Innovative, startlingly perceptive and aglow with colour, these 15 stories were written towards the end of Katherine Mansfield's tragically short life. Many are set in the author's native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience - from the blackly comic 'The Daughters of the Late Colonel' and the short, sharp sketch 'Miss Brill', in which a lonely woman's precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in 'At the Bay'.

Katherine Mansfield is remembered as one of the great modernist short-story writers, who managed to pack a huge amount of creative work into her 34 years before she died of TB in 1923. This impressive collection includes brand-new full-cast BBC dramatisations of 'Bliss', 'Something Childish but Very Natural', 'Marriage a la Mode', 'Daughters of the Late Colonel', 'The Garden Party', 'Life of Ma Parker and Her First Ball', plus many more readings brought to life by a wealth of narrators.

When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to enjoy the freedom that her fortune has opened up and to determine her own fate, does not hesitate to turn down two eligible suitors, declaring that she will never marry. It is only when she finds herself irresistibly drawn to the cultivated but worthless Gilbert Osmond that she discovers that wealth is a two-edged sword.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

When the self-effacing 10-year-old Fanny Price is sent to live with her wealthy relations at Mansfield Park she seems shy and withdrawn beside her witty and vivacious cousins. Growing up in the Bertram household, she is always treated as an inferior, only finding an ally in her cousin Edmund. But Fanny's steadfast and purposeful character eventually makes her an indispensable part of the household. During the absence of Fanny's uncle, the others become entangled in a maze of flirtation and intrigue upon the arrival of Mary Crawford and her brother Henry.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel 

The Hours, brings the impressionistic prose of this classic to vibrant life.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

A body always tells a story - but this child’s was a blank page. Rita reached for the lantern. She trained its light on the child’s face. "Who are you?" she murmured, but the face said as little as the rest of her. It was impossible to tell whether, in life, these blunt and unfinished features had borne the imprint of prettiness, timid watchfulness, or sly mischief. If there had once been curiosity or placidity or impatience here, life had not had time to etch it into permanence. Only a very short time ago, the body and soul of this little girl had still been securely attached.

In Madame Bovary, one of the great novels of 19th-century France, Flaubert draws a deeply felt and sympathetic portrait of a woman who, having married a country doctor and found herself unhappy with a rural, genteel existence, longs for love and excitement. However, her aspirations and her desires to escape only bring her further disappointment and eventually lead to unexpected, painful consequences. Flaubert’s critical portrait of bourgeois provincial life remains as powerful as ever

What really happened in the Marabar caves? Adela Quested arrives in Chandrapore, India, prepared to marry a British magistrate who exemplifies the narrow-minded, anti-Indian projudices of the imperial bureaucracy. But she soon meets the charming and mercurial Dr. Aziz, who offers to show her the "real" India. An expedition to the famed Marabar caves ends in explosive accusations and a schism that foreshadows the eventual end of British rule in India.

Written before she began her experiments in the writing of fiction, Virginia Woolf's second novel, Night and Day, is a story about a group of young people trying to discover what it means to fall in love. It asks all the big questions: What does it mean to fall in love? Does marriage grant happiness? What is happiness? Night and Day is a conventional novel; however, it maps out for us the world of Virginia Woolf in its wondrous prose: For her it was the beginning, leading on to a prolonged engagement with her search for the means to express the "inner life".

It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband, and even servants, life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.

Meeting by chance at a gambling hall in Europe, the separate lives of Daniel Deronda and Gwendolen Harleth are immediately intertwined. Daniel, an Englishman of uncertain parentage, becomes Gwendolyn's redeemer as she finds herself drawn to his spiritual and altruistic nature after a loveless marriage. But Daniel's path was already set when he rescued a young Jewess from suicide.

Last night I dreamt I went to Manderley again.... The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives - presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave.

Best-selling author William Boyd—the novelist who has been called a “master storyteller” ( Chicago Tribune) and “a gutsy writer who is good company to keep” ( Time)—here gives us his most entertaining, sly, and compelling novel to date. The novel evokes the tumult, events, and iconic faces of our time as it tells the story of Logan Mountstuart—writer, lover, and man of the world—through his intimate journals. It is the “riotous and disorganized reality” of Mountstuart’s 85 years in all their extraordinary, tragic, and humorous aspects.