In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s. His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow.

This unique collection, compiled especially for Naxos AudioBooks, features original recordings from 1908 to 1947 of Booker T. Washington's "Atlanta Exposition Address", the poetry of Paul Laurence Dunbar and Langston Hughes, the rarely heard humour of Charley Case, readings from "God's Trombones" by James Weldon Johnson, and much more.

Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade - Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem he was a rising young poet - at the center of the "Harlem Renaissance." Arnold Rampersad writes in his incisive new introduction to The Big Sea, an American classic: "This is American writing at its best...."

The Great Migration was the name coined for the mass movement of African-Americans north of the Mason-Dixon line in the years following the Civil War and the abolition of slavery. The enormous promise of emancipation proved to be illusory for the majority of Southern blacks, whether free or formerly enslaved, and as a result, hundreds of thousands made use of their fundamental freedom to leave. This resulted in a “push” away from the South, caused by ongoing discrimination, punishing Jim Crow laws, and increasing violence directed at blacks by whites.

In Why We’re Polarized, Klein reveals the structural and psychological forces behind America’s descent into division and dysfunction. Neither a polemic nor a lament, this book offers a clear framework for understanding everything from Trump’s rise to the Democratic Party’s leftward shift to the politicization of everyday culture. America is polarized, first and foremost, by identity. Everyone engaged in American politics is engaged, at some level, in identity politics.

By the 1890s, Wilmington was North Carolina’s largest city and a shining example of a mixed-race community. It was a bustling port city with a burgeoning African American middle class and a Fusionist government of Republicans and Populists that included black aldermen, police officers, and magistrates. There were successful black-owned businesses and an African American newspaper, The Record. But across the state - and the South - white supremacist Democrats were working to reverse the advances made by former slaves and their progeny.

Maya Angelou’s unforgettable collection of poetry lends its name to the documentary film about her life, And Still I Rise, as seen on PBS’s American Masters. “It is true poetry she is writing,” M. F.K . Fisher has observed, “not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity.... It is astounding, flabbergasting, to recognize it, in all the words I read every day and night...it gives me heart, to hear so clearly the caged bird singing and to understand her notes.” 

Langston Hughes was a man far ahead of his time, but his actions were often unpredictable, contradictory and refused classification. To give an example, he campaigned tirelessly for civil rights but then testified before the controversial House Committee on Un-American Activities, seen by many as a witch-hunt. Rather than ignoring or excusing these contradictions, Bonnie Greer confronts them, highlighting the many contradictions present in both his day and ours and painting an unforgettable portrait of a man caught up in strange and contradictory times.

Hear rare recordings from five of the most-respected African American poets reading their own works: Langston Hughes, "The Negro Speaks of Rivers"; Arna Bontemps, "Nocturne At Bethesda"; Countee Cullen, "Heritage"; Gwendolyn Brooks, "The Vacant Lot"; and Sonia Sanchez, "Black Magic".

“The problem of the twentieth century is the problem of the color line,” writes Du Bois, in one of the most prophetic works in all of American literature. First published in 1903, this collection of 15 essays dared to describe the racism that prevailed at that time in America—and to demand an end to it. Du Bois’ writing draws on his early experiences, from teaching in the hills of Tennessee, to the death of his infant son, to his historic break with the conciliatory position of Booker T. Washington.

In On the Shoulders of Giants, indomitable basketball star and best-selling author and historian Kareem Abdul-Jabbar invites listeners on an extraordinarily personal journey back to his birthplace. He leads us through one of the greatest political, cultural, literary, and artistic movements in our history, revealing the tremendous impact the Harlem Renaissance had on both American culture and his own life.

Just as I Am is my truth. It is me, plain and unvarnished, with the glitter and garland set aside. Here, I am indeed Cicely, the actress who has been blessed to grace the stage and screen for six decades. Yet I am also the church girl who once rarely spoke a word. I am the teenager who sought solace in the verses of the old hymn for which this book is named. I am a daughter and mother, a sister, and a friend. I am an observer of human nature and the dreamer of audacious dreams.

With his trademark acerbic wit, incisive humor, and infectious paranoia, one of our foremost comedians and most politically engaged civil rights activists looks back at 100 key events from the complicated history of Black America. Defining Moments in Black History is an essential, no-holds-bar history lesson that will provoke, enlighten, and entertain.

Ralph Elllison's Invisible Man is a monumental novel, one that can well be called an epic of 20th-century African-American life. It is a strange story, in which many extraordinary things happen, some of them shocking and brutal, some of them pitiful and touching - yet always with elements of comedy and irony and burlesque that appear in unexpected places.

James Baldwin’s stunning first novel is now an American classic. With startling realism that brings Harlem and the black experience vividly to life, this is a work that touches the heart with emotion while it stimulates the mind with its narrative style, symbolism, and excoriating vision of racism in America. Moving through time from the rural South to the northern ghetto, Baldwin chronicles a 14-year-old boy’s discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935.