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Reading Like a Writer
- Narrated by: Nanette Savard
- Length: 8 hrs and 59 mins
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Publisher's Summary
Written with passion, humor, and wisdom, Reading Like a Writer will inspire listeners to return to literature with a fresh eye and an eager heart; to take pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; to look to John le Carre for a lesson in how to advance plot through dialogue; and to Flannery O'Connor for the cunning use of the telling detail. And, most importantly, she cautions listeners to slow down and pay attention to words, the raw material out of which all literature is crafted.
Critic Reviews
"Prose's observations are incandescent, and her examples are thrilling, ranging from Samuel Johnson to Katherine Mansfield, Flannery O'Connor, Raymond Chandler, Stanley Elkin, and Paula Fox." (Booklist)
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Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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- Sand
- 08-04-14
Well-played, Amazon!
Warning: Listening to this book will compel you to buy/download more books!
Listening to this one is like being in your favorite literature/writing class in college...only there are so many books covered here your college courses surely never covered them all.
Prose's analysis and observations only make you thirst for the original text, which is why I recently ordered the "Tales of Chekov" print set and downloaded Stephen Fry's narration of selected Chekov stories.
19 people found this helpful
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- Pamela S K Glasner
- 08-03-20
I’d just as soon watch paint dry
I made notes as I listened to this book. That’s what I do: I’m a voracious note-taker. The notes were initially meant to help me in the class that’s coming up in September (I’m a grad student), but it ended up being more of a diary. I thought I’d share them with others – a warning of what they will face if they choose to read this book – which I strongly suggest they do not:
I’ve been listening to “Reading Like a Writer” for a few hours now and, by page 53, chapter 3 entitled “Sentences,” I found the book less and less interesting, and harder and harder to stick with because all the author was doing was giving me one example after the next, after the next, after the next, with a few (VERY few) salient points in between. I can’t believe ANYONE needs THAT much repetition to “get it.” Regardless, I have fought my way to the beginning of chapter 9 (page 209), the chapter called “Gestures.”
I decided, after hearing the first two paragraphs of this chapter (the narrator is excellent, BTW, don’t want to take anything away from her), that I’d take a break and then settle myself down to give this one my undivided attention. The title sounded that intriguing. But here I am, half-way through, and once again I find myself heartily disappointed. I had really hoped I’d learn something new, but so far, this chapter is just as shallow and uninformative as the rest of the book.
Finally, at the bottom of page 228, nearly the end of the chapter, Prose enticed me with what seems like some long-awaited instruction: “If we are to use gesture—and why wouldn't we use this practical tool, this shortcut, this neat way of circumventing brain and mouth and proceeding directly to the heart—how can we use it more effectively? First of all, it's important…” But, alas, I was doomed to be disappointed. Just four words (be careful and sparing) and then she was back to more examples, and then that was it. What a letdown!
I decided to skip chapter 10, Learning from Chekhov, and go right to chapter 11, Reading for Courage, because it sounded interesting. Though, at this stage of the game, I knew better than to expect anything from this book.
(Then a few seconds later …) Oh, God – I’ve just listened to the first paragraph and I am sorry to say, this is nothing. It’s about why people fear writing. Oh, well. So much for that. I am truly surprised that (professor’s name omitted) chose this book for her course. Everyone taking this course must have some serious writing skills as a prerequisite. But this book, especially this chapter, seems like it’s aimed at total novices, if it’s aimed at writers at all.
Frankly, this entire book seems as though it was written more to impress the readers with the sheer number of books the author has read than it was to share any wealth of knowledge or impart any instruction.
I learned a long time ago that just because a person gets hired by an educational institution to stand up in front of a classroom, or even if they have a series of letters after their names (and Prose does not), that does not necessarily make them teachers. This is not to say Prose does not write well – she does – she just does not teach well with the words she has written in this book. Speaking of examples, Shelby tells us in “Steel Magnolias” that, “An ounce of pretention is worth a pound of manure.” Someone should have told Francine Prose that.
7 people found this helpful
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Overall
- Gare
- 04-13-08
Practical, literate, generous
The treatment that you would expect at an Ivy league modern literature summer seminar. Good examples, truly helps to inform your focus as you read.
30 people found this helpful
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- Believer50
- 10-13-17
I am Not Sure
A professor recommended this book to me to help with my writing career. I am not sure why because most of what was given was written like her life story and only little nuggets of facts were included. I tried to figure out what was so helpful in an 8+ hour listen but only came away with about 4 things. I guess that's better than wasting 8+ hours of my time and coming away with nothing. The narrator was very good.
4 people found this helpful
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- A. Yoshida
- 09-25-17
Great writing is effortless to the reader
Reading like a writer requires the reader to analyze the basic elements of the writing (rhythm, sentence, paragraph, dialogue, gesture, etc.), break them down, critique each part, and reassemble them. It is similar to a mechanic disassembling an engine, knowing each part, and assembling the engine back again. Only by understanding the pieces needed to make a well-constructed story and practicing the techniques, the reader can become a better writer. The author illustrates with many examples of excellent writing, like a long sentence with no adjectives and adverbs and yet flows smoothly in describing the scene. Great writing is effortless to the reader.
9 people found this helpful
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- Stephanie Carroll
- 04-27-21
Great read!
I figured I already knew how to read like a writer but this was still fun to see how someone else approaches it. Plus it was fun getting to know more about a lot of classics and learn about new ones to add to my list.
2 people found this helpful
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- Horror Reader
- 01-11-18
Want to write? Read this.
Wonderful insights into the writing craft. Highly recommend. Multiple examples illustrate Prose’s points, and have now led me to some brilliant works of literature.
2 people found this helpful
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- Zephyris
- 05-28-15
Enjoyable Examples
I found that the narrator did not match the tone of the content, and that she somehow devalued it. Overall though, it was inspirational and I will be reading some of the suggested examples.
2 people found this helpful
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- Cordelia Becker
- 03-30-15
I try to read or listen to this book once a year.
a great book on reading and writing. very well read ' very well writtem. I recommend
2 people found this helpful
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- Peter Nosalik
- 12-30-20
Such a pleasure!
This is a great book for BOTH reader and writers. The performance is excellent and I love the content. It opened my eyes to writers I would not have known. Highly recommended!
1 person found this helpful
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Overall

- Jaroslaw
- 11-21-10
Disappointing
I expected a series of good examples with deep analysis of what made book work or not work. There were far fewer very bad and too long examples, the analysis was typically slight, and there was too much unnecessary material.
2 people found this helpful
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Fantastically Short and to the Point
- By P Fooshay on 05-01-19
By: Walter Mosley
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Stein on Writing
- A Master Editor Shares His Craft, Techniques, and Strategies
- By: Sol Stein
- Narrated by: Christopher Lane
- Length: 11 hrs and 17 mins
- Unabridged
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Stein on Writing provides immediately useful advice for writers of fiction and nonfiction, whether newcomers or accomplished professionals. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of usable solutions, how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place."
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Excellent advice and examples for better writing.
- By Jane on 06-22-12
By: Sol Stein
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How Fiction Works
- By: James Wood
- Narrated by: James Adams
- Length: 5 hrs and 47 mins
- Unabridged
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Ranging widely from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings, Wood takes the reader through the basic elements of the art, step by step. He sums up two decades of insight with wit and concision, resulting in nothing less than a philosophy of the novel, which has won critical acclaim nationwide, from the San Francisco Chronicle to the New York Times Book Review.
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Educational!
- By Don on 05-04-09
By: James Wood
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Changing My Mind
- Occasional Essays
- By: Zadie Smith
- Narrated by: Barbara Rosenblat
- Length: 12 hrs and 25 mins
- Unabridged
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Split into five sections - Reading, Being, Seeing, Feeling, and Remembering - Changing My Mind finds Zadie Smith casting an acute eye over material both personal and cultural. This engaging collection of essays, some published here for the first time, reveals Smith as a passionate and precise essayist, equally at home in the world of great books and bad movies, family and philosophy, British comedians, and Italian divas. Changing My Mind is journalism at its most expansive, intelligent, and funny - a gift to readers and writers both.
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There may be truths on the side of life
- By Darwin8u on 02-18-20
By: Zadie Smith
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Feel Free
- Essays
- By: Zadie Smith
- Narrated by: Nikki Amuka-Bird
- Length: 13 hrs and 53 mins
- Unabridged
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Since she burst spectacularly into view with her debut novel almost two decades ago, Zadie Smith has established herself not just as one of the world's preeminent fiction writers but also a brilliant and singular essayist. She contributes regularly to The New Yorker and the New York Review of Books on a range of subjects, and each piece of hers is a literary event in its own right.
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great material, thoroughly brilliant narration
- By Mary E. Magin on 03-09-18
By: Zadie Smith
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Where the Past Begins
- A Writer's Memoir
- By: Amy Tan
- Narrated by: Amy Tan
- Length: 14 hrs and 32 mins
- Unabridged
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Moving from her childhood in Oakland and growing up with her Chinese parents through her success as a novelist, Amy Tan delves into her creative interests in music, the paralysis of beginning a new project, journal writing, and travelling. Where the Past Begins chronicles the making of a writer. With characteristic humor and poignant observation, Tan weaves a nontraditional introspective narrative that is as complex and vibrant as this beloved American novelist's fiction.
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I couldn't get through it
- By Kindle Customer on 12-07-17
By: Amy Tan
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This Year You Write Your Novel
- By: Walter Mosley
- Narrated by: Dion Graham
- Length: 2 hrs and 18 mins
- Unabridged
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No more excuses. "Let the lawn get shaggy and the paint peel from the walls," best-selling novelist Walter Mosley advises. Anyone can write a novel now, and in this essential book of tips, practical advice, and wisdom, Walter Mosley promises that the writer-in-waiting can finish it in one year. Mosley tells how to: create a daily writing regimen to fit any writer's needs - and how to stick to it, determine the narrative voice that's right for every writer's style, and get past those first challenging sentences and into the heart of a story.
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Fantastically Short and to the Point
- By P Fooshay on 05-01-19
By: Walter Mosley
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Stein on Writing
- A Master Editor Shares His Craft, Techniques, and Strategies
- By: Sol Stein
- Narrated by: Christopher Lane
- Length: 11 hrs and 17 mins
- Unabridged
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Overall
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Performance
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Story
Stein on Writing provides immediately useful advice for writers of fiction and nonfiction, whether newcomers or accomplished professionals. As Sol Stein, renowned editor, author, and instructor, explains, "This is not a book of theory. It is a book of usable solutions, how to fix writing that is flawed, how to improve writing that is good, how to create interesting writing in the first place."
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Excellent advice and examples for better writing.
- By Jane on 06-22-12
By: Sol Stein
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An Odyssey
- A Father, a Son, and an Epic
- By: Daniel Mendelsohn
- Narrated by: Bronson Pinchot
- Length: 10 hrs and 37 mins
- Unabridged
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When 81-year-old Jay Mendelsohn decides to enroll in the undergraduate Odyssey seminar his son teaches at Bard College, the two find themselves on an adventure as profoundly emotional as it is intellectual. For Jay, a retired research scientist who sees the world through a mathematician's unforgiving eyes, this return to the classroom is his "one last chance" to learn the great literature he'd neglected in his youth - and, even more, a final opportunity to more fully understand his son, a writer and classicist.
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Inspiring
- By Jean on 06-21-19
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How to Read Literature Like a Professor
- A Lively and Entertaining Guide to Reading Between the Lines
- By: Thomas C. Foster
- Narrated by: David de Vries
- Length: 9 hrs and 35 mins
- Unabridged
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What does it mean when a fictional hero takes a journey? Shares a meal? Gets drenched in a sudden rain shower? Often, there is much more going on in a novel or poem than is readily visible on the surface - a symbol, maybe, that remains elusive, or an unexpected twist on a character - and there's that sneaking suspicion that the deeper meaning of a literary text keeps escaping you. In this practical and amusing guide to literature, Thomas C. Foster shows how easy and gratifying it is to unlock those hidden truths.
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Lives Up to Its Claims
- By Evelyn on 05-22-14
By: Thomas C. Foster
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The Opposite of Fate
- Memories of a Writing Life
- By: Amy Tan
- Narrated by: Amy Tan
- Length: 11 hrs and 7 mins
- Unabridged
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Amy Tan has touched millions of people with haunting and sympathetic novels of cultural complexity and profound empathy. With the same spirit and humor that characterize her acclaimed novels, she now shares her insight into her own life and how she escaped the curses of her past to make a future of her own. She takes us on a journey from her childhood of tragedy and comedy to the present day and her arrival as one of the world's best-loved novelists.
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Probably one of the best I have enjoyed here.
- By BardBear on 04-02-19
By: Amy Tan
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The Destiny Thief
- Essays on Writing, Writers and Life
- By: Richard Russo
- Narrated by: Richard Russo
- Length: 7 hrs and 35 mins
- Unabridged
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In these nine essays, Richard Russo provides insight into his life as a writer, teacher, friend, and reader. From a commencement speech he gave at Colby College, to the story of how an oddly placed toilet made him reevaluate the purpose of humor in art and life, to a comprehensive analysis of Mark Twain's value, to his harrowing journey accompanying a dear friend as she pursued gender-reassignment surgery, The Destiny Thief reflects the broad interests and experiences of one of America's most beloved authors.
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The Destiny Thief
- By anne on 08-22-18
By: Richard Russo