Kate and Baba are in London, playing out the tragicomedy of their married lives to its surprisingly level-headed conclusion. Kate, feeling trapped in her grey stone house with her increasingly cold husband, tearfully looks for her dreams of romance elsewhere. And when Eugene takes terrible, implacable revenge, she naturally turns to her brazen friend Baba for help.

Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked, and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York", the single-mindedness of love dramatically derails the relationship between a girl and her mother while in "Sister Imelda" and "The Creature", the strong ties between teacher and student and mother and son are ultimately broken.

"I was a girl once, but not anymore." So begins Girl, Edna O’Brien’s harrowing portrayal of the young women abducted by Boko Haram. Set in the deep countryside of northeast Nigeria, this is a brutal story of incarceration, horror, and hunger; a hair-raising escape into the manifold terrors of the forest; and a descent into the labyrinthine bureaucracy and hostility awaiting a victim who returns home with a child blighted by enemy blood.

Edna O'Brien's family encouraged her to attend pharmacy school but she left before finishing, to marry an older writer, give birth to two sons, and publish, in 1960, her first novel. The Country Girls so scandalized the O'Briens' local parish that the book was burned by the priest, her family disgraced. Country Girl comes 21 books later, a rich and heady accounting of the events, people, emotions, and landscape that imprint upon and enliven one lifetime.

Vlad, a stranger from Eastern Europe masquerading as a healer, settles in a small Irish village where the locals fall under his spell. One woman, Fidelma McBride, becomes so enamored that she begs him for a child. All that world is shattered when Vlad is arrested, and his identity as a war criminal is revealed.

Taking his inspiration from biographical facts, novelist Colum McCann tells the erotically charged story of the Russian dancer Rudolf Nureyev through the cast of those who knew him. Spanning four decades and many worlds, from the horrors of the Second World War to the wild abandon of New York in the '80s, Dancer is peopled by a large cast of characters, obscure and famous: doormen and shoemakers, nurses and translators, Margot Fonteyn, Eric Bruhn, and John Lennon.

How can a dead woman avenge herself on her killer 20 years after her murder? This is the puzzle facing Ben Devlin in his latest case. He is called to the scene of a murder - a man has been stabbed to death in his rented room, and when his identity is discovered, Devlin feels a ghost walk over his grave, as he knows the name Brooklyn Harris well. As a teenager, Harris beat his then-girlfriend Hannah Row to death, and then spent 12 years in prison for the murder.

Holding power for over 50 years starting in 1327, Edward III was one of England's most influential kings and one who shaped the course of English history. Revered as one of the country's most illustrious leaders for centuries, he was also a usurper and a warmonger who ordered his uncle beheaded. A brutal man, to be sure, but also a brilliant one.

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen. 

This scorching collection from award-winning author Thom Jones features his best new short fiction alongside a selection of outstanding stories from three previous books. Jones's stories are full of high-octane, prose-drunk entertainment. His characters are grifters and drifters, rogues and ne'er-do-wells, would-be do-gooders whose human frailties usually get the better of them. Some are lovable, others are not, but each has an indelible and irresistible voice. They include Vietnam soldiers, amateur boxers, and veterans of the psych ward, and more.

Meet Harold Fry, recently retired. He lives in a small English village with his wife, Maureen, who seems irritated by almost everything he does, even down to how he butters his toast. Little differentiates one day from the next. Then one morning the mail arrives, and within the stack is a letter addressed to Harold from a woman he hasn't seen or heard from in 20 years. Queenie Hennessy is in hospice and is writing to say goodbye. Harold pens a quick reply and, leaving Maureen to her chores, heads to the corner mailbox. But then Harold has a chance encounter, one that convinces him that he absolutely must deliver his message to Queenie in person.

On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.

On the heels of Autumn and Winter comes Spring, the continuation of Ali Smith's celebrated Seasonal Quartet, a series of stand-alone novels, separate but interconnected (as the seasons are), wide-ranging in timescale and light-footed through histories. 

At the end of a long and useful life, Penelope Keeling's prized possession is The Shell Seekers, painted by her father and symbolizing her unconventional life, from bohemian childhood to wartime romance. When her grown children learn their grandfather's work is now worth a fortune, each has an idea as to what Penelope should do. But as she recalls the passions, tragedies, and secrets of her life, she knows there is only one answer...and it lies in her heart.

On a balmy midsummer's evening in 1923, a young woman - foreign, dishevelled and heavily pregnant - is found unconscious just off the railway tracks in the tiny logging community of Woody Creek. The town midwife, Gertrude Foote, is roused from her bed when the woman is brought to her door. Try as she might, Gertrude is unable to save her, but the baby lives.