Long before drag queens dominated the media, before gender-bending, before punk, even before Stonewall, there was Jayne County. From the 60s to the 90s she was the craziest, the most extreme queen ever to hit a rock 'n' roll stage. She's known and worked with Warhol, Bowie, and Derek Jarman, been an actress, a singer and a prostitute. She's the world's original rock 'n' roll trans star, crossing the genders in the full glare of publicity. 

Following a run of New Year's concerts at San Francisco's legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland with no design, yet heeding signs - including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, mischief, and inescapable sorrow. In a stranger's words, "Anything is possible: after all, it's the Year of the Monkey."

The woman behind the icon known as Elvira, Mistress of the Dark, the undisputed Queen of Halloween, reveals her full story, filled with intimate bombshells - and told by the bombshell herself.  

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late 60s and 70s and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

Kim Gordon, founding member of Sonic Youth, fashion icon, and role model for a generation of women, now tells her story - a memoir of life as an artist, of music, marriage, motherhood, independence, and as one of the first women of rock and roll, written with the lyricism and haunting beauty of Patti Smith's Just Kids.

Obsession. It's dangerous. Reckless. Exhilarating. Richard enjoys watching him in the interrogation room, his eyes coveting the way the cigarette easily slid between his lips. For a brief moment, his fingers yearn to trace the tattoos wrapped around his toned flesh. If he squints, he can focus on those emerald-green eyes, haunting yet so familiar. Everything about the man pulls him in, awakening something deep within long since beaten dead. Richard knows exactly what Beau's nighttime occupation is.

When this best-selling autobiography was originally released, everyone was shocked: The Long Hard Road Out of Hell was the darkest, funniest, most controversial and best-selling rock book of its time - and it became the template, both visually and narratively, for almost every rock book since. Marilyn Manson is not just a music icon, it turned out, but one of the best storytellers of his generation.

There have been many books written about Johnny Thunders and the Heartbreakers, but only by people who weren't there. Walter Lure was - from the band's chaotic beginnings on New York's Lower East Side, through a now-legendary UK tour with the Sex Pistols and the Clash, and on to a yearlong stay in London - eyewitness and midwife to the birth of UK punk. 

In Remain in Love, Frantz writes about the beginnings of Talking Heads - their days as art students in Providence, moving to the sparse Chrystie Street loft Frantz, Weymouth, and Byrne shared where the music that defined an era was written. With immersive vivid detail, Frantz describes life on tour, down to the meals eaten and the clothes worn - and reveals the mechanics of a long and complicated working relationship with a mercurial frontman.

Meet Jim Carrey. Sure, he's an insanely successful and beloved movie star drowning in wealth and privilege — but he's also lonely. Maybe past his prime. Maybe even...getting fat? He's tried diets, gurus, and cuddling with his military-grade Israeli guard dogs, but nothing seems to lift the cloud of emptiness and ennui. Even the sage advice of his best friend, actor, and dinosaur skull collector Nicolas Cage isn't enough to pull Carrey out of his slump. 

Since its first show in 2010, The Last Podcast on the Left has barreled headlong into all things horror, as hosts Henry Zebrowski, Ben Kissel, and Marcus Parks cover subjects spanning Jeffrey Dahmer, werewolves, Jonestown, and supernatural phenomena. Deeply researched but with a morbidly humorous bent, the podcast has earned a dedicated and aptly cult-like following for its unique take on all things macabre.

Oswalt combines memoir with uproarious humor, from snow forts to Dungeons & Dragons to gifts from Grandma that had to be explained. He remem­bers his teen summers spent working in a movie Cineplex and his early years doing stand-up. Readers are also treated to several graphic elements, includ­ing a vampire tale for the rest of us and some greeting cards with a special touch.

In the Dream House is Carmen Maria Machado's engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming. And it's that struggle that gives the book its original structure: each chapter is driven by its own narrative trope - the haunted house, erotica, the bildungsroman....

Johnny Lundgren, aka Warlock, is an unemployed foundation executive who, after surviving a midlife crisis, finally decides to get a job. Warlock soon gets hired by a crazy but genius doctor as a troubleshooter, where he's tasked with everything from battling poachers in the haunted wilderness of northern Michigan to investigating his employer's wife and son in the seamy underside of Key West. A comedy with one foot in the abyss, Warlock is what the New York Times called "farcical, reflective, luscious, gritty" entertainment from one of this country's most beloved authors.

Over the past two decades, Jessica Care moore has become a cultural force as a poet, performer, publisher, activist, and critic. Reflecting her transcendent electric voice, this searing poetry collection is filled with moving, original stanzas that speak to both Black women’s creative and intellectual power, and express the pain, sadness, and anger of those who suffer constant scrutiny because of their gender and race.