She’s a fashion model who has everything: a boyfriend, a career, a loyal best friend. But when a sudden freeway "accident" leaves her disfigured and incapable of speech, she goes from being the beautiful center of attention to being an invisible monster, so hideous that no one will acknowledge she exists. Enter Brandy Alexander, Queen Supreme, one operation away from becoming a real woman, who will teach her that reinventing yourself means erasing your past and making up something better. And that salvation hides in the last places you’ll ever want to look.

Victor Mancini, a medical school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: He pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him.  

New York Times best-selling author of Fight Club, which was adapted into a major motion picture, Chuck Palahniuk offers a haunting tale. Winner of the Northwest Booksellers Association Award, Palahniuk is one of the rare literary geniuses who has been able to bridge the gap between a cult following and commercial success.

Chuck Palahniuk, the author of the New York Times best-sellers Fight Club and Lullaby, is known for his edgy novels, and Rant is no exception. Palahniuk presents this fictional biography of Buster "Rant" Casey in a series of vignettes told by the people who knew him best. As intricate as a spider web, Rant succeeds in recounting the story of one man's life only through the eyes of others. But the question remains, "Who was Rant Casey?"

This collection of transgressive stories has been compiled through a rigorous nomination and vetting process and hand-selected by Chuck Palahniuk, author of Fight Club, as the best of The Cult workshop. These stories run the gamut from horrific and fantastic to humorous and touching, but each leaves a lasting impression. Some may say even a scar. 

The daughter of a narcissistic film star and a billionaire, Madison is abandoned at her Swiss boarding school over Christmas, while her parents are off touting their new projects and adopting more orphans. She dies over the holiday of a mari­juana overdose - and the next thing she knows, she’s in Hell. 

Palahniuk’s fashion-model protagonist has it all - boyfriend, career, loyal best friend - until an accident destroys her face, her ability to speak, and her self-esteem. Enter Brandy Alexander, Queen Supreme, one operation away from becoming a bona fide woman.  

The hero of John Kennedy Toole's incomparable, Pulitzer Prize-winning comic classic is one Ignatius J. Reilly, "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter". His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredibly true-to-life dialogue, and the zaniest series of high and low comic adventures.

Diary takes the form of a "coma diary" kept by one Misty Tracy Wilmot as her husband lies senseless in a hospital after a suicide attempt. It is a dark, hilarious, and poignant act of storytelling from America's favorite, most inventive nihilist.

Gates Foster lost his daughter, Lucy, 17 years ago. He's never stopped searching. Suddenly, a shocking new development provides Foster with his first major lead in over a decade, and he may finally be on the verge of discovering the awful truth. Meanwhile, Mitzi Ives has carved out a space among the Foley artists creating the immersive sounds giving Hollywood films their authenticity. Using the same secret techniques as her father before her, she's become an industry-leading expert in the sound of violence and horror, creating screams so bone-chilling, they may as well be real.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

In the absolutely packed Act II, the dark fantasy resumes and the Sandman expands into the French Revolution, ancient Rome, 19th-century San Francisco, eighth-century Baghdad, and beyond. New and familiar characters abound, voiced by a bright mix of performers, including Kat Dennings, Regé-Jean Page, Emma Corrin, Michael Sheen, Kristen Schaal, Brian Cox, John Lithgow, Jeffrey Wright, and so many more, including fan-favorite narrators Simon Vance and Ray Porter.

Having entertained the idea for years, and even offered a few questionable opportunities ("It's a piece of cake! Just do four hours of interviews, find someone else to write it, put your face on the cover, and voila!") I have decided to tell these stories just as I have always done, in my own voice.

For decades Hazie Coogan has tended to the outsized needs of Katherine “Miss Kathie” Kenton, veteran of multiple marriages, career comebacks, and cosmetic surgeries. But danger arrives with gentleman caller Webster Carlton Westward III, who worms his way into Miss Kathie’s heart - and boudoir. Soon, Hazie discovers that this bounder has already written a celebrity memoir foretelling Miss Kathie’s death in an upcoming musical extravaganza. As the body count mounts, Hazie must execute a plan to save Katherine Kenton for her fans and for posterity.