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The Norman Conquest
- The Battle of Hastings and the Fall of Anglo-Saxon England
- Narrated by: Frazer Douglas
- Length: 18 hrs and 10 mins
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Publisher's Summary
A riveting and authoritative history of the single most important event in English history: The Norman Conquest.
An upstart French duke who sets out to conquer the most powerful and unified kingdom in Christendom. An invasion force on a scale not seen since the days of the Romans. One of the bloodiest and most decisive battles ever fought.
This new history explains why the Norman Conquest was the most significant cultural and military episode in English history. Assessing the original evidence at every turn, Marc Morris goes beyond the familiar outline to explain why England was at once so powerful and yet so vulnerable to William the Conqueror’s attack; why the Normans, in some respects less sophisticated, possessed the military cutting edge; how William’s hopes of a united Anglo-Norman realm unraveled, dashed by English rebellions, Viking invasions, and the insatiable demands of his fellow conquerors.
This is a tale of powerful drama, repression, and seismic social change: the Battle of Hastings itself; the sudden introduction of castles and the massive rebuilding of every major church; the total destruction of an ancient ruling class. Language, law, architecture, and even attitudes toward life itself were altered forever by the coming of the Normans.
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What listeners say about The Norman Conquest
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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- Jefferson
- 06-01-14
A Balanced, Entertaining, and Informative History
Marc Morris' The Norman Conquest: The Battle of Hastings and the Fall of Anglo-Saxon England (2012) is an absorbing book, demonstrating how the "new set of [Norman] attitudes and morals, which impinged on everything from warfare to politics to religion to law, . . . altered what it meant to be English." Morris begins with a concise overview of Anglo-Saxon history in England and of Norman history in Normandy up to the time of the conquest, introducing key cultural factors (including English ships, earls, and political murders, Norman castles, counts, and religious reforms, and chaotic succession conflicts in both lands) and figures (including AEthelred the Ill-Advised, King Canute, Emma, wife to both kings, Earl Godwine, Edward the Confessor, Robert Duke of Normandy, and his son William the Bastard). Morris sets up the context of William's conquest (including fraught matters like whether Edward had really named him his heir and whether Harold had really later confirmed it), then depicts the famous battle (including fraught matters like whether the Normans fled in route or in ruse, pulling the English out of their impregnable shield wall to chase them, and whether Harold was killed by a chance arrow to the eye or hacked apart by a death squad). He then covers the aftermath of the battle, when William struggled to solidify and legitimize his reign in the face of numerous rebellions and invasions, and the aftermath of the conquest, balancing the positive actions and effects of Norman rule (the end of the slave trade and political murder system and the dawn of a new age of architecture, etc.) with the negative ones (the removal of the "middle class," the Harrying of the North, and the consolidation of land in the hands of a small and powerful aristocracy, etc.). Finally, although the Anglo-Saxon tree of England fell, its deep roots never died, and the tree survived by becoming a hybrid with rising Anglo-Norman sap, as exemplified by modern English.
Throughout, Morris is open about the many insoluble questions caused by the limited, compromised, contradictory, and biased sources (one of which is "a horrendous Frankenstein's monster of a text, stitched together from bits and pieces of other chronicles, wrenched from their original texts"). Indeed, his book is nearly as much about the writing as the making of history, for he effectively works into it his historical sources, letting us know where the old quasi-historians were coming from when they wrote their chronicles. He does interesting things with the Bayeux Tapestry, more a long embroidered picture book than a tapestry, positing a likely candidate for its commission, marveling at its miraculous survival through the centuries, demonstrating the ambiguity of its images and words, and using it to supplement information from other sources. In short, he discloses the biases and limitations of each of his sources, sets them up against one another, and explains why one version is more likely than another, or how we may usefully combine two versions to get a composite "truth," and so on, as when he concludes a "debate" with the following sharp comment: "For once, William of Poitiers appears to have given us the unvarnished truth."
The book is never dull. Everywhere Morris conveys his enthusiasm for his material: "Against such nonsense we also have the magnificent testimony of the Bayeux Tapestry, almost certainly commissioned by Odo himself, which shows the bellicose bishop charging into battle on a black horse, rallying the Normans at the crucial moment. Whatever reservations others may have had about his behaviour, Odo clearly had no problems with the dual nature of his role."
Morris' chapters on the post-battle era of painful adjustment, as Normans steadily replaced Anglo-Saxons in nearly all positions of power, tried to reshape English culture in their own Norman image, replaced English with Latin as the language for official documents, and officially recognized their radical redistribution of land via the Domesday Book, are fascinating. And throughout Morris sprinkles "juicy bits," information that illuminates and stimulates, like the nickname William gave his eldest son Robert (with whom he literally came to blows in internecine battles for Normandy), translated into English as "Shorty-Pants." And like William's funeral, when his body was so fat and bloated that as it was being jammed into his stone sarcophagus, his bowels burst, and "No amount of frankincense and spices could hide the resultant stench, and the clergy therefore raced through the rest of the funeral rite before rushing back to their houses." Ah, indeed, as William's biographer Orderic Vitalis put it, "death deals with rich and poor alike."
About the reader, Frazer Douglas, I do sympathize with the reviewer who gave him two stars and said, "He has a pleasing enough voice but he reads the entire book in the same monotone sing-song." Douglas does tend to insert his own brief pauses so as to emphasize certain words, nearly making a rhythm that's not always in Morris' text: "Our [brief pause] first instinct might be to [brief pause] believe [brief pause] Poitiers." But once you get used to his manner, he's quite pleasing to listen to, and I really like his reading of quotations from Morris' old sources, because he enjoys imbuing the old historians with a dusty and biased enthusiasm, as when he reads this line from The Life of King Edward: "He lived in the squalor of the world like an angel."
Finally, Morris' material is of such great interest and is so tightly and spicily written that I bet that most people interested in the history of England and France would enjoy his book.
39 people found this helpful
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- Leonard
- 11-23-13
History as It is Supposed to be Told
Audio histories are often chancey proposition. Often a history is only understood when it is READ and the author provides accompanying maps or charts to explain his/her points. Marc Morris's - The Norman Conquest is the exception. Morris takes this obscure history and provides the reader with an easily understood narrative. Frazer Douglas's narration turns it into an outstanding audio experience. Great book, great narration - hard to turn off.
16 people found this helpful
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- dervish
- 05-13-15
Great book! Narrator is unusual but good
I thought this was an excellent book. Many reviews comment on the narration. I had no problem with the narration. I thought that the narrator's style was a bit unusual but it was still enjoyable.
11 people found this helpful
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- Michael
- 12-15-13
A great book for anyone interested in this period
What made the experience of listening to The Norman Conquest the most enjoyable?
Just the right amount of detail. Enough so you walk away with a thorough knowledge of what happened, when it happened, and why it happened.
Who was your favorite character and why?
Non fiction, so no characters, just real historical figures.
What does Frazer Douglas bring to the story that you wouldn’t experience if you just read the book?
The sound of his voice just matches the material.
Was this a book you wanted to listen to all in one sitting?
Yes, I couldn't put it down.
Any additional comments?
A great book for anyone interested in the history of Britrun from the time the Romans left to the time directly after the Norman conquest.
8 people found this helpful
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- Martin
- 06-01-14
Key Event In English History
The Norman invasion is one of the pivotal moments in English history. However, beyond knowing the date 1066 and the "fact" that Harold died with a arrow to the eye, I did not know a whole lot about it. This book covers the event in pretty exhaustive detail. As another review has noted, the narrator does make listening to the book a little hard going. He has a strange rat-a-tat delivery and reads as if he is using an auto-cue. However, in mitigation, he has a very clear voice and delivery. I cannot speak for whether the material presented is controversial in any great way. The writer does lapse into the slightly irritating style of academic texts such as prefacing an obscure fact or complete conjecture with "Of course .." and using words like "ostensibly" and "arguably". Having said all that, I listened to the finish and felt somewhat more enlightened. I would recommend the book if you are interested in history in general and that period in particular. If not, I would not choose it as a starting point as its style is somewhere between an academic text and a popular history and it may not grab you.
7 people found this helpful
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- Little Willow
- 07-16-18
Narrator ruins it for me
I loved this author's work including other audiobooks but the breathy weird speech patterns chosen by this narrator was really annoying and ruined this book for me. I'm European and grew up with BBC so it's not an unfamiliarity with Brit accents, if anything I am very familiar and this was just an odd way to approach the book.
5 people found this helpful
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- David B. Fobert
- 02-04-15
Try this
Any additional comments?
Read this: The Battle of Hastings – The Fall of Anglo-Saxon England, By Harriet Harvey Wood. Still in print @ $8.66, Amazon
4 people found this helpful
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- horoscopy
- 12-26-14
Excellent book and the narrator is also excellent
Would you listen to The Norman Conquest again? Why?
yes I will
What did you like best about this story?
it just is very interesting history and the writer is very descriptive and covers it very well.
Which character – as performed by Frazer Douglas – was your favorite?
not sure on that one
Was there a moment in the book that particularly moved you?
just found it interesting
Any additional comments?
I have read the negative reviews on the narrator , however I must add that he takes a bit of getting used to as his way of reading is unusual and "Different" . I also didn't care for it at first, but in fact the narration really grew on me and I now think the narrator's style is really perfect for the book.
4 people found this helpful
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- Jon
- 09-28-20
Great book but narration too choppy
I’m sorry but the narration is too choppy. Of all the great English narrators this one is too distracting.
3 people found this helpful
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- Sean K
- 12-02-13
Great book if you can get past the narrator
If you could sum up The Norman Conquest in three words, what would they be?
Morris has really done his research here and presents a thoughtful, thorough and supremely interesting account of England before, during and after the Conquest. So the book itself is fantastic.
The narrator, however, is flat-out godawful. He has a pleasing enough voice but he reads the entire book in the same monotone sing-song. A really second-rate, poor job. I had to get past the narrator to finish the otherwise wonderful book.
What other book might you compare The Norman Conquest to and why?
Dan Jones' "The Plantagenets".
Would you be willing to try another one of Frazer Douglas’s performances?
No I would not listen to him again.
If you were to make a film of this book, what would the tag line be?
One man changed history...The Conqueror
6 people found this helpful
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- Matthew
- 11-21-14
Great story, poor reading
What did you like best about The Norman Conquest? What did you like least?
The book takes in the whole scope of history from Viking raids before the millennium through to life under the Normans after the invasion. If you are looking for an in depth account of the battle of Hastings itself you may be disappointed. The battle is just one relatively small part of the narrative.
The only negative regarding the book is that I think it tries to cover too much, especially in the first half. Names and dates are rattled off with little to flesh out the story or people involved.
Regarding the narration, I can only agree with other reviewers. Frazer Douglas sounds like an intelligent guy, so it's extraordinary that he manages to mangle the pronunciation of so many familiar English and French place names. He also speaks as though there is, a, comma, after, every, single, word. When he quotes from the Anglo Saxon Chronicle or some other historical text, which he does frequently, he slips into tones of whispered sincerity that sounds like an impersonation of David Attenborough nearing a family of mountain gorillas, which is amusing, but annoying.
Still, if you want an overview of the history of the times it's pretty good.
31 people found this helpful
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- Hodge
- 08-16-17
Good book, bad reading
Buy the actual book and read it in the orthodox way. The narration of this book and the rhythmical, staccato style of his voice is so distracting and annoying that it completely ruined the experience. I had to keep coming back to it to try again several times because it just irritated too much I'd switch it off. It's a real shame because Marc Morris is a good historian and this is a well researched and well written book
15 people found this helpful
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- Mark Holmes
- 11-11-13
Thorough and entertaining
Would you consider the audio edition of The Norman Conquest to be better than the print version?
This is an excellent overview of the Norman Conquest, from it's pre-history in the early 11th Century to it's lasting legacy through British History. Morris will be criticised for being pro-Norman, but he does illustrate quite convincingly that Harold's claim to the throne was less than dubious. He's certainly no Norman apologist when it comes to the Harrying of the North and their ruthless political (if not literal) decapitation of the Saxon nobility.
What Morris does manage to do is to incorporate the source material effectively into the narrative. As such, he provides an insight into the way that Historian's handle the contemporaneous accounts of the Conquest whilst turning their author's into characters in their own right.
What did you like about the performance? What did you dislike?
Frazer Douglas' reading is slightly odd. He has a tendency to ponderous hesitancy and some of his pronunciation of place names is irritating (his rendering of Ely, the Cambridgeshire town, as EE-LIE rather than EE-LEE was particularly poor). Also, his adoption of a 'posh vicar' voice when quoting from the original source material grated after a while.
11 people found this helpful
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- Jeremy H
- 05-25-16
Terrible Narration spoiling an otherwise good book
What would have made The Norman Conquest better?
A narrator who knows how to pronounce simple names and places such as Ely, Caen, etc
10 people found this helpful
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- Leseratte
- 05-24-20
Unlistenable to
This was my free choice for an audible trial. Hard to imagine a worse one. The thought of 18+ hours of Fraser Douglas’ narration ... no thank you. I’ll cancel immediately.
9 people found this helpful
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- Mark
- 04-02-14
Poor Performance
Is there anything you would change about this book?
The narrator.
What did you like best about this story?
The story is well told and engaging.
What didn’t you like about Frazer Douglas’s performance?
Unfortunately, Frazer Douglas sounds like he is learning to read. His performance is a major distraction from this absorbing story. He breathes in all the wrong places and his intonation fluctuates arbitrarily. Of course, I don't have access to a printed copy of the book, so I cannot verify that the text actually contains punctuation but, if it does, Frazer ignores it. Any sentence of more than two clauses is a definite struggle, both for him and for the listener. I cannot dispel an image of him tracing the words with a finger as he reads.
If this book were a film would you go see it?
Not if Mel Gibson was in it.
Any additional comments?
I only hope that I can find the strength to persevere.
14 people found this helpful
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- VPC
- 05-01-20
terrible reading
Robotic narrator, I had to give up three quarters of the way through as I couldn't stand it anymore.
5 people found this helpful
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- Reeve
- 04-18-20
shame about the pronounciations
The narator cannot pronounce Ely. Caen, or Edwin! # # # # # # #
5 people found this helpful
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- Jack Ketch
- 03-31-21
Appalling Narration Ruins It
It is hard to describe just how F-wording awful the narration of this book is. From Mr.Douglas' inability to pronounce common words, place names and Anglo Saxon names to his truly insufferable 'comical' David Attenborough imitation voice for the many source quotes he manages to ruin what should have been a great and informative listen, written by an acknowledged expert and scholar in his field who is also a gifted lecturer and TV presenter and who therefore has no excuse for not reading his own work.
Pray God that Marc Morris' upcoming book on the AngloSaxons is self narrated!
4 people found this helpful
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- Will
- 10-26-20
I turned it off after 25 seconds.
The worst performance on an audio book I've ever heard. His voice is so grating and jumps up and down and stops at random. I feel robbed off a credit as the sample wasn't too bad, but he sounds like he's trying to speak with a Swedish intonation. awful. don't make the same mistake as me.
3 people found this helpful
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- Fortress of Soulitude
- 11-27-21
Unnatural jolty narration
The narrator reads the book with a most unnatural jerky cadence and his "voices" only makes it worse. Like driving with just the back windows open.
Additionally, not a single chapter is named or titled by the publisher and no PDF is provided.
Disappointing.
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- Kindle Customer
- 10-01-21
Would have been better if I'd read the book.
Book was interesting, but I struggled with the jolty narration. And why the "David Attenborough" voice to signify quoted text?