Milly's mother is a serial killer. Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all.

Blythe Connor is determined that she will be the warm, comforting mother to her new baby Violet that she herself never had. But in the thick of motherhood's exhausting early days, Blythe becomes convinced that something is wrong with her daughter - she doesn't behave like most children do. Or is it all in Blythe's head? Her husband, Fox, says she's imagining things. The more Fox dismisses her fears, the more Blythe begins to question her own sanity, and the more we begin to question what Blythe is telling us about her life as well.

Christopher and Hannah are a happily married surgeon and nurse with picture-perfect lives. All that’s missing is a child. When Janie, an abandoned six-year-old, turns up at their hospital, Christopher forms an instant connection with her, and he convinces Hannah they should take her home as their own.

2000. Bright, ambitious, and yearning for adulthood, 15-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful 42-year-old English teacher. 2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: Remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past.

On the day she was abducted, Annie O’Sullivan, a 32-year-old Realtor, had three goals: sell a house, forget about a recent argument with her mother, and be on time for dinner with her ever-patient boyfriend. The open house is slow, but when her last visitor pulls up in a van as she’s about to leave, Annie thinks it just might be her lucky day after all.

These people will give anything for the idols they worship, be they rock stars, actors or authors. Or even serial killers. Lori is just such a fanatic. Her obsession is with Edmund Cox, a man of sadistic cruelty who butchered more than 20 women. She’s gone so far as to forge a relationship with him, visiting him in prison and sending him letters on a regular basis. She will do anything to get close to him, so when he gives her a task, she eagerly accepts it. She has no idea of the horror that awaits her.

Suzette knows her clever and manipulative seven-year-old daughter doesn’t love her. She can see the hatred and jealousy in her eyes. And as Hanna’s subtle acts of cruelty threaten to tear her and her husband apart, Suzette fears her very life may be in grave danger....

Kate Bennett vanished from a parking lot eleven years ago, leaving behind her husband and young daughter. When she shows up at a Montana gas station, clutching an infant and screaming for help, investigators believe she may have been abducted by a cult. Kate’s return flips her family’s world upside down - her husband is remarried, and her daughter barely remembers her. Kate herself doesn’t look or act like she did before.

Near an isolated mansion lies a beautiful garden. In this garden grow luscious flowers, shady trees...and a collection of precious “butterflies” - young women who have been kidnapped and intricately tattooed to resemble their namesakes. Overseeing it all is the Gardener, a brutal, twisted man obsessed with capturing and preserving his lovely specimens.

Meet Noah - an A-honor-roll student, award-winning swimmer, and small-town star destined for greatness. There weren't any signs that something was wrong until the day he confesses to molesting little girls during swim-team practice. He's sentenced to 18 months in a juvenile sexual-rehabilitation center. His mother, Adrianne, refuses to turn her back on him despite his horrific crimes, but her husband won't allow Noah back into their home.

Sisters. Strangers. Survivors. More than 20 years ago, Claire and Lydia's teenaged sister Julia vanished without a trace. The two women have not spoken since, and now their lives could not be more different. Claire is the glamorous trophy wife of an Atlanta millionaire. Lydia, a single mother, dates an ex-con and struggles to make ends meet. But neither has recovered from the horror and heartbreak of their shared loss—a devastating wound that's cruelly ripped open when Claire's husband is killed.

For years, rumors of the "Marsh Girl" have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand.

In this electric and provocative debut novel, Amber Tamblyn blends genres of poetry, prose, and elements of suspense to give shape to the shocking narratives of victims of sexual violence, mapping the destructive ways in which our society perpetuates rape culture, brilliantly brought to life through a multi-voice performance featuring Glenn Davis, Ben Foster, Marc Maron, Jason Ritter, John Roberts, Russ Tamblyn, Amber Tamblyn, January Lavoy, Phoebe Strole, Robin Miles, Thérèse Plummer, Dan Bittner, James Fouhey, and Michael Crouch.

I only try on one of Nina’s pristine white dresses once. Just to see what it’s like. But she soon finds out...and by the time I realize my attic bedroom door only locks from the outside, it’s far too late. But I reassure myself: The Winchesters don’t know who I really am. They don’t know what I’m capable of....

Fresh out of rehab, Mallory Quinn takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body.

Leon loves chocolate bars, Saturday morning cartoons, and his beautiful, golden-haired baby brother. When Jake is born, Leon pokes his head in the crib and says, "I'm your brother. Big brother. My. Name. Is. Leon. I am eight and three quarters. I am a boy." Jake will play with no one but Leon, and Leon is determined to save him from any pain and earn that sparkling baby laugh every chance he can. But Leon isn't in control of this world where adults say one thing and mean another, and try as he might he can't protect his little family from everything.

Shuggie’s mother Agnes walks a wayward path: She is Shuggie’s guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good - her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor.

Born just 10 months apart, July and September are thick as thieves, never needing anyone but each other. Now, following a case of school bullying, the teens have moved away with their single mother to a long-abandoned family home near the shore. In their new, isolated life, July finds that the deep bond she has always shared with September is shifting in ways she cannot entirely understand. A creeping sense of dread and unease descends inside the house.

Thrown Away Child is a memoir covering Louise Allen’s abusive childhood in a foster home, how she survived - using her love of art as a sanctuary - and how she hopes to right old wrongs now by fostering children herself and campaigning for the improvement of foster care services. It is a compelling and inspirational story. This book gives a voice to the many children who grew up unhappily in care.  

Berlin, 1989. Siblings Rune and Lotte are shaken awake by Mama and told to follow her quietly into the night. Last time they snuck away from Papa, with Mama bruised and broken, they were back within a week. But this time they are starting a new life, Mama says - where nobody can ever hurt them again. Ten years later, the memories of their escape are blurry; Mama is long gone, and the siblings are back at Papa’s house.

Charlotte wants to start fresh. She wants to forget her past, forget prison and, most of all, forget Sean. But old habits die hard. Despite the ankle monitor she must wear as part of her parole agreement and frequent visits to her therapist, she soon finds herself sliding back toward the type of behavior that sent her to prison in the first place. The further down that path she goes, however, the closer she gets to the crime that put her in prison all those years ago. And that’s the one memory she can’t face. Until, one day, Sean tracks her down.

Seventeen-year-old Lenni Pettersson lives on the Terminal Ward at the Glasgow Princess Royal Hospital. Though the teenager has been told she’s dying, she still has plenty of living to do. Joining the hospital’s arts and crafts class, she meets the magnificent Margot, an 83-year-old, purple-pajama-wearing, fruitcake-eating rebel, who transforms Lenni in ways she never imagined. As their friendship blooms, a world of stories opens for these unlikely companions who, between them, have been alive for one hundred years.

Patrick Clarke is a 10-year-old boy trying to make sense of his world. He is confused. His Ma and Da fight too much. School seems like a joke. And love, though it has a good reputation, seems pretty cruel. Paddy sees everything, but has trouble understanding it all. His story is an exuberant romp through the triumphs, indignities, and troublemaking detours of an Irish childhood.

Stephen Smith is the boy who did not exist. Born out of wedlock in the early 1960s, Steve's parents - both devout Catholics - had felt so 'shamed' by their son's illegitimate birth that they hid him away from the world by locking him in the cellar...for 13 years. Apart from a few admissions to hospital as a result of his 'imprisonment', Steve remained in the coal cellar of the family home where he was deprived of daylight, his childhood, school and human contact until he'd reached his teenage years.

Thirty years ago, Nicola Watson lived with her parents and older brother in a respectable suburb. Now a successful lawyer in the city, with a life poles apart from her dark beginnings, Nicola has returned home for her mother’s funeral. All Carol wanted was to protect her children, but escaping her husband was only the beginning of the story. And when Nicola learns the truth of what her mother did, it will change everything she thought she knew about herself and her family. A gripping, emotional story of family secrets, and the strength of a mother’s love in the darkest times.