking the humiliation lying down is not an option. Then, a chance encounter in a broken-down elevator with the office playboy opens up a new possibility.

At thirty-three, nurse Heather is desperately waiting for her romantic life to begin. Then she meets handsome, strong Anthony and is sure she’s found the one. Brushing any doubts aside, she projects all her hopes for true love onto him. Meanwhile, at a yoga retreat in Spain, happy-go-lucky Joe can’t believe his luck when he meets vivacious, witty Amy. She’s the sharpest, most beautiful woman he has ever dated, and the fact that she’s interested in him feels like a dream come true. 

In seven days, Maggie’s son, Max, turns three. But she’s not planning a party or buying presents or updating his baby book. She’s dreading it. Because in her world, third birthdays are the days on which the unthinkable happens...she loses her child. For the last 12 years Maggie has been imprisoned in a basement. Abducted aged 15, she gave birth to two sons before Max, and on their third birthdays her captor came and took them from her. She cannot let it happen again. But she has no idea how to stop it. And the clock is ticking....

Rachel is afraid she may have done something terrible. She's sitting in a room, being asked whether she killed someone. She doesn't understand how her life has changed so completely. When she was younger, heads would turn when she walked into a room. Her children needed her; her husband adored her. But somehow the years wore that all away. She was so busy raising her children, looking after her parents....