The greatest of all the medieval romances about the Holy Grail, Parzival was written in the early 13th century. The narrative describes the quest of the Arthurian knight Parzival for the Holy Grail. His journey is filled with incident, from tournaments and sieges to chivalrous deeds and displays of true love. 

The Arthurian Romances by Chrétien de Troyes form the wellspring of the legend of King Arthur and the Knights of the Round Table. Stories of knightly valour in the Welsh Marches had existed before the 12th century, but it was the magnificent poetry and imagination of Chrétien, the 12th century French poet and trouvère, which brought alive the great characters of Arthur, his wife Guinevere, Lancelot and others.

To the modern eye, King Arthur and the Knights of the Round Table have many similarities to our own contemporary super-heroes. Equipped with magical powers, enchanted swords, super-strength, and countless villains to take on, they protect the weak and innocent and adhere to their own code of honor. Comparing Batman, Superman, and Captain America to Sir Launcelot, Sir Tristram, and Sir Galahad isn't a huge leap of the imagination.

Chrétien de Troyes's masterpiece "Lancelot, The Knight of the Cart" is a riveting tale of knightly valor and courtly love. This romance marks the first known appearance of Lancelot as a major player in the Arthurian canon, and it also provides the first account of his affair with Guinevere. The first half of the narrative follows Lancelot (then unnamed) as he rescues Guinevere, who has been taken hostage by the evil Méléagant. Méléagant visits Arthur's court, boasting that he has ensnared many from Arthur's land (Logres).

The 12 Lays of Marie de France offer one of the most striking collections of short narrative poems of the 12th century - two centuries before Chaucer. Written in Anglo-French, they contain beguiling and entertaining stories of love and romance, of chivalry and adventure with sometimes even a magical twist. They are especially unique in early literature by being ascribed to a female poet, Marie de France: in the very first Lay - 'Guigemar' - is the introductory line: ‘Hear my Lords, what Marie says, who does not wish to be forgotten in her time.’ 

The Arthurian legend of Camelot has been told many times, but never better than by Alfred Tennyson. Employing some of the most stirring and beautiful blank verse ever written, Tennyson crafted his version of the Knights of the Round Table over the course of nearly fifty years, completing it in 1885. Despite the length of time, Tennyson managed to maintain a high level of style and continuity throughout.

A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.

This may rightly be considered one of the first published sources of the King Arthur legend. The translation by Sebastian Evans of this selection of Geoffrey of Monmouth's chronicle of ancient British kings differs in several respects from more popular versions of Arthurian tales published centuries later. Notably absent here are the Round Table of knights, the Holy Grail, Guenevere's affair with Sir Lancelot, and the Lady of the Lake.

Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as The Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar.

These 24 spellbinding lectures reveal the full scope of the Arthurian tradition, from its beginnings in post-Roman Britain to its extraordinary trajectory across the centuries and its latest incarnations in modern times. Your pathfinder in this world of mythic adventure and romance, Professor Armstrong, is one of the world's leading Arthurian scholars and the current editor-in-chief of the academic journal Arthuriana.

Piers Plowman, William Langland's visionary medieval work about one man's quest for the true Christian life, is an allegorical journey through dream visions and visions within dreams. During the course of his journey, the narrator (William Langland) meets Piers Plowman, who gradually reveals himself to be the son of God. Through Piers, William learns of the virtues in poverty, the temptations of wealth, and of the perfect society that is to come under the rule of Piers Plowman.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

The complete "box set" of T. H. White's epic fantasy novel of the Arthurian legend. The novel is made up of five parts: "The Sword in the Stone", "The Witch in the Wood", "The Ill-Made Knight", "The Candle in the Wind", and "The Book of Merlyn".

Sixteenth-century Spanish gentleman Don Quixote, fed by his own delusional fantasies, takes to the road in search of chivalrous adventures. But his quest leads to more trouble than triumph. At once humorous, romantic, and sad, Don Quixote is a literary landmark. This fresh edition, by award-winning translator Edith Grossman, brings the tale to life as never before.

Sartor Resartus is one of the most unusual, even quirky, British novels to emerge from the first half of the 19th century. Published in 1836, its varied heritage reflects the earlier eccentricities of Sterne and Swift, mixed with influences from Goethe. Its subject matter is strange: it concerns a book called Clothes: Their Origin and Influence by one Diogenes Teufelsdröckh, a German philosopher. Though Thomas Carlyle became a household name in his lifetime, his comic novel Sartor Resartus would prove to have a lasting effect on contemporary writers.