Enthralled by his own exquisite portrait, Dorian Gray exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life; indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his decadence. The novel was a succès de scandale, and the book was later used as evidence against Wilde at the Old Bailey in 1895. It has lost none of its power to fascinate and disturb. 

A tender love story, a serpentine villainess, a glittering setting in London society, and a showering of Wildean witticism are only a few of the reasons why this play has enjoyed hugely successful revivals in London, in New York, and on the silver screen. This 1895 drama is eerily prescient, as it examines the plight of a promising politician, desperate to hide a secret in his past. With empathy and wit, Oscar Wilde explores the pitfalls of holding public figures to higher standards than the rest of us.

A classic comedy by the great Oscar Wilde. The Importance of Being Earnest is his short farce consisting of numerous noms de plume, a case of mistaken identity, an identity left in a case by mistake, and the mistake of revealing ones identity in the presence of a previous employer, which may result post-script in a case for Scotland Yard. Or to put much more simply, of Jack and his attempts to woo Gwendolyn, his would-be bride... even if she does seem to think his name is Earnest.

Four classic comedies from one of the wittiest playwrights in Western literature: Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband, and The Importance of Being Earnest, all featuring star-studded casts with the likes of Jacqueline Bisset, Miriam Margolyes, James Marsters, Alfred Molina, Roger Rees, Yeardley Smith, Eric Stoltz, and many more. This audio also includes a chilling dramatization of Wilde's sole novel, The Picture of Dorian Gray.

"Oscar Wilde's Fairy Tales continue to exert the same pull over the imagination and emotions as they did when he first read them to his children in the 1880s. Written with inspired poetic intensity and sudden flowerings of the matchless wit for which he is so well remembered, the stories combine the wisdom of parables with the impact of drama."

A terrifying ghost is haunting the ancient mansion of Canterville Chase, complete with creaking floorboards, clanking chains and gruesome disguises - but the new occupants seem strangely undisturbed by his presence. Deftly contrasting the conventional gothic ghost story with the pragmatism of the modern world, Wilde creates a gently comic fable of the conflict between old and new. Rupert Degas's hilarious reading brings the absurdity and theatricality of the story to life.

The ghost that haunts Canterville Chase has built a marvelous career of midnight haunting. But when an American family moves in, they simply have no respect for permanent bloodstains, nightmarish chains, or ancient legends. They even throw pillows at him.

A sparkling collection of the major works of the ever-adored Oscar Wilde, with incredible casts including Judi Dench, Martin Clunes, Michael Sheen, Miriam Margolyes, Ian McDiarmid, Joely Richardson, Penelope Keith, Martin Jarvis, Diana Rigg, Simon Russell Beale, Sheila Hancock, Ian McKellen and Stephen Fry.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....

Tom shares the cramped and claustrophobic tenement home with his overbearing mother, Amanda, and painfully shy sister, Laura. He works in a warehouse but dreams of becoming a poet, escaping his mundane life. Laura hides at home, lacking the confidence to engage meaningfully with the outside world, preferring instead to lose herself in her collection of fragile glass animals. Amanda sells magazine subscriptions over the phone and commits herself to finding a match for her daughter. One day, Tom succumbs to his mother's pressure and brings home a gentleman caller....

Stacy Keach and Jane Kaczmarek star in this 1949 masterpiece by Arthur Miller, a searing portrait of the physical, emotional, and psychological costs of the American dream. Willy Loman (Keach) is the play's iconic traveling salesman, whose family is torn apart by his desperate obsession with greatness and social acceptance. As his two sons cast about aimlessly for their station in life, Willy begins to come unraveled when the reality of his life threatens his long-cherished illusions.

One of Shaw's most enduring works, Pygmalion is an insightful comedy of class relations and perceptions, as played out between a Cockney flower girl and the irascible speech professor who has taken her on as a pet project.

Macbeth, one of Shakespeare's most popular plays, is among the most powerful and influential tragedies in the English language. Promised a golden future as ruler of Scotland by three sinister witches, Macbeth murders the king in order to succeed to the throne. Tortured by his conscience and fearful of discovery, he becomes fatally enmeshed in a web of treachery and deceit.

New York Times best seller and Whitebread Book of the Year, Nobel Laureate Seamus Heaney's new translation of Beowulf comes to life in this gripping audio. Heaney's performance reminds us that Beowulf, written near the turn of another millennium, was intended to be heard not read.