Harvey Fierstein’s legendary career has transported him from community theater in Brooklyn, to the lights of Broadway, to the absurd excesses of Hollywood and back. He’s received accolades and awards for acting in and/or writing an incredible string of hit plays, films, and TV shows: Hairspray,  Fiddler on the Roof, Mrs. Doubtfire, Independence Day, Cheers, La Cage Aux Folles, Torch Song Trilogy, Newsies, and Kinky Boots. 

In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. Let the Record Show is a revelatory exploration - and long-overdue reassessment - of the coalition’s inner workings, conflicts, achievements, and ultimate fracture. 

In the era of Grindr and same-sex marriage, gay bars are closing down at an alarming rate. What, then, was the gay bar? Set between Los Angeles, San Francisco, and London, Gay Bar takes us on a time-traveling, transatlantic bar hop through pulsing nightclubs, after-work dives, hardcore leather bars, gay cafes, and saunas, asking what these places meant to their original clientele, what they meant to the author as a younger man, and what they mean now.

A riveting, powerful telling of the story of the grassroots movement of activists, many of them in a life-or-death struggle, who seized upon scientific research to help develop the drugs that turned HIV from a mostly fatal infection to a manageable disease. Ignored by public officials, religious leaders, and the nation at large, and confronted with shame and hatred, this small group of men and women chose to fight for their right to live by educating themselves and demanding to become full partners in the race for effective treatments.

It’s easy to be yourself when who and what you are is in vogue. But growing up Black and gay in America has never been easy. Before Billy Porter was slaying red carpets and giving an iconic performance in the celebrated TV show Pose; before he was the Tony Award-winning star of Broadway’s Kinky Boots; and before he was an acclaimed recording artist, actor, playwright, and all-around diva, Porter was a young boy who didn’t fit in. 

In 1986, 26-year-old Ruth is visiting a friend at the hospital when she notices that the door to one of the hospital rooms is painted red. She witnesses nurses drawing straws to see who will tend to the patient inside, all of them reluctant to enter the room. Out of impulse, Ruth herself enters the quarantined space and immediately begins to care for the young man who cries for his mother in the last moments of his life. Before she can even process what she’s done, word spreads in the community that Ruth is the only person willing to help these young men afflicted by AIDS.

There is absolutely no logical reason why I am here. The life trajectory my nationality and class and circumstances portended for me was not even remotely close to the one I now navigate. But logic is a science and living is an art. The release I felt in writing my first memoir, Not My Father’s Son, was matched only by how my speaking out empowered so many to engage with their own trauma. I was reminded of the power of my words and the absolute duty of authenticity.

When the AIDS epidemic hit in the early 1980s, Strub was living in New York and soon found himself attending "more funerals than birthday parties". Scared and angry, he turned to radical activism to combat discrimination and demand research. Strub takes you through his own diagnosis and inside ACT UP, the organization that transformed a stigmatized cause into one of the defining political movements of our time.

In 1957, Frank Kameny, a rising astronomer working for the US Military in Hawaii, received a summons to report immediately to Washington, DC. The Pentagon had reason to believe he was a homosexual, and after a series of humiliating interviews, Kameny - like gay men and women for generations - was promptly dismissed from the military. Unlike many others, though, Kameny fought back.

The 1980s and 1990s, the height of the AIDS crisis in the United States, was decades ago now, and many of the stories from this time remain hidden. This is one journalist's - gay and Catholic himself - compelling picture of those quiet heroes who responded to human suffering when so much of society told them to look away. 

In We Don't Know Ourselves, Fintan O'Toole weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society - perhaps the most astonishing national transformation in modern history. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism.

Derek, a distinguished designer and J, his husband, a pioneering entrepreneur and creator of both The Embassy Club, London's answer to Studio 54, and iconic Heaven, Europe's largest gay discotheque, met and fell in love more than 40 years ago. Their lives were high-octane, full of adventure, fun and fearless creativity. Suddenly, their friends began to get sick and die - AIDS had arrived in their lives.

Once described by The Washington Post as "the most interesting mayor you've never heard of", Pete Buttigieg, the 36-year-old Democratic mayor of South Bend, Indiana, has improbably emerged as one of the nation's most visionary politicians. First elected in 2011, Buttigieg left a successful business career to move back to his hometown, previously tagged by Newsweek as a "dying city", and transformed it into a shining model of urban reinvention. 

For the first time, the Sultan of Sleaze and the Baron of Bad taste has turned to fiction, and the result is Liarmouth, a riotous, ridiculous, perfectly perverted tale of sex, crime, and revenge. Marsha is on the run from everyone and everything: her lustful ex-assistant; her estranged daughter, backed up by a whirling cult of trampoline-obsessed oddballs; her mother, an animal plastic surgeon hoping to nip and tuck pets across America; and every cop in a hundred-mile radius. But is that enough to take down Marsha Sprinkle?

​For more than forty years, Katie Couric has been an iconic presence in the media world. In her brutally honest, hilarious, heartbreaking memoir, she reveals what was going on behind the scenes of her sometimes tumultuous personal and professional life—a story she’s never shared, until now.