Just when everything at the Poor Relation Hotel seems to be running smoothly, Sir Philip brings in another poor relation, Mrs. Budge. When Sir Philip presents his paramour, Lady Fortescue swears great oaths and says the woman is probably related to half the costermongers in London and certainly does not possess one rich relative. Mrs. Budge does nothing but eat all day and refused to do any work around the hotel. Worst of all, Miss Tonks seems to be taking the romance between Sir Philip and Mrs. Budge quite hard.

Tongues were set wagging when Elizabeth Markham's glamorous young parents were killed, sinking their only child to the unspeakable class of poor relation. Forced to live with her cruel, miserly uncle Julius, Elizabeth is forbidden to partake in the season's festivities. Marriage is her only escape, and she enacts a daring plan to trick her way into the Duke of Dunster's exclusive house party, to snare one of the eligible dandies sure to dance attendance on her.

Is Number 67 Clarges Steet the unluckiest house in Mayfair? Every season the beau mondes of the Regency would hire a house in the heart of London’s fashionable West End at disproportionately high rent for often inferior accommodation and yet Number 67 Clarges Street, a town house complete with staff, remains vacant from year to year. Could it be that it is associated with ill luck and even death? Something must be done so that the servants of this house don’t lose their livelihood.

A dead employer’s legacy of five thousand pounds allows spinster Hannah Pym to resign from housekeeping and find adventure traveling the English countryside by coach. But the adventure soon finds Miss Pym traveling with Miss Emily Freemantle, a spoiled, violet-eyed beauty fleeing an arranged marriage to a rake she has never met. When Emily’s darkly handsome betrothed boards their stage, Miss Pym is certain the girl was rash to bolt from this aristocratic catch! 

It was an unfair decision - to be forced to choose between her home and her heart…When one of her sisters is attacked by Harry Devers, the lecherous son of Mannerling's present owner, Abigail Beverley puts her obsession with reclaiming the mansion on hold. It is then that Abigail meets the dashing and extremely eligible Lord Burfield, fresh back from the army and in full-time pursuit of a bride. She must be quick to grab his attention lest he be snapped up by Prudence Makepeace.

It was true. The lovely young widow Lady Charteris - Delphine to her friends - had agreed to abide by her parents' wishes and marry the Comte Saint-Pierre. Delphine's parents had long since died in the Terror, but when she learned of their wishes for her, she believed it her duty to respect their wishes. Delphine would marry, but it would be a marriage in name only. But when Delphine saw Jules Saint-Pierre, she got the shock of her life: he was the same man she had seen juggling in the streets at a local fair.

When John Heppel, a visiting writer to Lochdubh, first proposes forming a writers' circle, the idea is met with much enthusiasm from local residents. However, once the classes get underway, attendance quickly falters due to one undeniable fact: John Heppel is a long-winded, consummate bore. But is dullness a motive for murder? Hamish Macbeth wouldn't ordinarily think so. So when Heppel is found dead, Hamish begins looking for deeper meaning in the writer's stories.

Arranging a season for an unruly young lady whose habit is to enter drawing rooms by sliding down banisters presents a challenge at best - especially since the hoydenish Mira has a sister of incomparable grace and beauty. Mira isn’t at all daunted by the local society and its ridiculous marriage mart. Her heart belongs to Lord Charles, who has been the object of her dreams ever since she was a child. But alas, Charles has eyes only for her ever-perfect sister, Drusilla.

Minerva marks the delightful debut of The Six Sisters, a family saga in six volumes that will recount the romantic adventures of the six marriageable daughters of a country vicar, the Reverend Charles Armitage, in Regency England. The eldest, Minerva, is enchantingly beautiful - but a prude. She lives in the country looking after her siblings while her mother reclines on a chaise longue happily inventing new malaises.

Lady Betty has no interest in the duke of Collingham. She doesn't care that he's fabulously wealthy or devastatingly handsome or impeccably well-dressed. All she sees is an arrogant nobleman with an abrasive personality and an annoyingly persistent streak.

Miss Honaria Honeyford was sent to London to save the family fortune by hunting a wealthy husband - and being a loving (if not entirely dutiful) daughter, she obeyed. But if she was reluctantly willing to surrender her hand, this beautiful young lady who could ride, shoot, and argue with any man was not about to lose her head or heart to the dismal dandies of the Marriage Mart. First she met the arrogantly attractive Lord Alistair Stewart, who treated her infuriatingly like a little girl. And then she met the skillfully seductive Lord Channington, who treated her intoxicatingly like a desirable woman....

Even the inhabitants of secluded Nethercote looked pityingly upon young Henrietta, the vicar's sister; her plain features seemed to almost guarantee her a solitary future. And yet she had a determined spirit and magnificent hazel eyes. So when her great-aunt Hester left her unexpected wealth, Henrietta set out to conquer London's glittering high society and confound them all.

Handsome, dashing Henry Wright, the Duke of Westerland, needed a wife in a desperately short period of time. If he could not find a wife, he would lose the legacy he so desperately desired. Young, lovely, but sheltered Miss Frederica Sayers needed a husband just as much as Henry Wright needed a wife, only she needed a husband to save her from the life of shame that almost certainly awaited her when shefled the callous cruelty of her family.

When Amy and Effy Tribble, two charming but impoverished spinster sisters, lose out on a much needed inheritance, they place an advertisement in The Morning Post and hire themselves out as professional chaperones. Vowing to prepare even the most difficult misses for marriage, the Tribble sisters will spend a London season on each client in this delightful Regency series, The School for Manners. Felicity Baronsheath, their first assignment, turns out to be more of a challenge than they ever imagined.

She was a bewitching young girl, that pretty Polly Marsh, and she knew it. She also knew that beauty could be her passport into the castles where she had always known she belonged. So she set her sights on a duke and joined the firm of Westerman’s as a stenographer. Surely one of that noble family would notice her, and then all her dreams would come true! The trouble with pretty Polly Marsh was that she just didn’t know her place.

Just when everything at the Poor Relation Hotel seems to be running smoothly, Sir Philip brings in another poor relation, Mrs. Budge. When Sir Philip presents his paramour, Lady Fortescue swears great oaths and says the woman is probably related to half the costermongers in London and certainly does not possess one rich relative. Mrs. Budge does nothing but eat all day and refused to do any work around the hotel. Worst of all, Miss Tonks seems to be taking the romance between Sir Philip and Mrs. Budge quite hard.

Owing to an unfortunate wager made by Sir Philip, the poor relations are once again scrounging around for a plan for solvency. This time it is Colonel Sandhurst to the rescue. After happening on Sir Randolph’s lovely daughter Frederica, who is running away to escape an awful marriage to Lord Bewley, the Colonel devises a plan to force Sir Randolph to settle his bill for six month’s stay and to save Frederica from her fate. The clever plan is thwarted when Lord Bewley shows up at the drop point instead of Sir Randolph.

The poor relations, those genteel paupers of society who live on little more than their dignity, have banded together and started The Poor Relation hotel, hoping to be bought out by their embarrassed relations - but as the hotel prospered, they began to enjoy the fruits of their labor. Now once more they are in need of funds. To stoop to crime in their days of poverty was one thing, but to turn to it again when they have enjoyed a certain amount of success is quite another. But they all agree: the hotel must go on.

Life is finally looking up for the poor relations. The Prince of Wales’ coat of arms gleams over the hotel entrance. All but one of the rooms are filled by the open-handed Prince Hugo and his entourage. They have finally reached a position comfortable enough to allow them to consider offers to buy the hotel. The poor relations’ hard-earned success, however, is in stark contrast to the plight of their latest guest, Lady Jane Fremney. The slight, beautiful youngest daughter of the Earl of Durby has been cast out of her family for refusing to marry the man her father has chosen.

Life is not easy for the poor relations of England’s upper crust, but fate and clever schemes bring them together. Lady Fortescue and Colonel Sandhurst hatch a plan: What if they were to transform her decrepit Bond Street home into a posh hotel, offering their guests the pleasure of being waited upon by nobility? With the help of other down-and-out aristocrats, they do just that, and London’s newest hotel, The Poor Relation, is born. The establishment is an immediate hit with London’s most illustrious citizens, save the Duke of Rowcester....

Lord Guy Carlton, late of His Majesty’s regiment and weary from the war in France, has only wine, women, and song in mind when he rents Number 67 Clarges Street. He certainly has no desire for a serious attachment! Then his merry eyes spot the lovely but very proper Miss Esther Jones. Though Esther’s business acumen has made her one of the richest women in England, her innocence could make her a victim of the wild ways of the ton - unless the downstairs staff at Clarges Street devise a campaign to reform the rake who is laying siege to her heart.

Mannerling, the splendid family estate gambled away by Sir Beverley, remains the passionate desire of his daughters. Beverley himself has died and the eldest daughter, Isabella - having failed in her bid to reclaim their home - is blissfully wed. The mantle of savior then falls to the next eldest daughter, Jessica. How fortunate that the new owner of Mannerling has a marriageable son. In truth, Harry is a brutal lecher, a drunkard, and a wastrel, but Jessica, blinded by determination, vows to secure a betrothal.

Ever since the death of his father, poor Fellworth Dolphin has slaved away as a waiter to support his miserly, cold-hearted mother. When his mother suddenly dies, Fellworth is shocked to discover that she has left him a sizable inheritance. Confused, Fell teams up with Maggie, a plain girl with a similar background, to investigate the source of the riches. But what they find is a closet full of skeletons.... Is it really possible Fell’s father was involved in a long-ago train robbery?

Lovely Alice Lacey was a true incomparable, and her marriage to the Duke of Ferrant was the event of the season. Almost no one realized, however, that Alice was secretly in love with someone else - or that she had confided her feelings to a clever talking mynah bird who announces these intimacies at the moment of the couple's wedding. Now the gossip mongers are relentless. Alice's marriage started out, and has remained, cold and impersonal, and her new husband is already rumored to be taken with another woman.

Isabella Beverley is blessed with unparalleled beauty but, unfortunately, has been raised in the most snobbish and haughtiest of families. When her father gambles away their fortune - including Mannerling, the exquisite family mansion - Isabella discovers there is very little sympathy for her plight. As the eldest, Isabella is chosen to court Mr. Judd, the roguish bachelor who won Mannerling. Surely no sacrifice is too great to regain Mannerling? But tempting her away from Mr. Judd is Lord Fitzpatrick, an Irish rake who fears Isabella can never love a man as she does her home.