Jackson Brodie has relocated to a quiet seaside village, in the occasional company of his recalcitrant teenage son and an aging Labrador, both at the discretion of his ex-partner Julia. It's picturesque, but there's something darker lurking behind the scenes. Jackson's current job, gathering proof of an unfaithful husband for his suspicious wife, is fairly standard-issue, but a chance encounter with a desperate man on a crumbling cliff leads him into a sinister network - and back across the path of his old friend Reggie. 

A God in Ruins tells the dramatic story of the 20th century through Ursula's beloved younger brother, Teddy - would-be poet, heroic pilot, husband, father, and grandfather - as he navigates the perils and progress of a rapidly changing world. After all that Teddy endures in battle, his greatest challenge is living in a future he never expected to have.

Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the 20th century as seen through the eyes of an English girl determined to learn about her family and its secrets. 

In 1940, 18-year-old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever. Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, but Juliet finds herself once more under threat.  

The Garretts take their first and last family vacation in the summer of 1959. They hardly ever leave home, but in some ways they have never been farther apart. Mercy has trouble resisting the siren call of her aspirations to be a painter, which means less time keeping house for her husband, Robin. Their teenage daughters, steady Alice and boy-crazy Lily, could not have less in common. Their youngest, David, is already intent on escaping his family's orbit, for reasons none of them understand. 

Sarah Polley’s work as an actor, screenwriter, and director is celebrated for its honesty, complexity, and deep humanity. She brings all those qualities, along with her exquisite storytelling chops, to these six essays. Each one captures a piece of Polley’s life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person she is now but was not then. As Polley writes, the past and present are in a “reciprocal pressure dance”.

It's winter in Cherringham, and petty thief Charlie Topper's life is in danger. Desperate, he reaches out to Jack and Sarah for help: last summer - during a robbery - he witnessed a cold-blooded murder, and now he fears the killer is after him. Can Jack and Sarah solve this very cold case - before the desperate murderer comes for them too? Set in the sleepy English village of Cherringham, the detective series brings together an unlikely sleuthing duo: English web designer Sarah and American ex-cop Jack.

When Zikora, a DC lawyer from Nigeria, tells her equally high-powered lover that she’s pregnant, he abandons her. But it’s Zikora’s demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Stunned by the speed with which her ideal life fell apart, she turns to reflecting on her mother’s painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself. 

"And see if there's any news about the missing girl." Life, as Smith used to say, is just one thing after another - as one investigation ends, a new one begins. But for reasons unknown to the rest of her team, DCI Cara Freeman will be haunted by the next case for the Kings Lake Central murder squad. They find themselves delving into the seamy side of life in the town, and one of their number will have departed before this new investigation is over. Perhaps Detective Sergeant Chris Waters should have seen it coming, but he has a lot more than work on his mind these days.

Cal Hooper thought a fixer-upper in a bucolic Irish village would be the perfect escape. After 25 years in the Chicago police force and a bruising divorce, he just wants to build a new life in a pretty spot with a good pub where nothing much happens. But when a local kid whose brother has gone missing arm-twists him into investigating, Cal uncovers layers of darkness beneath his picturesque retreat, and starts to realize that even small towns shelter dangerous secrets.

For more than 25 years, David Sedaris has been carving out a unique literary space, virtually creating his own genre. A Sedaris story may seem confessional, but is also highly attuned to the world outside. It opens our eyes to what is at absurd and moving about our daily existence. And it is almost impossible to listen without laughing.

1967. While London comes alive with the new youth revolution, the suburban Fischer family seems to belong to an older world of conventional stability: pretty, dutiful homemaker Phyllis is married to Roger, a devoted father with a career in the Foreign Office. Their children are Colette, a bookish teenager, and Hugh, the golden boy. But when the 20-something son of an old friend pays the Fischers a visit one hot summer evening, and kisses Phyllis in the dark garden after dinner, something in her catches fire. 

The author of the international best seller How to Be a Woman returns with another “hilarious neo-feminist manifesto” (NPR) in which she reflects on parenting, middle-age, marriage, existential crises - and, of course, feminism. As timely as it is hysterically funny, this memoir/manifesto will have listeners laughing out loud, blinking back tears, and redefining their views on feminism and the patriarchy.

Anthropologist Domenica MacDonald observes the lives of her neighbours and the neighbourhood in Edinburgh's New Town. Pat, a new young tenant, arrives at 44 Scotland Street to flat share with Bruce. Bruce is a surveyor with more of an eye for the ladies than a sound property. We're introduced to five-year-old Bertie, who is controlled by his pretentious and intellectual mother, Irene - he's learning the saxophone, speaks Italian, and is extremely knowledgeable about many subjects.

'Between the Stops is a sort of a memoir, my sort. It's about a bus trip really, because it's my view from the Number 12 bus (mostly top deck, the seat at the front on the right), a double-decker that plies its way from Dulwich, in South East London, where I was living, to where I sometimes work - at the BBC, in the heart of the capital. It's not a sensible way to write a memoir at all, probably, but it's the way things pop into your head as you travel, so it's my way'.