In his hugely influential and tempestuous career, Robert E. Howard created the genre that came to be known as sword and sorcery - and brought to life one of fantasy's boldest and most enduring figures: Conan the Cimmerian, reaver, slayer, barbarian, king. This volume gathers together three of Howard's longest and most famous Conan stories.

Between the years when the oceans drank Atlantis and the gleaming cities...there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars.... Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand...to tread the jeweled thrones of the earth under his sandalled feet.

With Conan the Cimmerian, Robert E. Howard created more than the greatest action hero of the twentieth century---he also launched a genre that came to be known as sword and sorcery. But Conan was not the first archetypal adventurer to spring from Howard's fertile imagination.

From Robert E. Howard's fertile imagination sprang some of fiction's greatest heroes, including Conan the Cimmerian, King Kull, and Solomon Kane. But of all Howard's characters, none embodied his creator's brooding temperament more than Bran Mak Morn, the last king of a doomed race.

This collection contains all of Robert E. Howard's Conan the Cimmerian stories published during his lifetime, contextualized with biographical details of their author.

In a meteoric career that spanned a mere 12 years, Robert E. Howard single-handedly invented the genre that came to be called sword and sorcery. From his fertile imagination sprang some of fiction's most enduring heroes. Yet while Conan the Cimmerian is indisputably Howard's greatest creation, it was in his earlier sequence of tales featuring Kull, a fearless warrior with the brooding intellect of a philosopher, that Howard began to develop the distinctive themes and the richly evocative blend of history and mythology .

Robert E. Howard, renowned creator of Conan the Barbarian, was also a master at conjuring tales of hair-raising horror. In a career spanning only 12 years, Howard wrote more than 100 stories, with his most celebrated work appearing in Weird Tales, the preeminent pulp magazine of the era.

The first of these novels, A Princess of Mars, was Burroughs' first book, and he wrote the next two novels in quick succession. Together they tell the story of John Carter of Mars - how he came to Mars, met the love of his life, and quickly found himself occupied full-time defending her and saving his adopted planet from interplanetary evildoers.

When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero: a rock-and-roll antihero who would channel all the violent excesses of the '60s into one enduring archetype.

In The Swords of Lankhmar, a plague of rats overruns the capital city and glittering gem of the land of Nehwon. Commissioned to guard a ship of grain from the cursed rodents, brother-in-arms Fafhrd and the Gray Mouser soon discover the plague has progressed to a fatal point. Mustering the strength of sorcery, they descend into the depths of Lankhmar and rise to battle in order to save the soul of the ill-fated city.

The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

In ancient days, sorcerers sought to learn the One True Spell that would give them power over all the world and understanding of all magic.... The One True Spell was a woman, and her name was Mystra - and her kisses were wonderful. It is the time before Myth Drannor, when the Heartlands are home to barbarians, and wicked dragons rule the skies. In these ancient days, Elminster is but a shepherd boy, dreaming of adventure and heroics. When a dragon-riding magelord sweeps down upon him, though, the boy is thrust into a world of harsh realities, corrupt rulers, and evil sorcerers.

Harry Keogh is the man who can talk to the dead, the man for whom every grave willingly gives up its secrets, the one man who knows how to travel effortlessly through time and space to destroy the vampires that threaten all of humanity.

Defeated by the Lady and cast from this world, all that was left of him was a foul trace of lingering evil. But the graveyard that was once the Barrowland contains more secrets than dead. All who would possess the power of the Dominator are drawn to the spike. A foolhardy band of thieves is the first to reach it, and a rapacious and malign spirit is unleashed on an unwary world. The forces gather, sides are drawn, and mortal men can only die as the Dark Lords battle for domination.

. C. “Scar” Gordon was on the French Riviera recovering from a tour of combat in Southeast Asia, but he hadn’t given up his habit of scanning the personals in the newspaper. One ad in particular leapt out at him: "Are you a coward? This is not for you. We badly need a brave man. He must be 23 to 25 years old, in perfect health, at least six feet tall, weigh about 190 pounds, fluent English with some French, proficient with all weapons, some knowledge of engineering and mathematics essential...."