On Becoming a Novelist contains the wisdom accumulated during John Gardner's distinguished twenty-year career as a fiction writer and creative writing teacher. With elegance, humor, and sophistication, Gardner describes the life of a working novelist; warns what needs to be guarded against, both from within the writer and from without; and predicts what the writer can reasonably expect and what, in general, he or she cannot.

Laid to waste by drink, Agathon, a seer, is a shell of a man. He sits imprisoned with his apprentice, Peeker, for his presumed involvement in a rebellion against the Spartan tyrant Lykourgos. Confined to a cell, the men produce extraordinary writings that illustrate the stories of their lives and give witness to Agathon's deterioration and the growth of Peeker from a bashful young apprentice to a self-assured and passionate seer.

World renowned critic John Gardner has received prestigious awards for his wide range of literary achievements including short stories, novels, and essays. When he turns his talents to retelling Beowulf, the earliest epic in British literature, the result is a work that combines extensive knowledge with a marvelous strain of pure fun. In Gardner's version of the epic, instead of lauding the helmeted hero, Beowulf, the spotlight shines on Grendel.

October Light is one of John Gardner's masterworks. The penniless widow of a once-wealthy dentist, Sally Abbot now lives in the Vermont farmhouse of her older brother, 72-year-old James Page. Polar opposites in nearly every way, their clash of values turns a bitter corner when the exacting and resolute James takes a shotgun to his sister's color television set. After he locks Sally up in her room with the trashy "blockbuster" novel that has consumed her (and only apples to eat), the novel-within-the-novel becomes an echo chamber providing glimpses into the history of the family that spawned these bizarre, sad, and stubborn people.

A creative writer's shelf should hold at least three essential books: a dictionary, a style guide, and Writing Fiction. Janet Burroway's best-selling classic is the most widely used creative writing text in America, and for more than three decades, it has helped hundreds of thousands of students learn the craft.  

Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy best seller shares the experiences, habits, and convictions that have shaped him and his work. 

Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.

For the last 20 years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.

From evoking a scene to charting a plot to revising your drafts, Writing Great Fiction: Storytelling Tips and Techniques offers a master class in storytelling. Taught by award-winning novelist James Hynes, a former visiting professor at the famed Iowa Writers' Workshop, these 24 insightful lectures show you the ins and outs of the fiction writer's craft.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

Selected from sermons delivered by C. S. Lewis during World War II, these nine addresses show the beloved author and theologian bringing hope and courage in a time of great doubt. "The Weight of Glory", considered by many to be Lewis’s finest sermon of all, is an incomparable explication of virtue, goodness, desire, and glory.

Book coach and editor Molly McCowan takes you through the self-editing process in 13 detailed lessons, using a step-by-step method designed to reduce overwhelm and to structure the revision process in the most productive way possible. Working from the big to the little picture of your work, Molly shows you how to strengthen character development, find and fix plot holes, build stronger scenes, focus on smooth pacing and point-of-view issues, elevate your language, and much more. 

For a quarter century, more than a million readers and listeners - scribes and scribblers of all ages and abilities - have been inspired by Anne Lamott’s hilarious, big-hearted, homespun advice. Advice that begins with the simple words of wisdom passed down from Anne’s father - also a writer - in the iconic passage that gives the book its title.

Paris, 1933: Three contemporaries meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are the young Jean-Paul Sartre, Simone de Beauvoir, and longtime friend Raymond Aron, a fellow philosopher who raves to them about a new conceptual framework from Berlin called phenomenology. "You see," he says, "if you are a phenomenologist, you can talk about this cocktail and make philosophy out of it!"

In one of the most important books of our time, Allan Bloom, a professor of social thought at the University of Chicago and a noted translator of Plato and Rousseau, argues that the social and political crisis of 20th-century America is really an intellectual crisis.