Albert Platt is a rotten man. Bred in the rough parts of Brooklyn, he made his name as a killer and has built a fortune from gambling, loan sharking, and the other pastimes of a standard thug. His latest gambit? Buying banks, robbing them, and collecting the insurance. He's a hard man, and no one ever stood in his way until he brushed up against Eddie Manso. Manso is no ordinary veteran.

Keller is a regular guy. He goes to the movies, works on his stamp collection. Call him for jury duty and he serves without complaint. Then every so often he gets a phone call from White Plains that sends him flying off somewhere to kill a perfect stranger. Keller is a pro and very good at what he does. But the jobs have started to go wrong. The realization is slow coming, yet when it arrives, it is irrefutable: Someone out there is trying to hit the hit man. Keller, God help him, has found his way onto somebody else's hit list.

The hooker was young, pretty...and dead, butchered in a Greenwich Village apartment. The prime suspect, a minister's son, was also dead, the victim of a jailhouse suicide. The case is closed, as far as the NYPD is concerned. Now the murdered prostitute's father wants it opened again--that's where Matthew Scudder comes in.

In this first in a series of wickedly funny mysteries, best-selling author Lawrence Block introduces Bernie Rhodenbarr, sometimes burglar, sometimes sleuth. Pulling only an occasional, very discreet job, Bernie manages to maintain his comfortable New York City apartment and keep his unorthodox vocation a closely-guarded secret. Every burglar knows never to trust anonymous phone calls. But when the caller offers easy money for an hour's work, Bernie can't ignore the job.

Matthew Scudder, a down-but-not-out-detective, is shocked by the apparent suicide of Paula, a waitress at Armstrong’s, one of Scudder’s hangouts. When Paula’s sister shows up and asks Matt to investigate what she believes to be a murder, Scudder agrees to take on the case. A number of clues don’t add up to suicide, and Scudder’s investigation leads him to the dark corners of Paula’s world.

Acclaimed New York Times best-selling author Lawrence Block returns with the extraordinary Bernie Rhodenbarr. Antiquarian bookseller by day, burglar by night, Bernie has an innate knack, a gift, for getting into places designed to keep him out.

Mavis St. Paul had been a rich man's mistress. Now she was a corpse. And every cop in New York City was hunting for the two-bit punk accused of putting a knife in her. But the punk was innocent. He'd been set up to take the fall by some cutie who was too clever by half. My job? Find that cutie - before the cutie found me.

Al Engel had worked his way up to being Nick Rovito’s right-hand man, near the top of the syndicate. And this was a delicate job that Rovito had given him: retrieving a very important jacket, loaded with heroin, from the fresh grave of the drug mule who was accidentally buried wearing it. There was just one problem (at least - just one to begin with): It turned out the grave was empty. Suddenly Engel was the one finding himself “in deep”.

Over twenty years ago, the heiress Patricia Lockwood was abducted during a robbery of her family's estate, then locked inside an isolated cabin for months. Patricia escaped, but so did her captors - and the items stolen from her family were never recovered. Until now. On the Upper West Side, a recluse is found murdered in his penthouse apartment, alongside two objects of note: a stolen Vermeer painting and a leather suitcase bearing the initials WHL3. For the first time in years, the authorities have a lead - with the suitcase and painting both pointing them toward one man.

Deputy Paul Scallen will earn his 150 dollars if he can get his prisoner Jim Kidd on the train to Yuma Prison. But the members of Kidd's gang have determined that Scallen won't live long enough to make the Three-Ten to Yuma. Performed by Henry Rollins, this classic of bullets and bad men demonstrate the superb talent for language and gripping narrative that made Elmore Leonard one of the most acclaimed writers of our time.

The professional hitman known as Quarry - star of the Cinemax TV miniseries of the same name - has put killing behind him. But after a beautiful writer of true-crime best sellers drops by to announce he's the subject of her next book, killers descend to give him some of his own deadly medicine, forcing Quarry to journey into his bloody past to find the answers - and settle old scores.

A classic novel by John D. MacDonald with an exclusive introduction written and read by Dean Koontz. Floyd Hubbard arrives at a convention at a busy beach-town hotel with a mission from the top brass: ax a long-time manager in the sales team who has been slacking off for too long. Hubbard’s a loyal company man, but his background is engineering, not cold-blooded corporate warfare. Little does Hubbard realize that the first grenade has already been lobbed - and he’s the target.Cory Barlund has heard more than her fair share of odd requests in her years as a high-class call girl, so this one’s right up her alley...

Political radical John Wright is plotting an act of mass destruction - and federal agent John Graves has him under surveillance, trying to figure out what the plot is. When a government computer is hacked and a high-security shipment of nerve gas gets hijacked, Graves puts the pieces together - but can he stop Wright from unleashing his weapon before it kills a million people...including the President of the United States?

In 1979, Vincent Bianco has just graduated high school. His only desire: collect a little beer money and enjoy his final summer before college. So he lands a job as a laborer on a construction crew. Working alongside two Vietnam vets, one suffering from PTSD, Vincent gets the education of a lifetime. Now forty years later, with his own son leaving for college, the lessons of that summer - Vincent’s last taste of innocence and first taste of real life - dramatically unfold in a novel about breaking away, shaping a life, and seeking one’s own destiny. 

Academy Award nominee Samuel L. Jackson ( Pulp Fiction, Star Wars films), fresh off the success of his uproarious, Audie-nominated performance of the mock children’s book Go the F**k to Sleep, delivers a swaggering, darkly-humored rendering of Chester Himes’ classic first novel.