A captivating comic novel from Angela Thirkell's much-loved 1930s Barsetshire series: trainee barrister Colin Keith makes an ill-advised foray into teaching at Southbridge School. To his parents' dismay, Colin Keith - out of the noble but misplaced sense of duty peculiar to high-minded young university graduates - chooses to quit his training for the Bar and take a teaching job at Southbridge School.

Lavinia Brandon is quite the loveliest widow in Barsetshire, blessed with beauty and grace as well as two handsome grown-up children, Delia and Francis. So thinks their cousin, Hilary Grant, when he comes to stay and - like many before him - promptly falls for his fragrant hostess.

Successful lady novelist Laura Morland and her boisterous young son, Tony, set off to spend Christmas at her country home in the sleepy surrounds of High Rising. But Laura's wealthy friend and neighbor, George Knox, has taken on a scheming secretary whose designs on marriage to her employer threaten the delicate social fabric of the village.

Pretty, impecunious Mary Preston, newly arrived as a guest of her aunt Agnes at the magnificent wooded estate of Rushwater, falls head over heels for handsome playboy David Leslie. Meanwhile Agnes and her mother, the eccentric matriarch Lady Emily, have hopes of a different, more suitable match for Mary. At the lavish Rushwater dance party, her future happiness hangs in the balance....

It's August in the Barsetshire village of Worsted, and Richard Tebben, just down from Oxford, is contemplating the gloomy prospect of a long summer in the parental home. But the numerous and impossibly glamorous Dean family - exquisite Rachel, her capable husband and six of their nine brilliant children - have come for the holidays, and their hostess, Mrs. Palmer, plans to rope everyone into performing in her disastrous annual play.

Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those excellent women - the smart, supportive, repressed women whom men take for granted. As Mildred gets embroiled in the lives of her new neighbors - anthropologist Helena Napier; Helen's handsome, dashing husband, Rocky; and Julian Malory, the vicar next door - the novel presents a series of snapshots of human life as actually, and pluckily, lived.

When sensible, sophisticated Flora Poste is orphaned at 19, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last 20 years. But Flora loves nothing better than to organise other people.

Barbara Pym is one of the 20th-century's wittiest, and most underrated, novelists. Her perceptive comedies of manners, centred around the domestic lives and loves of unassuming middle-class Englishwomen, won her many devoted readers and saw her hailed as a modern-day Jane Austen. Yet she spent 15 years out of print in the 1960s and '70s, until Philip Larkin championed her work in the Times Literary Supplement. Her seventh novel was subsequently shortlisted for the Booker Prize, and writers from Jilly Cooper to Alexander McCall Smith continue to laud her talent today. 

Frances Hodgson Burnett published The Making of a Marchioness in 1901. She had written Little Lord Fauntleroy 15 years before and would write The Secret Garden in 10 years' time; it is these two books for which she is best known. Yet Marchioness was one of Nancy Mitford's favourite books, was considered 'the best novel Mrs Hodgson Burnett wrote' by Marghanita Laski, and is taught on a university course in America together with novels such as Pride and Prejudice, Jane Eyre, and Daisy Miller.

When their father dies, none of the three Harcourt girls are particularly upset. The loss of the family's income, however, is not something so easily overcome. When their mother Anna discovers that they have been left penniless, she decides to move them out of London and back to her hometown in Scotland.  

Vivacious, young Hester Christie tries to run her home like clockwork, as would befit the wife of British Army officer, Tim Christie. However hard Mrs Tim strives for seamless living amidst the other army wives, she is always moving flat-out to remember groceries, rule lively children, side-step village gossip and placate her husband with bacon, eggs, toast and marmalade. Left alone for months at a time whilst her husband is with his regiment, Mrs Tim resolves to keep a diary of events large and small in her family life.

Sharply observant and wickedly funny, E.F. Benson's six Mapp and Lucia novels satirize the upper-middle-class social climbers in 1920s and '30s rural England. Games of bridge and cups of tea fuel hilarious gossip and vindictive plots a-plenty. It is a masterfully sustained spotlight on the minutiae of village life - a clever and ultimately heart-warming series that seems tailor-made for audio. Volume 1 contains the first three books. 

The scene of this entertaining story is laid in a charming English village. The plot centres round Miss Barbara Buncle, a maiden lady who was obliged to write a book because – as she naively explained – her dividends were so poor. Unfortunately, Miss Buncle had no imagination, so she wrote about her friends – quite kindly and truthfully, of course, for she was a benevolent and veracious soul.

Bel, an orphan daughter of an Army colonel, is brought up in an English village and flung into the whirl of London life to earn a hard living as a secretary while attempting to navigate romance, unexpected friendships and urban life. Shy and sensitive, she is unaware of the pitfalls that surround her. When Bel is offered a chance to leave London and venture to a fishing hotel in Scotland for a much needed holiday with an old school friend, things begin to change. There she learns that you cannot escape from your troubles by running away from them.... 

'Lady B. stays to tea. (Mem.: Bread-and-butter too thick. Speak to Ethel.) We talk some more about bulbs, the Dutch School of Painting, our Vicar's wife, sciatica, and All Quiet on the Western Front. (Query: is it possible to cultivate the art of conversation when living in the country all the year round?)' If the question suggests a qualified answer, there is no doubt that the art of diary writing is alive and well and very, very funny in Devonshire in the 1920s. At least in the hands of E. M. Delafield.