In A Scattered Life, Karen McQuestion proves to be an adept chronicler of unforgettable female characters. Poignantly written, she thoughtfully examines how women love, learn, and come to accept themselves and others, as well as life’s often harsh realities of deception and loss. Skyla Plinka has all she could ask for - at least that’s what her mother-in-law Audrey thinks. On most days, Skyla agrees, yet there’s a part of her that longs for her free-spirited days before husband, child, and the humdrum life of rural Wisconsin.

Pearl Tull is nearing the end of her life but not of her memory. It was a Sunday night in 1944 when her husband left the little row house on Baltimore's Calvert Street, abandoning Pearl to raise their three children alone: Jenny, high-spirited and determined, nurturing to strangers but distant to those she loves; the older son, Cody, a wild and incorrigible youth possessed by the lure of power and money; and sweet, clumsy Ezra, Pearl's favorite, who never stops yearning for the perfect family that could never be his own. Now Pearl and her three grown children have gathered....

Travel writer Macon Leary hates travel, adventure, surprises, and anything outside of his routine. Immobilized by grief, Macon is becoming increasingly prickly and alone, anchored by his solitude and an unwillingness to compromise his creature comforts. Then he meets Muriel, an eccentric dog trainer too optimistic to let Macon disappear into himself. Despite Macon’s best efforts to remain insulated, Muriel upends his solitary, systemized life, catapulting him into the center of a messy, beautiful love story he never imagined. 

Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day, his routines are blown apart when his woman friend (he refuses to call anyone in her late 30s a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever.

"Baltimore Woman Disappears During Family Vacation." The headlines are all the same: Beloved mother and wife Delia Grinstead was last seen strolling down the Delaware shore, wearing only a bathing suit and carrying a beach tote with $500 tucked inside. To the best of her family's knowledge, she has disappeared without a trace. But Delia didn't disappear. She ran.

Evie Decker is a shy, slightly plump teenager with a distant father and hours and hours of silence to fill. Then one night she hears local rock singer Drumstrings Casey on the radio - and becomes instantly attracted to his cool, motionless voice. Evie learns that Drumstrings frequently plays at a dingy roadhouse called The Unicorn. So she goes there and, with an uncharacteristically bold gesture, bursts out of her lonely shell - and into the attentive gaze of an intangible man who becomes all too real.... 

Morgan Gower is bored of the tedium of his ordinary life: of his job as manager of a run-down hardware store; of his wife; of his "industriously dull" daughters; of his mother; of his sister. But Morgan's secret escape lies in a box filled with costumes, filled with everything from a fake beard to Napoleon's tricorne to Daniel Boone, all of which provide an outlet away from his life and into the identity of someone who is assuredly not Morgan Gower.    

Through the syncopated rhythms of the ragtime era to the thumping, rocking beats of the 1970s, generations of Pecks have maintained a determined steadiness. Adamantly middle-class - Peck-proud, as the family slogan goes - they are quick to sweep under the rug those members who do not live up to their standards. Maybe that's why Caleb Peck took off with his violincello as a boy? Sixty years later, his brother, Daniel, is still wondering.

Charlotte Emory has always lived a quiet, conventional life in Clarion, Maryland. She lives as simply as possible and one day decides to simplify everything and leave her husband. Her last trip to the bank throws Charlotte's life into an entirely different direction when a restless young man in a nylon jacket takes her hostage during the robbery - and soon the two are heading south into an unknown future and a most unexpected fate.

Mrs. Emerson, widowed with seven adult children, lives alone in crumbling Victorian mansion outside Baltimore with only a collection of antique clocks to keep her company. Elizabeth Abbott - 23 years old, aimless, bohemian, and beautiful - leads a vagabond lifestyle until she happens upon Mrs. Emerson's home and convinces the older woman to hire her as a handyman. When three of the strange, idiosyncratic Emerson children return to their childhood home for a visit, they are irresistibly drawn to Elizabeth.

Thirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jeremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn - especially when he's falling in love.

They seemed like the perfect couple: young, good-looking, made for each other. The moment Pauline, a stranger to the Polish Eastern Avenue neighborhood of Baltimore (though she lived only twenty minutes away), walked into his mother's grocery store, Michael was smitten. And in the heat of World War II fervor, they are propelled into a hasty wedding. But they never should have married.

Kate Battista feels stuck. How did she end up running house and home for her eccentric scientist father and uppity, pretty younger sister, Bunny? Plus, she's always in trouble at work - her preschool charges adore her, but their parents don't always appreciate her unusual opinions and forthright manner.

Demon Copperhead is set in the mountains of southern Appalachia. It’s the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility.

With her trademark spare, crystalline prose—a voice infused with “intimate, fragile, desperate humanness” (The Washington Post)—Elizabeth Strout turns her exquisitely tuned eye to the inner workings of the human heart, following the indomitable heroine of My Name Is Lucy Barton through the early days of the pandemic.

Travel writer Macon Leary hates travel, adventure, surprises, and anything outside of his routine. Immobilized by grief, Macon is becoming increasingly prickly and alone, anchored by his solitude and an unwillingness to compromise his creature comforts. Then he meets Muriel, an eccentric dog trainer too optimistic to let Macon disappear into himself. Despite Macon’s best efforts to remain insulated, Muriel upends his solitary, systemized life, catapulting him into the center of a messy, beautiful love story he never imagined. 

Maggie and Ira Moran are on a road trip from Baltimore, Maryland, to Deer Lick, Pennsylvania, to attend the funeral of a friend. Along the way, they reflect on the state of their marriage, its trials, and its triumphs - through their quarrels, their routines, and their ability to tolerate each other's faults with patience and affection.  

Back When We Were Grownups is about one woman's search for who she really is. Listen as a 53-year-old grandmother tries to recover her girlhood self and that dignified grownup she had once been.

Pearl Tull is nearing the end of her life but not of her memory. It was a Sunday night in 1944 when her husband left the little row house on Baltimore's Calvert Street, abandoning Pearl to raise their three children alone: Jenny, high-spirited and determined, nurturing to strangers but distant to those she loves; the older son, Cody, a wild and incorrigible youth possessed by the lure of power and money; and sweet, clumsy Ezra, Pearl's favorite, who never stops yearning for the perfect family that could never be his own. Now Pearl and her three grown children have gathered....

Barnaby Gaitlin was never a bad kid, but he was certainly doing his best to impersonate one. As a teenager, he developed a habit of breaking into other people’s houses. But he wasn’t interested in the valuable loot - he just liked to read people’s mail, peruse their family albums, and maybe pocket a few personal mementos. Now almost 30 and divorced, he finds himself working for Rent-aBack, which helps the elderly and infirm move furniture or take down their Christmas trees. It’s the perfect career for Barnaby.

"Baltimore Woman Disappears During Family Vacation." The headlines are all the same: Beloved mother and wife Delia Grinstead was last seen strolling down the Delaware shore, wearing only a bathing suit and carrying a beach tote with $500 tucked inside. To the best of her family's knowledge, she has disappeared without a trace. But Delia didn't disappear. She ran.

They seemed like the perfect couple: young, good-looking, made for each other. The moment Pauline, a stranger to the Polish Eastern Avenue neighborhood of Baltimore (though she lived only twenty minutes away), walked into his mother's grocery store, Michael was smitten. And in the heat of World War II fervor, they are propelled into a hasty wedding. But they never should have married.

"It was a beautiful, breezy, yellow-and-green afternoon..." This is how Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The Whitshanks are one of those families that radiate togetherness: an indefinable, enviable kind of specialness. But they are also like all families, in that the stories they tell themselves reveal only part of the picture.

Micah Mortimer is a creature of habit. A self-employed tech expert, superintendent of his Baltimore apartment building, cautious to a fault behind the steering wheel, he seems content leading a steady, circumscribed life. But one day, his routines are blown apart when his woman friend (he refuses to call anyone in her late 30s a "girlfriend") tells him she's facing eviction, and a teenager shows up at Micah's door claiming to be his son. These surprises, and the ways they throw Micah's meticulously organized life off-kilter, risk changing him forever.

The Garretts take their first and last family vacation in the summer of 1959. They hardly ever leave home, but in some ways they have never been farther apart. Mercy has trouble resisting the siren call of her aspirations to be a painter, which means less time keeping house for her husband, Robin. Their teenage daughters, steady Alice and boy-crazy Lily, could not have less in common. Their youngest, David, is already intent on escaping his family's orbit, for reasons none of them understand. 

Thirty-eight-year-old Jeremy Pauling has never left home. He lives on the top floor of a Baltimore row house where he creates collages of little people snipped from wrapping paper. His elderly mother putters in the rooms below, until her death. And it is then that Jeremy is forced to take in Mary Tell and her child as boarders. Mary is unaware of how much courage it takes Jeremy to look her in the eye. For Jeremy, like one of his paper creations, is fragile and easily torn - especially when he's falling in love.

Kate Battista feels stuck. How did she end up running house and home for her eccentric scientist father and uppity, pretty younger sister, Bunny? Plus, she's always in trouble at work - her preschool charges adore her, but their parents don't always appreciate her unusual opinions and forthright manner.

Through the syncopated rhythms of the ragtime era to the thumping, rocking beats of the 1970s, generations of Pecks have maintained a determined steadiness. Adamantly middle-class - Peck-proud, as the family slogan goes - they are quick to sweep under the rug those members who do not live up to their standards. Maybe that's why Caleb Peck took off with his violincello as a boy? Sixty years later, his brother, Daniel, is still wondering.

Willa Drake can count on one hand the defining moments of her life. In 1967, she is a schoolgirl coping with her mother's sudden disappearance. In 1977, she is a college coed considering a marriage proposal. In 1997, she is a young widow trying to piece her life back together. And in 2017, she yearns to be a grandmother but isn't sure she ever will be. Then, one day, Willa receives a startling phone call from a stranger. Without fully understanding why, she flies across the country to Baltimore....

Mrs. Emerson, widowed with seven adult children, lives alone in crumbling Victorian mansion outside Baltimore with only a collection of antique clocks to keep her company. Elizabeth Abbott - 23 years old, aimless, bohemian, and beautiful - leads a vagabond lifestyle until she happens upon Mrs. Emerson's home and convinces the older woman to hire her as a handyman. When three of the strange, idiosyncratic Emerson children return to their childhood home for a visit, they are irresistibly drawn to Elizabeth.