New York City, uptown, Harlem. In the 1920s it was the most exciting place in the world. Poets, writers, dancers, and musicians all came together and invented a new American culture - a dazzling and revolutionary African American culture of music and poetry and art. Everyone who was anyone wanted to come to Harlem and hear the music of jazz genius Duke Ellington, the rap-like stylings of Langston Hughes, and the classical lyricism of Countee Cullen.

The most improbable approach toward American civil rights for Black citizens blended the beliefs of Booker T. Washington and W. E. B. Du Bois, and it was spearheaded by global activist Marcus Aurelius Garvey. The Jamaican began his career as an activist with a devotion to Washington’s path, but he subsequently leaned to the alternative and beyond. Beyond the worldview of both colleagues, Marcus Garvey’s bigger-than-life scheme was to establish a Black-owned and managed shipping line to transport much of America’s Black population back to Africa. 

“The problem of the twentieth century is the problem of the color line,” writes Du Bois, in one of the most prophetic works in all of American literature. First published in 1903, this collection of 15 essays dared to describe the racism that prevailed at that time in America—and to demand an end to it. Du Bois’ writing draws on his early experiences, from teaching in the hills of Tennessee, to the death of his infant son, to his historic break with the conciliatory position of Booker T. Washington.

Overall, Tulsa in 1921 was considered a modern, vibrant city. What had fueled this remarkable growth was oil, specifically the discovery of the Glenn Pool oil field in 1905. Within five years, Tulsa had grown from a rural crossroads town in the former Indian Territory into a boom town with more than 10,000 citizens, and as word spread of the fortunes that could be made in Tulsa, people of all races poured into the city.

This cultural biography tells the enthralling story of the high-achieving Black elites who thrived in the nation's capital during Reconstruction. Daniel Murray (1851-1925), an assistant librarian at the Library of Congress, was a prominent member of this glorious class. Murray's life was reflective of those who were well-off at the time. This social circle included African American educators, ministers, lawyers, doctors, entrepreneurs, US senators and representatives, and other government officials.

In The New Negro: The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar, earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. And yet he became most closely associated with the flowering of Black culture in Jazz Age America.

Harlem is perhaps the most famous, iconic neighborhood in the United States. A bastion of freedom and the capital of black America, Harlem's 20th-century renaissance changed our arts, culture, and politics forever. But this is only one of the many chapters in a wonderfully rich and varied history. In Harlem, historian Jonathan Gill presents the first complete chronicle of this remarkable place.

The New York Times Magazine’s award-winning “1619 Project” issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This new book substantially expands on that work, weaving together 18 essays that explore the legacy of slavery in present-day America with 36 poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. 

In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s. His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow.

The astonishing untold history of America's first Black millionaires - former slaves who endured incredible challenges to amass and maintain their wealth for a century, from the Jacksonian period to the Roaring '20s - self-made entrepreneurs whose unknown success mirrored that of American business heroes such as Henry Ford, John D. Rockefeller, and Thomas Edison.

Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of Black life and Black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era.

Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade - Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem he was a rising young poet - at the center of the "Harlem Renaissance." Arnold Rampersad writes in his incisive new introduction to The Big Sea, an American classic: "This is American writing at its best...."

James Baldwin was an American novelist, playwright, essayist, poet, and activist. His essays, as collected in Notes of a Native Son, explore intricacies of racial, sexual, and class distinctions in Western society, most notably in regard to the mid-20th-century United States. 

In Othello, Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona. Shakespeare builds many differences into his hero and heroine, including race, age, and cultural background. Yet most audiences believe the couple’s strong love would overcome these differences were it not for Iago, who sets out to destroy Othello.

James Baldwin grew disillusioned by the failure of the civil rights movement to force America to confront its lies about race. In our own moment, when that confrontation feels more urgently needed than ever, what can we learn from his struggle?