Temporal distortion has never been so fun

This series fell into my lap as a suggestion in the Podcast’s Youtube page. I really appreciate that, as it keeps me from having to seek out books blindly.

Let me say, I hadn’t heard of Scott Meyer before this book, but this cat is on my radar now. The man knows how to set up a story, and make it funny. The tale revolves around a guy who discovers a small piece of code that makes him realize that he is living in a computer program, and that he can manipulate the system. In other words, there is no spoon. He can rewrite some of his code and provide all kinds of benefits to himself such as making himself taller, teleport, or wealthier by inflating his bank account, etc. Naturally, this leads him into getting himself into trouble with the law, and before you know it he flees to the past where he plans on setting himself up as a wizard. Now, we all know that nothing good comes from thinking like this, and that things are not going to go as planned. Still, the book really takes off and there is a ton of magic, time travel, thugs, FBI types, and wizards to keep you entranced before you know what hit you.

Meyer never misses a beat, and has a built in rim shot that appears every couple of beats to make you laugh. It is a good mix of funny, ironic, satire, and seriousness that all blends together in one hell of a sweet literary smoothie. I looked and there are quite a few books in this series, and I look forward to getting my grubby mitts on each one, just as much as I do other big names in the Litrpg genre.

One huge benefit for this series is that the book is narrated by Luke Daniels, and like Jeff Hays, I don’t think I’ve ever heard a book that he narrated that I didn’t love. Daniels proves to be as professional and silly as a person can be simultaneously. I think my favorite part was where he imitated sounding like someone speaking into a fan. That was pure narration brilliance. And his portrayal of Jimmy was soooo funny that I squirted milk out of my nose, and I wasn’t even drinking anything.

So, the question is is this book LITRPG or not? There are a lot of things to consider, but I’m going to go with two things. First, the wizards are all self aware NPC’s if nothing else. They know that they are algorithms, and it doesn’t bother them at all. Secondly, they are in a computer game. Of that there is no question. They literally rewrite code in order to achieve things that they want. Just on those two things alone I will say this is LITRPG, it doesn’t matter if it was a “real” human who entered the world or if the NPC’s suddenly became sentient. The end result is that the MC is trapped in a Sims like game and regardless of whether he is “alive” he is a player, and that too qualifies. So for this I’m calling it Lit! Final score for this Litrpg book is 8.1 stars. I can’t wait to listen to more of this wonderful series..

Even though I did receive a promo code for this review it in no way influenced my considerations of the material, and in fact, inspired me to be more honest. Getting a code generally makes me harsher as a reviewer as I am more often concerned what someone like Me will decide based on my review.

If this review helped, please press the YES below. Thank you immensely!!!

As seen on the LITRPG AUDIOBOOK PODCAST, please check it out on Youtube.com

169 people found this helpful

Pure fun!

I don't give five star reviews very often, but this was one of the most enjoyable recordings I've purchased from Audible. I enjoyed every second of the book, and when I wasn't listening to it, my husband and I (who don't often agree on books) were discussing it. Frequently, I literally laughed out loud. "Off to Be the Wizard" is just fun.

I've read some of the other reviews of the book, and I think that many of the complaints about it are valid. The protagonist is not drawn very well and has very few attributes (likeable or otherwise). However, he stands as an audience surrogate. This book may as well have been written in second person like those old Choose Your Own Adventure books. You discover things alongside Martin and the things that surprise him, surprise you. There are little hints throughout the book that tell you where the story is going, but even if you miss them (and you will probably miss at least a couple), the situations Martin finds himself in are genuinely entertaining even without the overarching plot. So even though I generally like my characters better developed, I didn't have any issues with characterization in this story.

Luke Daniels did an excellent job with the narration. He added vocal tics to some of the characters that made the book feel more like a radio show than a narration. His delivery really added to the overall joy I experienced listening to this book.

25 people found this helpful

Hang in there

When I started this book, I felt some trepidation. I'd heard it was good, but not as good as Ready Player One. But, I wanted to give it a shot. The first part of the book was infuriating - I just kept wanting to yell "How is this NOT a bad idea? Stop being so stupid!". I almost gave up.

Then Martin meets Phillip. Suddenly I could not get through the book fast enough. I warn you to be careful if you listen while you drive - there were points when I laughed so hard I almost had to pull over. Luckily, I was in my neighborhood and could go 5 mph. I loved Ready Player One, but this was better in terms of entertainment. I will re-listen to this soon.

Luke Daniels kills this - I love what he does with Phillip. Phillip is definitely my favorite. He needs his own series!

195 people found this helpful

Not good, predictable, poorly written.

This story just wasn't good. I'm a sci-fi & fantasy fan & I was surprised at all the good reviews of such a mediocre book... meh at very best

8 people found this helpful

Excellent Story!

Ah man, this story was great! Very funny and creative. It has a rather modern feel to it, along with a healthy reaction to existentianlism. Definitely believable in it's explanation of coding as a form of magic and the modern and midevil perspectives are interesting. All in all very compelling and enchanting story. I'd reccomend it to anyone who likes a good story.

47 people found this helpful

A plausibly interesting idea ruined.

I have a tendency to like these sort of What If explorations. For example I really quite enjoyed the following three:
1. Bobiverse Trilogy Dennis E. Taylor (all three books excellent)
2. Nexus series by Ramez Naam (all three books excellent)
3. Awaken Online Series Travis Bagwell (only read first book, quite interesting although not in the same league as 1 and 2)

The base premise of Oww to be the wizard is interesting (discovering you are in a simulation and can alter it) but everything from that point onwards is just ghastly. I must admit I did not manage to finish this, which is unusual for me.

The main issue for me is that the main character is an idiot. And I don't mean in a charming self-effacing ironic sort of way. He is just incredibly stupid. From the very moment he discovers his ability to manipulate reality, almost every single choice he makes is foolish, thoughtless, ignorant or all of the above that it ceases to be interesting.

I kept thinking "OMG why are you doing that?" There are so many ways that this could be entertaining and it manages to avoid even accidentally stumbling into any of them.

My strong recommendation is to avoid this.

41 people found this helpful

Fun, but Limited

Any additional comments?

This is not a well-written book. For the first quarter of it, that’s part of its charm. Meyer is so clever, so warmly funny, that he powers through not quite knowing “the rules” of writing a novel. Our hero, Martin, discovers an obscure data-set on the internet, one that includes his name along with millions of others. He changes his height, out of vanity, from 5’10” to 6’1” and realizes he’s changed his actual height. He realizes, that is, that he’s found the database of existence, and that he can alter his personal statistics as he pleases: his wealth, his location, his place in time.

Meyer gets through all of that background quickly and without pretension. Martin realizes his powers, gets into trouble, and flees to what he thinks is the security of medieval England, in only 50 pages or so. Meyer is so inventive and brings so much joy to his task, that it’s hard not to get caught up in the fun.

The second and third quarters slow down considerably, though, and the final quarter more or less hits a wall. A couple chapters of Martin training with another “wizard” might be nice, but more than half the book on that is overkill. And, as all that unwinds, there’s no real plot left. The final part means exaggerating a minor conflict into the central one, and there’s really little at stake.

Still, reading this hasn’t been a disappointment. I’ve enjoyed it, in substantial part, because its what-the-hell approach makes me appreciate the art of several other books all the more.

1) Claire Norths’s The First Fifteen Lives of Harry August is really a gem, one of my favorite surprises of last year. It too tells the story of characters who play with time lines, but it takes its potential contradictions more seriously and answers them with deeper wisdom and care. When I find myself wondering here, for instance, why no changes in the past affect the future, I admire North’s subtler answer to that, where individual choices in the past can slightly alter the future – changing an individual’s wealth maybe – but not dramatically: no forestalling Hitler’s rise. North’s is a joy of a book, one that rises well above this one, and it’s rewarding to be reminded of it.

2) Mark Twain’s A Connecticut Yankee in King Arthur’s Court is actually about something. Where Meyer’s book sets out to entertain, or maybe to make a kind of revenge-of-the-nerds claim, Twain uses almost the exact same setting to make an argument about the nature of modernity. As far back as 1889 Twain saw some of the dehumanizing aspects of technology. His hero shows up some of the foolishness of chivalry, but, in the end, he shows all the more clearly the Holocaust potential of the industrial world. It’s an argument about human nature, one that’s far more deeply funny than this book, and one that’s simultaneously disturbingly predictive.

3) Any number of genre novels I’ve read recently do what they set out to do. The hero saves people, the heroine falls in love with him. Meyer tries to subvert the formula, his love story never gets off the ground and his Gandalf/Dumbledore figure is decidedly silly, and he gets some legit laughs out of it. Still, he’s clearly playing against expectation. When Charlie Huston or Jason Starr tells a good story, one where character types walk in the door in the opening pages, it’s all the more impressive to realize they’ve held my interest while obeying the demands of genre.

I have no plans to read any more Meyer, and I can’t recommend this one in good conscience, but I feel oddly good about having read it. This writing business is tough. It’s hard to get it right, and Meyer, in getting a lot wrong, reminds me of the joy and optimism I feel any time I sit down in front of a brand new blank page.

43 people found this helpful

IT WOULD BE IDYLLIC, IF NOT FOR THE CORPSES

JUST BECAUSE YOU CALL SOMETHING, SOMETHING, DOESN'T MAKE IT, IT.
If you like John Scalzi and Wil Wheaton, then you will love this. During the first hour, I thought this is cute, but it is going to grow old. Over nine hours later, I am still laughing. As the story grows, it gets funnier and more interesting. If you are driving be careful, you may miss your exit, it is that engaging.

TECHNICALLY I AM OLDER THEN YOU, I WAS JUST BORN LATER
I am 56 and barely understand computers, so this was not aimed at me, but I loved it anyway. It was a fun light book, with plenty of surprises. After a while some of the jokes become predictable, but they are still funny. There is a little Connecticut Yankee in here, an updated version. This has time travel, wizards, Lord of the Rings, orcs, etc...

SILENCE SO THICK, YOU COULD LEAN ON IT.
I can not say enough about Luke Daniels. His performance is above and beyond. This would be a great book to read, but I believe that Daniels makes it so much more. Don't miss out on this experience.

HAVE YOU EVER SEEN ME EAT ANY OF THAT STEW?
I will be getting the sequels.

147 people found this helpful

Unlikable Lead and Plot Holes Galore

The main character is extremely unrelatable and just all around unlikable. He makes horrible, unrealistic decisions at every turn. The author hand waves random points away. For example, the author points out that Martin's powers only work within range of a cell tower. Within a few minutes, he's using them in medieval England. No explanation. He just can, because the author was too lazy or too incompetent to sort it out.

The premise is interesting, if a bit derivative. The writing is simple. The plot is predictable. The characters are one dimensional, especially Martin who will not cease to annoy you.

The only saving grace is the narrator, who does amazing work given what he has to work with.

5 people found this helpful

A Geekfest of good times.

Any additional comments?

I found this book because my favorite narrator, Luke Daniels, is reading. As an added bonus, I also fall into the demographic--White girl nerd who started with tech in the '80s.

Now, I know that previous viewers have said this is more for guys, but that is untrue! In life, I've found, nerd > gender. While we may not make the "obvious jokes," we have certainly heard enough of them to make us smirk when the obvious jokes pop up...so to speak. Oops, I think I just broke the first rule of Magic.

But I digress. Mr. Daniels' narration was perfection, as always! The storytelling was nimble, witty, and filled with nerdtastic goodness. Unlike another reviewer, I found Martin's reactions to be completely believable and probable, considering the circumstances. I also thoroughly enjoyed the bits of nostalgia. All in all, a highly recommended read!

49 people found this helpful