The Latecomer follows the story of the wealthy New York City-based Oppenheimer family, from the first meeting of parents Salo and Johanna, under tragic circumstances, to their triplets born during the early days of IVF. As children, the three siblings–Harrison, Lewyn, and Sally–feel no strong familial bond and cannot wait to go their separate ways, even as their father becomes more distant and their mother more desperate. When the triplets leave for college, Johanna makes the decision to have a fourth child. What role will the “latecomer” play in this fractured family?

Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit.    

Tanzania, 1964. When Katie Barstow, A-list actress, and her new husband, David Hill, decide to bring their Hollywood friends to the Serengeti for their honeymoon, they envision giraffes gently eating leaves from the tall acacia trees, great swarms of wildebeests crossing the Mara River, and herds of zebras storming the sandy plains. Their glamorous guests—including Katie’s best friend, Carmen Tedesco, and Terrance Dutton, the celebrated Black actor who stars alongside Katie in the highly controversial film Tender Madness—will spend their days taking photos.

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 

Four years into work on a still-unfinished philosophy dissertation, and seemingly unready to accept a marriage proposal from her long-term boyfriend, Evelyn Kominsky Kumamoto feels stalled. Meanwhile, all around her, everyone else seems to be getting on with their lives: her corn-fed, relentlessly optimistic boyfriend, Jamie, has no hesitation about committing to a shared future, and even her reserved Japanese father is energized by a new relationship—his first since her mother’s passing when Evelyn was just 14.

Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he’s stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most. 

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. 

For fans of A Man Called Ove, a luminous debut novel about a widow’s unlikely friendship with a giant Pacific octopus reluctantly residing at the local aquarium—and the truths she finally uncovers about her son’s disappearance 30 years ago.

When her 22-year-old stepdaughter announces her engagement to her pandemic boyfriend, Sarah Danhauser is shocked. But the wheels are in motion. Headstrong Ruby has already set a date (just three months away!) and spoken to her beloved safta, Sarah’s mother, Veronica, about having the wedding at the family’s beach house in Cape Cod. When the wedding day arrives, lovers are revealed as their true selves, misunderstandings take on a life of their own, and secrets come to light.

Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it’s her job. But when her too-good-to-work husband leaves her and their two kids, Nora turns her marriage’s collapse into cash and writes the best script of her life. No one is more surprised than her when it’s picked up for the big screen and set to film on location at her 100-year-old home. When former Sexiest Man Alive, Leo Vance, is cast as her ne’er-do-well husband, Nora’s life will never be the same.

The ornate reading room at the Boston Public Library is quiet—until the tranquility is shattered by a woman's terrified scream. Security guards take charge immediately, instructing everyone inside to stay put until the threat is identified and contained. While they wait for the all-clear, four strangers, who'd happened to sit at the same table, pass the time in conversation, and friendships are struck. Each has his or her own reasons for being in the reading room that morning—it just happens that one is a murderer. 

Smarting from her recently canceled wedding and about to turn forty, Laurie Sassalyn returns to her Maine hometown of Calcasset to handle the estate of her great-aunt Dot, a spirited adventurer who lived to be ninety-three. Alongside boxes of Polaroids and pottery, a mysterious wooden duck shows up at the bottom of a cedar chest. Laurie’s curiosity is piqued, especially after she finds a love letter to the never-married Dot that ends with the line “And anyway, if you’re ever desperate, there are always ducks, darling.”

Anna knows she has talent, but she’s always felt out of place in the world of opera. A first-year student at a prestigious London conservatoire, she lives in a grim series of rented rooms with her friend Laurie, a sharp-tongued waitress and aspiring writer. Her days are devoted to highly competitive auditions and long, straining rehearsals. At night, she sings jazz in an expensive bar, relying on her popularity with the inebriated businessmen to make rent and stay afloat alongside her wealthy peers.

With an eye for rendering the timely in a timeless way and enchanting audiences with lyrical prose and grace, Ali Smith's ambitious Seasonal Quartet—a series of four stand-alone novels, separate but interconnected—artfully guided us through #MeToo, Brexit, the refugee crisis, a global pandemic, and more. Now, Smith's highly anticipated Companion Piece looks to the future and builds upon this "time-sensitive project". This new novel stands apart from the Quartet, which remains discrete unto itself. 

A decade from now, in the historic town of Vigil Harbor, there's been a rash of divorces among the yacht-club set; a marine biologist despairs at the state of the world; a spurned wife is bent on revenge; and the renowned architect Austin Kepner pursues a passion for building homes designed to withstand the escalating fury of relentless storms. Austin's stepson, Brecht, has dropped out of college in New York and returned home after narrowly escaping one of the terrorist acts that, like hurricanes, have become increasingly common.