Glue is the story of four boys growing up in the Edinburgh schemes, and about the loyalties, the experiences, and the secrets that hold them together into their 30s. Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer, driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally, who seems to find catastrophe at every corner.

Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing f****n junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total f***n embarrassment tae the selfish, f****d-up brats ye've produced. Choose life.

Juice is a man who contains multitudes: He's a top shagger; a drug-dealing, gonzo porn star; and taxi driver. As we ride along in Juice's cab through the depraved streets of Edinburgh, Juice encounters a series of charmingly filthy characters, all of whom present their own, uh, unique challenges. Has he finally met his match in Hurricane "Bawbag"? Can he discover the fate of the missing beauty, Jinty Magdalen, and keep her idiot-savant lover, the man-child Wee Jonty, out of prison?

When Lucy Brennan, a Miami Beach personal-fitness trainer, disarms an apparently crazed gunman chasing two frightened homeless men along a deserted causeway at night, the police and the breaking-news cameras are not far behind. Within hours, Lucy becomes a hero. Her celebrity is short-lived, though: the "crazed gunman", turns out to be a victim of child sexual abuse and the two men are serial pedophiles.

A vicious 15-year-old droog is the central character of this 1963 classic, a frightening fable about good and evil, and the meaning of human freedom. In Anthony Burgess' nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology.

In Las Vegas to cover a motorcycle race, Raoul Duke (Thompson) and his attorney Dr. Gonzo (inspired by a friend of Thompson) are quickly diverted to search for the American dream. Their quest is fueled by nearly every drug imaginable and quickly becomes a surreal experience that blurs the line between reality and fantasy. But there is more to this hilarious tale than reckless behavior, for underneath the hallucinogenic facade is a stinging criticism of American greed and consumerism.

On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. What if you could change it back? In this brilliantly conceived tour de force, Stephen King - who has absorbed the social, political, and popular culture of his generation more imaginatively and thoroughly than any other writer - takes listeners on an incredible journey into the past and the possibility of altering it.

After a staged terrorist attack kills the President and most of Congress, the government is deposed and taken over by the oppressive and all-controlling Republic of Gilead. Offred is a Handmaid serving in the household of the enigmatic Commander and his bitter wife. She can remember a time when she lived with her husband and daughter and had a job, before she lost even her own name.

Shuggie’s mother Agnes walks a wayward path: She is Shuggie’s guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good - her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor.

When a listless office employee (the narrator) meets Tyler Durden, his life begins to take on a strange new dimension. Together they form Fight Club - a secretive underground group sponsoring bloody bare-knuckle boxing matches staged in seedy alleys, vacant warehouses, and dive-bar basements. Fight Club lets ordinary men vent their suppressed rage, and it quickly develops a fanatical following.

Boisterous, ribald, and ultimately shattering, Ken Kesey's One Flew Over the Cuckoo's Nest has left an indelible mark on the literature of our time. Turning conventional notions of sanity and insanity on their heads, the novel tells the unforgettable story of a mental ward and its inhabitants, especially tyrannical Big Nurse Ratched and Randle Patrick McMurphy, the brawling, fun-loving new inmate who resolves to oppose her.

In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own.

Paul Bäumer is just 19 years old when he and his classmates enlist. They are Germany’s Iron Youth who enter the war with high ideals and leave it disillusioned or dead. As Paul struggles with the realities of the man he has become, and the world to which he must return, he is led like a ghost of his former self into the war’s final hours. All Quiet is one of the greatest war novels of all time, an eloquent expression of the futility, hopelessness and irreparable losses of war.

Set at a small, affluent liberal-arts college in New England at the height of the Reagan '80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future - or even the present - who become entangled in a curious romantic triangle.

In a Tokyo suburb, a young man named Toru Okada searches for his wife’s missing cat - and then for his wife as well - in a netherworld beneath the city’s placid surface. As these searches intersect, he encounters a bizarre group of allies and antagonists.