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The Oresteia  By  cover art

The Oresteia

By: Aeschylus
Narrated by: Lesley Sharp,Hugo Speer,Will Howard,Joanne Froggatt,full cast,Niamh Cusack
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Publisher's Summary

The classic trilogy about murder, revenge and justice, as heard on BBC Radio 3 – plus a bonus documentary exploring Aeschylus' seminal Greek tragedy.

A chilling tale of homecoming, violent death and bloody vengeance, The Oresteia dates back to the fifth century BC, but its themes still resonate today. At once a family saga, morality tale and courtroom drama, it recounts how two generations of the cursed House of Atreus become locked into a deadly cycle of atrocities. To break the chain, their private vendetta must become public, as questions of guilt and justification are decided in the first ever homicide trial....

Agamemnon

The Trojan War is over, and conquering hero Agamemnon arrives home to Argos. But victory came at an appalling price – the sacrifice of his eldest daughter, Iphigenia. Now, his wife Clytemnestra is determined to take a grisly revenge …

The Libation Bearers

Returning from exile, Agamemnon's son Orestes vows to avenge his father’s death by murdering his killer, his own mother Clytemnestra. But where can he find the strength to carry out such a horrific deed?

The Furies

Having committed matricide, Orestes flees to Delphi. But the remorseless Furies, ancient deities of vengeance, are on his trail and baying for blood. Can the young gods Apollo and Athena save him from a terrible fate?

Adapted by three of Britain’s most imaginative writers, Simon Scardifield, Ed Hime and Rebecca Lenkiewicz, these contemporary versions of Aeschylus’ trilogy are atmospheric, fast-moving and superbly accessible. The star casts include Lesley Sharp as Clytemnestra, Hugo Speer as Agamemnon and Will Howard as Orestes.

Each of the plays is introduced by Edith Hall, Professor of Classics at Kings College London.

Also featured is an episode of In Our Time, in which Melvyn Bragg and guests discuss how The Oresteia has fired the modern imagination, inspiring artists ranging from Richard Wagner to T. S. Eliot.

Agamemnon

The Chorus – Arthur Hughes, Philip Jackson and Carolyn Pickles

Clytemnestra – Lesley Sharp

Agamemnon – Hugo Speer

Cassandra – Anamaria Marinca

Calchas – Karl Johnson

Aegisthus – Sean Murray

Iphigenia – Georgie Fuller

Herald – John Norton

Guards – Steve Toussaint and Harry Jardine

Adapted by Simon Scardifield

Directed by Sasha Yevtushenko

BBC Concert Orchestra Percussionists: Alasdair Malloy, Stephen Webberley and Stephen Whibley

Singer: Adriana Festeu

Sound design by Colin Guthrie

First broadcast BBC Radio 3, 12 January 2014

The Libation Bearers

Orestes – Will Howard

Electra – Joanne Froggatt

Clytemnestra – Lesley Sharp

The Chorus – Sheila Reid, Amanda Lawrence and Carys Eleri

Aegisthus – Sean Murray

Cilissa – Carolyn Pickles

Pylades – Joel MacCormack

Servants – David Seddon and John Norton

Iphigenia – Georgie Fuller

Adapted by Ed Hime

Directed by Marc Beeby

BBC Concert Orchestra Percussionists: Alasdair Malloy, Stephen Webberley and Stephen Whibley

Singer: Adriana Festeu

Sound design by Cal Knightley and Colin Guthrie

First broadcast BBC Radio 3, 19 January 2014

The Furies

Narrator – Niamh Cusack

Alecto – Polly Hemingway

Megaera – Maureen Beattie

Tisiphone – Carolyn Pickles

Orestes – Will Howard

Athena – Chipo Chung

Apollo – Joel MacCormack

Clytemnestra – Lesley Sharp

The Pythia – Priyanga Burford

Girl – Carys Eleri

Judge – Sean Murray

Adapted by Rebecca Lenkiewicz

Directed by Sasha Yevtushenko

BBC Concert Orchestra Percussionists: Alasdair Malloy, Stephen Webberley and Stephen Whibley

Sound design by Colin Guthrie

First broadcast BBC Radio 3, 26 January 2014

In Our Time

Presented by Melyvn Bragg

With Edith Hall, then Professor of Greek Cultural History at Durham University; Simon Goldhill, Professor of Greek at the University of Cambridge; Tom Healy, Professor of Renaissance Studies at Birkbeck College, University of London

Produced by Charlie Taylor

First broadcast BBC Radio 4, 29 December 2005

©2020 BBC Studios Distribution Ltd (P)2020 BBC Studios Distribution Ltd

What listeners say about The Oresteia

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Three adaptations, three writers

In case you missed it in the description, this is not Aeschylus’ text. The plays are three adaptations by three different writers. Agamemnon is quite good, Libation Bearers is pretty good, Eumenides is not so good. But overall, it is worth the credit.

5 people found this helpful

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    1 out of 5 stars

You SHOULD be ashamed

You destroyed the prose
because you don't understand it
You dramatize profundity
This is nothing like the text

1 person found this helpful

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Made me think of your work about blood revenge

Polly,
This remarkable play left me thinking of your work and ideas about restorative justice and ending cycles of violence
Love
,Sarah

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very good

a wonderful adaptation with an explanatory introduction and symposium postscript. Highly recommended as an introduction to Aeschylus.

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Wonderful plays, distracting accents

This is well worth a listen, but the thick northern English and Northern Irish accents sometimes seem almost comical in the context of antiquity. Stay for the conversation at the very end with Melvyn Bragg – it adds a lot to the experience.

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absolutely beautiful

I could listen again and again, I felt as though I was listening to the original performance in an athenian aptheater.

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  • Papergirl
  • 06-16-22

No win-win in tragedy

A vivid rendition of a timelessly fascinating trilogy. Of the three plays, Agamemnon is the most completely successful here for me in terms of adaptation and performance, but there is real dilemma in Orestes’ actions too in The Libation Bearers and genuine terror in the Furies’ later pursuit as he escapes to Athens across the sea. The courtroom drama could have felt like a letdown but didn’t - right or wrong the final verdict left me pondering big questions with no easy answers. The after-debate included in this version adds satisfying layers of depth to what is already an excellent listening experience. My only (minor) quibble is that Orestes sounded more like a guard than the son of a ruling family, as if he’d spent the years away slumming it. But overall this is a great listen, ideally after enjoying the stunning poetry of the original text.

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  • Jen
  • 06-13-21

Brilliant

This lives up to the BBCs most deserved reputation for quality radio drama, with a thoughtful addition of the relevant episode of ‘in our time’. The only criticism is that it feels too short but I think these are only supposed to give you a flavour of the full play. I’m off to find it!

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  • ben ross
  • 05-27-21

vital

these are the most important plays I have experienced and are brilliantly done in this recording. everybody needs these 3 plays in their lives...invaluable. there is a very good discussion included also

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  • Karen
  • 02-22-21

One of

One of the better performed editions, this also is an opinion depending on what you are looking for.