Here are the voices of London - rich and poor, native and immigrant, women and men. From the woman whose voice announces the stations on the London Underground to the man who plants the trees along Oxford Street; from a Pakistani currency trader to a Guardsman at Buckingham Palace - together, these voices paint a vivid, epic and wholly fresh portrait of 21st Century London.

Dangerous, filthy, and falling apart, garbage piled on its streets and entire neighborhoods reduced to rubble; New York’s terrifying, if liberating, state of nature in 1978 also made it the capital of American culture. Over the next thirty-plus years, though, it became a different place - kinder and meaner, richer and poorer, more like America and less like what it had always been.

Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friendship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize-winning classic.

In 2008, In the Heights, a new musical from up-and-coming young artists, electrified Broadway. The show’s vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighborhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights.

It was long ago, but not as long as it seems: The Berlin Wall fell and the Twin Towers collapsed. In between, one presidential election was allegedly decided by Ross Perot while another was plausibly decided by Ralph Nader. In the beginning, almost every name and address was listed in a phone book, and everyone answered their landlines because you didn’t know who it was. By the end, exposing someone’s address was an act of emotional violence, and nobody picked up their new cell phone if they didn’t know who it was. 

Maureen and Francine Carter are twins and best friends. They participate in the same clubs, enjoy the same foods, and are partners on all their school projects. But just before the girls start sixth grade, Francine becomes Fran - a girl who wants to join the chorus, run for class president, and dress in fashionable outfits that set her apart from Maureen. A girl who seems happy to share only two classes with her sister! Maureen and Francine are growing apart, and there's nothing Maureen can do to stop it. Are sisters really forever? Or will middle school change things for good?

There is something strange happening in Placidville! It is 1962. Kathy Anderson, finally fed up showing old monster movies to creature feature fans, quits and heads to New York and the fame and footlights of Broadway. She stops off to visit her parents and old friends in Placidville, the all-American, middle-class, blissfully normal Midwest small town she grew up in. But she finds things are strange in Placidville. Has Kathy entered a zone in the twilight? Did she reach the limits that are outer? Has she fallen through a mirror that is black? Or is it just - just - politics as usual?

Now a writer and performer on Late Night with Seth Meyers and host of The Amber Ruffin Show, Amber Ruffin lives in New York, where she is no one's first Black friend and everyone is, as she puts it, "stark raving normal". But Amber's sister Lacey? She's still living in their home state of Nebraska, and trust us, you'll never believe what happened to Lacey.  

Hi! I’m Seth! I was asked to describe my audiobook, Yearbook for websites and shit like that, so...here it goes!!! Yearbook is a collection of true stories that I desperately hope are just funny at worst, and life-changingly amazing at best. (I understand that it’s likely the former, which is a fancy “book” way of saying “the first one.”) I talk about my grandparents, doing stand-up comedy as a teenager, bar mitzvahs, and Jewish summer camp, and tell way more stories about doing drugs than my mother would like.

Elvis Duran’s nationally syndicated radio program, Elvis Duran and the Morning Show, is America’s most listened-to Top 40 morning show and one of the 10 most listened-to programs in all of radio, heard live by nearly 10 million people every morning. But his success didn’t happen overnight. Elvis spent years navigating the wild world of radio as a DJ for hire, working (and partying) in markets around the country before taking over the morning shift at the legendary Z100 in 1996. Over the last 20 years, he has become one of New York City’s signature voices.

Twins Thomas and Ashley Ross knew at a young age that their gift - the ability take on another person’s memories - would eventually be used for the “good” of humanity. But it would come at a price. Contracted with the government from age 12 until their 18th birthday, the twins would be forced to endure the destructive process that had taken the lives of many other children like them. As each day passes, they wonder if survival is even possible, or worse: Will it even matter when they’re already broken beyond repair?

A visit to the urologist has never been more hilarious - or revealing - than in Men’s Health, a new comedy written by Daniel Goldfarb and directed by Scott Ellis. Adam (Tony® winner Santino Fontana) is a TV writer in search of a diagnosis for a very personal problem. He ends up half naked and fully freaked out in the exam room of Dr. Szabo (Tony and Emmy® winner Tony Shalhoub), a physician with a unique bedside manner offering some truly unorthodox treatment options.

Told in alternating perspectives by a varied and vocal cast of characters, Nussbaum pulls back the curtain to reveal the complicated and funny and tough life inside the walls of an institution for juveniles with disabilities. From Yessenia Lopez, who dreams of her next boyfriend and of one day of living outside those walls, to Teddy, a resident who dresses up daily in a full suit and tie, to Mia, who guards a terrifying secret, Nussbaum has crafted a multifaceted portrait of a way of life hidden from most of us.

The whateverpocalypse. That’s what Touré, a twenty-something Cambridge coder, calls it after waking up one morning to find himself seemingly the only person left in the city. Once he finds Robbie and Carol, two equally disoriented Harvard freshmen, he realizes he isn’t alone, but the name sticks: Whateverpocalypse. But it doesn’t explain where everyone went. It doesn’t explain how the city became overgrown with vegetation in the space of a night. Or how wild animals with no fear of humans came to roam the streets.

Since his first performance at the legendary New York nightclub “Catch a Rising Star” as a 21-year-old college student in fall of 1975, Jerry Seinfeld has written his own material and saved everything. “Whenever I came up with a funny bit, whether it happened on a stage, in a conversation, or working it out on my preferred canvas, the big yellow legal pad, I kept it in one of those old school accordion folders,” Seinfeld writes. “So I have everything I thought was worth saving from 45 years of hacking away at this for all I was worth.”