Paris, 1793. Lieutenant Maurice Lindey is an ardent young republican who hates tyranny and injustice whether they come from the left or right. But such even-handedness is a liability at a time when addressing someone as "monsieur" instead of "citizen" can bring one to the guillotine. Maurice makes daily visits to his love, Genevieve Dixmer, who lives in a quarter known as the hiding place of the Chevalier of Maison Rouge, a daring counterrevolutionary with notorious plans to free Marie Antoinette, who languishes in prison awaiting trial and inevitable execution.

It is May 1660 and the fate of nations is at stake. Mazarin plots, Louis XIV is in love, and Raoul de Bragelonne, son of Athos, is intent on serving France and winning the heart of Louise de la Valliere. D'Artagnan, meanwhile, is perplexed by a mysterious stranger, and soon he learns that his old comrades already have great projects in hand.

The last years of King Charles IX's reign in France were dominated by religious wars between Catholics and Protestants. Queen Margot begins in 1572 with the marriage of Marguerite de Valois to Henri de Navarre. Marguerite is King Charles' sister and the daughter of Henri II and Catherine de Medici, all firm Catholics. Henri de Navarre is a Protestant who later will become the beloved King Henri IV. Several important political events have led up to this marriage including the mysterious murder of Henri de Navarre's mother, cleverly plotted by Catherine de Medici. The wedding brings noblemen from all over the world to Paris resulting in the notorious Saint Bartholomew Massacre, where thousands of Protestants are killed. In this inventive and compelling novel, Dumas brings an extraordinary period of history vividly to life with much excitement and romance. The lively prose and wonderfully constructed plot tell of court intrigues and forbidden love, of beautiful queens, duchesses, and noblemen, suspense, conspiracies, betrayals, assassinations, superstitions, poisonings, and sumptuous feasts. With well-known historical figures as main characters in a dangerous and breathtaking game for power, Queen Margot tells of conspiracies, clandestine trysts, and daring escapes. There is the infamous Catherine de Medici, deliciously evil, constantly plotting and poisoning; Le Mole, a dashing and irresistable young Protestant who becomes Marguerite's lover; the noble Coconnos who provides a great source of comic relief; and at the center of all this intrigue are the good-hearted Marguerite and Henri who are perfect political allies with complicated and fascinating love lives.

Regal and dazzlingly beautiful, Mary Stuarts succumbed to the irresistible impulses of passion and gambled away her throne for love in a deadly game of power against her envious cousin, Elizabeth I. She not only lost her kingdom, but also her life. Betrayed by those she trusted most, pampered and adored even as she was led to her own beheading, she remained an enigma five centuries after her death.

The story of France from the Renaissance to the 19th century, as Dumas vibrantly retold it in his numerous enormously popular novels, has long been absent one vital, richly historical era: the Age of Napoleon. But no longer. Now dynamically, in a tale of family honor and undying vengeance, of high adventure and heroic derring-do, The Last Cavalier fills that gap.

On the eve of his marriage to the beautiful Mercedes, having that very day been made captain of his ship, the young sailor Edmond Dantès is arrested on a charge of treason, trumped up by jealous rivals. Incarcerated for many lonely years in the isolated and terrifying Chateau d'If near Marseille, he meticulously plans his brilliant escape and extraordinary revenge.

Sixteenth-century Spanish gentleman Don Quixote, fed by his own delusional fantasies, takes to the road in search of chivalrous adventures. But his quest leads to more trouble than triumph. At once humorous, romantic, and sad, Don Quixote is a literary landmark. This fresh edition, by award-winning translator Edith Grossman, brings the tale to life as never before.

By the early 1940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française - the first two parts of a planned five-part novel - she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of 39. Two years earlier, living in a small village in central France - where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis - she'd begun her novel, a luminous portrayal of a human drama.

Quasimodo was born disfigured, hunchbacked and lame, and years spent ringing the bells of the Cathedral of Notre Dame have left him deaf, but also spared him the taunts of the cruel mobs of Paris. Now Quasimodo has fallen in love with the lovely Gypsy girl Esmeralda, the only person who ever showed pity on him - but she faces a death sentence, and only Quasimodo's pure spirit can save her. Or can he?

After a childhood spent on Hollywood film sets, Meghan Markle fought hard for stardom. But even when she landed her breakthrough role on Suits, her dream of worldwide celebrity remained elusive until she met the man who would change her life—Prince Harry. Their whirlwind romance culminated with Meghan’s ultimate fairy tale ending: their 2018 wedding at Windsor Castle. Finally, the world was her stage. It seemed that the dizzying success of the wedding between the new Duke and Duchess of Sussex marked the beginning of a fresh era for the British Royal Family.

It's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol found at the scene and the damning testimony of a witness both point to one man - Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.

The lives of Miss Adela Quested and those around her are forever changed when she befriends a young doctor named Aziz during a trip she and her companion Mrs. Moore make to India. The unlikely friendship between Adela and Aziz eventually culminates in a disastrous expedition to the Marabar caves, during which she offends him, an action which leads to false accusations, arrests, and a litany of miscommunications.

Miss Minerva Lane is a quiet, bespectacled wallflower, and she wants to keep it that way. After all, the last time she was the center of attention, it ended badly - so badly that she changed her name to escape her scandalous past. Wallflowers may not be the prettiest of blooms, but at least they don't get trampled. So when a handsome duke comes to town, the last thing she wants is his attention.

After the fall of the American Ayatollahs as foretold in Stranger in a Strange Land and chronicled in Revolt in 2100, the United States of America at last fulfills the promise inherent in its first Revolution: for the first time in human history there is a nation with Liberty and Justice for All. No one may seize or harm the person or property of another, or invade his privacy, or force him to do his bidding. Americans are fiercely proud of their re-won liberties and the blood it cost them; nothing could make them forswear those truths they hold self-evident. Nothing except the promise of immortality…

Renowned for her highly acclaimed and bestselling British histories, Alison Weir has in recent years made a major impact on the fiction scene with her novels about Queen Elizabeth and Lady Jane Grey. In this latest offering, she imagines the world of Eleanor of Aquitaine, the beautiful twelfth-century woman who was queen of France until she abandoned her royal husband for the younger man who would become king of England.

Paris, 1793. Lieutenant Maurice Lindey is an ardent young republican who hates tyranny and injustice whether they come from the left or right. But such even-handedness is a liability at a time when addressing someone as "monsieur" instead of "citizen" can bring one to the guillotine. Maurice makes daily visits to his love, Genevieve Dixmer, who lives in a quarter known as the hiding place of the Chevalier of Maison Rouge, a daring counterrevolutionary with notorious plans to free Marie Antoinette, who languishes in prison awaiting trial and inevitable execution.

In Blood Royal, the Four Musketeers all venture to England on parallel missions to save King Charles I, pursued by the murderous and vengeful Mordaunt, the son of Milady de Winter, the great villain of The Three Musketeers. Despite all his experience, d’Artagnan is repeatedly foiled by the much-younger Mordaunt, who erupts out of the past to embody the strengths of audacity and cunning that were once d’Artagnan’s hallmarks. Mordaunt has corrupted those youthful strengths, and the older d’Artagnan is no match for him.

In 1844, Alexandre Dumas published The Three Musketeers, a novel so famous and still so popular today that it scarcely needs introduction. Shortly thereafter he wrote a sequel, Twenty Years After, that resumed the adventures of his swashbuckling heroes. Later, toward the end of his career, Dumas wrote The Red Sphinx, another direct sequel to The Three Musketeers that begins not 20 years later but a mere 20 days afterward. The Red Sphinx picks up right where the The Three Musketeers left off.

The story of France from the Renaissance to the 19th century, as Dumas vibrantly retold it in his numerous enormously popular novels, has long been absent one vital, richly historical era: the Age of Napoleon. But no longer. Now dynamically, in a tale of family honor and undying vengeance, of high adventure and heroic derring-do, The Last Cavalier fills that gap.

For years d’Artagnan shared his adventures with his three comrades - Athos, Porthos, and Aramis - but now, in Between Two Kings, the First Musketeer returns to the forefront. This is truly d’Artagnan’s novel, bringing to a dramatic climax the story that began when he first arrived in Paris 30 years earlier in The Three Musketeers.

When Twenty Years After opens it is 1648: the Red Sphinx, Cardinal Richelieu, is dead, France is ruled by a regency in the grip of civil war, and across the English Channel the monarchy of King Charles I hangs by a thread. As d’Artagnan will find, these are problems that can’t be solved with a sword thrust. In Twenty Years After, the musketeers confront maturity and face its greatest challenge: sometimes, you fail. It’s in how the four comrades respond to failure, and rise above it, that we begin to see the true characters of Dumas’s great heroes. 

It is May 1660 and the fate of nations is at stake. Mazarin plots, Louis XIV is in love, and Raoul de Bragelonne, son of Athos, is intent on serving France and winning the heart of Louise de la Valliere. D'Artagnan, meanwhile, is perplexed by a mysterious stranger, and soon he learns that his old comrades already have great projects in hand.

Tongues were set wagging when Elizabeth Markham's glamorous young parents were killed, sinking their only child to the unspeakable class of poor relation. Forced to live with her cruel, miserly uncle Julius, Elizabeth is forbidden to partake in the season's festivities. Marriage is her only escape, and she enacts a daring plan to trick her way into the Duke of Dunster's exclusive house party, to snare one of the eligible dandies sure to dance attendance on her.

A tale of mystery, adventure, and political intrigue, this conclusion to Dumas’ swashbuckling musketeer saga is based on the true story of a masked prisoner who dwelled in the Bastille during the Louis XIV’s reign and whose identity remains in question to this day.

April 1897: A young nanny arrives at Sandringham, ancestral estate of the Duke and Duchess of York. She is excited, exhausted - and about to meet royalty. So begins the unforgettable story of Charlotte Bill, who would care for a generation of royals as their parents never could. Neither Charlotte - LaLa, as her charges dub her - nor anyone else can predict that eldest sons David and Bertie will each one day be king. LaLa knows only that these children, and the four who swiftly follow, need her steadfast loyalty and unconditional affection. 

Mixing a bit of seventeenth-century French history with a great deal of invention, Alexandre Dumas tells the tale of young D'Artagnan and his musketeer comrades, Porthos, Athos, and Aramis. Together they fight to foil the schemes of the brilliant, dangerous Cardinal Richelieu, who pretends to support the king while plotting to advance his own power. Bursting with swirling swordplay, swooning romance, and unforgettable figures.

The last years of King Charles IX's reign in France were dominated by religious wars between Catholics and Protestants. Queen Margot begins in 1572 with the marriage of Marguerite de Valois to Henri de Navarre. Marguerite is King Charles' sister and the daughter of Henri II and Catherine de Medici, all firm Catholics. Henri de Navarre is a Protestant who later will become the beloved King Henri IV. Several important political events have led up to this marriage including the mysterious murder of Henri de Navarre's mother, cleverly plotted by Catherine de Medici. The wedding brings noblemen from all over the world to Paris resulting in the notorious Saint Bartholomew Massacre, where thousands of Protestants are killed. In this inventive and compelling novel, Dumas brings an extraordinary period of history vividly to life with much excitement and romance. The lively prose and wonderfully constructed plot tell of court intrigues and forbidden love, of beautiful queens, duchesses, and noblemen, suspense, conspiracies, betrayals, assassinations, superstitions, poisonings, and sumptuous feasts. With well-known historical figures as main characters in a dangerous and breathtaking game for power, Queen Margot tells of conspiracies, clandestine trysts, and daring escapes. There is the infamous Catherine de Medici, deliciously evil, constantly plotting and poisoning; Le Mole, a dashing and irresistable young Protestant who becomes Marguerite's lover; the noble Coconnos who provides a great source of comic relief; and at the center of all this intrigue are the good-hearted Marguerite and Henri who are perfect political allies with complicated and fascinating love lives.