Exiled and hunted, Cerulia, Princess of Weirandale, knows she has one destiny. Her enemies failed to kill her, and no one harboring her is safe. Raised in obscurity, she has no resources, no army, nothing that can help her against her enemies. Except their gods. 

Back in the run-and-gun days of the mid-'90s, when Billy Graves worked in the South Bronx as part of an anticrime unit known as the Wild Geese, he made headlines by accidentally shooting a 10-year-old boy while stopping an angel-dusted berserker in the street. Branded as a cowboy by his higher-ups, for the next 18 years Billy endured one dead-end posting after another.

After a successful L.A. television career, Ray Mitchell returns to the New Jersey housing project where he grew up, to rethink his life, reconnect with his teenage daughter, and give back to the community. Things are looking up: he's seeing a woman from the old neighborhood and teaching at his high school. But suddenly, he is found savagely beaten. He knows who did it, but won't talk. It's up to Nerese Ammons, a childhood acquaintance and now a police detective, to get Ray to tell what happened.

Back when restaurant menus were still printed on paper, and wearing a mask—or not—was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he’s stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most. 

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

Private investigator Isabel Spellman is back on the case and back on the couch -- in court-ordered therapy after getting a little too close to her previous subject. Filled with the signature side-splitting Spellman antics, Revenge of the Spellmans is an ingenious, hilarious, and disarmingly tender installment in the Spellman series.

The Delaneys are fixtures in their community. The parents, Stan and Joy, are the envy of all of their friends. They’re killers on the tennis court, and off it their chemistry is palpable. But after 50 years of marriage, they’ve finally sold their famed tennis academy and are ready to start what should be the golden years of their lives. So why are Stan and Joy so miserable?

To his customers and neighbors on 125th street, Ray Carney is an upstanding salesman of reasonably priced furniture, making a decent life for himself and his family. He and his wife Elizabeth are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. Few people know he descends from a line of uptown hoods and crooks, and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger all the time. 

In the rolling hills of upstate New York, a group of friends and friends-of-friends gathers in a country house to wait out the pandemic. Over the next six months, new friendships and romances will take hold, while old betrayals will emerge, forcing each character to reevaluate whom they love and what matters most. The unlikely cast of characters includes a Russian-born novelist, his Russian-born psychiatrist wife, their precocious child obsessed with K-pop, a struggling Indian American writer, a wildly successful Korean American app developer, a global dandy with three passports.

Jonathan Franzen’s gift for wedding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads. A tour de force of interwoven perspectives and sustained suspense, its action largely unfolding on a single winter day, Crossroads is the story of a Midwestern family at a pivotal moment of moral crisis. Jonathan Franzen’s gift for melding the small picture and the big picture has never been more dazzlingly evident.

In a first-class lounge at JFK airport, our narrator listens as Jeff Cook, a former classmate he only vaguely remembers, shares the uncanny story of his adult life—a life that changed course years before, the moment he resuscitated a drowning man. Jeff reveals that after that traumatic, galvanizing morning on the beach, he was compelled to learn more about the man whose life he had saved, convinced that their fates were now entwined. But are we agents of our fate—or are we its pawns? 

Florence Darrow has always felt she was destined for greatness, but after a disastrous affair with her married boss, she starts to doubt herself. All that changes when she sets off for Morocco with her new boss, the celebrated but reclusive author Maud Dixon. Amidst the colorful streets of Marrakesh, Florence begins to feel she’s leading the sort of interesting, cosmopolitan life she deserves. But when she wakes up in the hospital after a terrible car accident, with no memory of the previous night - and no sign of Maud - a dangerous idea begins to take form....

When his mother became president, Alex Claremont-Diaz was promptly cast as the American equivalent of a young royal. Handsome, charismatic, genius - his image is pure millennial-marketing gold for the White House. There's only one problem: Alex has a beef with the actual prince, Henry, across the pond. And when the tabloids get hold of a photo involving an Alex-Henry altercation, US/British relations take a turn for the worse. Heads of family, state, and other handlers devise a plan for damage control: staging a truce between the two rivals.

Rizzo's War, Lou Manfredo's stunningly authentic debut, partners a rookie detective with a seasoned veteran on his way to retirement in Bensonhurst, Brooklyn."There's no wrong, there's no right, there just is." This is the refrain of Joe Rizzo, a decades-long veteran of the NYPD, as he passes on the knowledge of his years of experience to his ambitious new partner, Mike McQueen, over a year of riding together as detectives in the Sixty-second Precinct in Bensonhurst, Brooklyn.

In this intense detective thriller instilled with philosophical, religious, and social commentary, Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity".