Combine a crime, a criminal, a fat man in a fez, and a guy named "Chicken Man", and you get a zany sci-fi adventure that defies gravity to bring you a mind-boggling feast. As Wizard of Comedy Daniel M. Pinkwater transports the Snarkout Boys and the Rat through the tunnel under North Aufzoo Street to the warmth of Beanbenders, you'll meet some strange characters and learn much about the versatile avocado.

In this comical collection of memories, storyteller Daniel Pinkwater tells how he grew into the beloved figure he is today: a robust genius of the printed page and rotund genie of the radio. In inimitable fashion, Pinkwater recounts the conversation with his father that suddenly made him an art major in college. He describes his inauguration as a sculptor in a sleazy Chicago art factory and recalls setting off for a bright center of the American Art Scene, or at least as close as Hoboken, New Jersey.

Like a car alarm, bagpipe music, or a doorbell ringing in the middle of the night, hearing this all-new audio edition of The Bad Beginning will only upset you. This unique multi-voice recording brings the first book in Lemony Snicket's alarming A Series of Unfortunate Events to such terrible life that no one should really have to experience it.

When Stanley Lambchop awakes one morning, his brother, Arthur, is yelling. A bulletin board has fallen on Stanley during the night, now he is only half an inch thick!

From number one New York Times best-selling author, legendary storyteller, and master of short fiction Stephen King comes an extraordinary collection of four new and compelling novellas - Mr. Harrigan's Phone, The Life of Chuck, Rat, and the title story If It Bleeds - each pulling you into intriguing and frightening places.

The son of a struggling single mother, Jamie Conklin just wants an ordinary childhood. But Jamie is no ordinary child. Born with an unnatural ability his mom urges him to keep secret, Jamie can see what no one else can see and learn what no one else can learn. But the cost of using this ability is higher than Jamie can imagine—as he discovers when an NYPD detective draws him into the pursuit of a killer who has threatened to strike from beyond the grave.

When Elwood Curtis, a Black boy growing up in 1960s Tallahassee, is unfairly sentenced to a juvenile reformatory called the Nickel Academy, he finds himself trapped in a grotesque chamber of horrors. Elwood’s only salvation is his friendship with fellow “delinquent” Turner, which deepens despite Turner’s conviction that Elwood is hopelessly naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble.

If it’s navel-gazing you’re after, you’ve come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leap­ing to his death. There’s a dirty joke shared at a book signing, then a dirtier one told at a dinner party - lots of jokes here. Plenty of laughs.

Since his first performance at the legendary New York nightclub “Catch a Rising Star” as a 21-year-old college student in fall of 1975, Jerry Seinfeld has written his own material and saved everything. “Whenever I came up with a funny bit, whether it happened on a stage, in a conversation, or working it out on my preferred canvas, the big yellow legal pad, I kept it in one of those old school accordion folders,” Seinfeld writes. “So I have everything I thought was worth saving from 45 years of hacking away at this for all I was worth.”

'Between the Stops is a sort of a memoir, my sort. It's about a bus trip really, because it's my view from the Number 12 bus (mostly top deck, the seat at the front on the right), a double-decker that plies its way from Dulwich, in South East London, where I was living, to where I sometimes work - at the BBC, in the heart of the capital. It's not a sensible way to write a memoir at all, probably, but it's the way things pop into your head as you travel, so it's my way'.    

If you want to make sure your child falls asleep and remains calm throughout the night in a peaceful dreamland, then get this set of stories today.  

Since it was first published more than 25 years ago, Robert Fitzgerald's prizewinning translation of Homer's battle epic has become a classic in its own right: a standard against which all other versions of The Iliad are compared. Fitzgerald's work is accessible, ironic, faithful, written in a swift vernacular blank verse that "makes Homer live as never before" ( Library Journal).

It is 1979, and a man is recalling the events of his 12th summer, when he bought bullets for his gun instead of a hamburger. Through the eyes, ears, and voice of Brautigan's youthful protagonist, the listener is gently led into a small-town tale where the narrator accidentally shoots and kills his best friend. The novel deals with the repercussions of this tragedy and its recurring theme of "what if", which fuels anguish, regret, and self-blame, as well as some darkly comic passages of bittersweet romance and despair.

In his first full-length autobiography, comedy legend and national treasure Billy Connolly reveals the truth behind his windswept and interesting life. Born in a tenement flat in Glasgow in 1942, orphaned by the age of fourth and a survivor of appalling abuse at the hands of his own family, Billy's life is a remarkable story of success against all the odds.

After spending most of his 20s pursuing a career as a literary agent, John Hodgman decided to try his own hand at writing. Following an appearance to promote one of his books on The Daily Show, he was invited to return as a contributor. This led to an unexpected and, frankly, implausible career in front of the camera that has lasted to this very day, or at least until 2016. In this audiobook, Hodgman explores the strangeness of his career, speaking plainly of fame, especially at the weird, marginal level he enjoyed it.