They mustn't harm a human being, they must obey human orders, and they must protect their own existence...but only so long as that doesn't violate rules one and two. With these Three Laws of Robotics, humanity embarked on a bold new era of evolution that would open up enormous possibilities, and unforeseen risks.

 A collection of 20 classic short stories by Isaac Asimov, author of the Foundation series, featuring the definitive and only in-print version of “Nightfall”.

Only a few know the terrifying truth - an outcast Earth scientist, a rebellious alien inhabitant of a dying planet, a lunar-born human intuitionist who senses the imminent annihilation of the Sun... They know the truth - but who will listen? They have foreseen the cost of abundant energy - but who will believe?These few beings, human and alien, hold the key to the Earth's survival.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Ray Douglas Bradbury (August 22, 1920 – June 5, 2012) was an American author and screenwriter. One of the most celebrated 20th century American writers, he worked in a variety of modes, including fantasy, science fiction, horror, mystery, and realistic fiction. 

Bradbury's Mars is a place of hope, dreams, and metaphor - of crystal pillars and fossil seas - where a fine dust settles on the great, empty cities of a silently destroyed civilization. It is here the invaders have come to despoil and commercialize, to grow and to learn - first a trickle, then a torrent, rushing from a world with no future toward a promise of tomorrow. The Earthman conquers Mars...and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race.

American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Kurt Vonnegut turns black and white into a chilling shade of grey with a verdict that will haunt us all. Mother Night is a daring challenge to our moral sense.

From the late 1940's through the 1950's, in a world where space travel and nuclear annihilation were no longer merely the stuff of fantasy, science fiction began to achieve a new popularity. And, the work of noted genre writers began to be adapted in movies and radio programs. Based (however implausibly) on science, these radio broadcasts reflected the depths of the nation's fears, and the boundlessness of its imagination.

The New York Times best seller from the author of Slaughterhouse-Five - a “gripping” posthumous collection of Kurt Vonnegut’s previously unpublished work on the subject of war and peace. A fitting tribute to a literary legend and a profoundly humane humorist, Armageddon in Retrospect is a collection of 12 previously unpublished writings. Imbued with Vonnegut's trademark rueful humor and outraged moral sense.

Viewed by many as the greatest science fiction writer on any planet, Philip K. Dick has written some of the most intriguing, original, and thought-provoking fiction of our time. This collection includes "The Minority Report," "We Can Remember It For You Wholesale," "Paycheck," "Second Variety," and "The Eyes Have It."

Twelve-year-old Douglas Spaulding knows Green Town, Illinois, is as vast and deep as the whole wide world that lies beyond the city limits. It is a pair of brand-new tennis shoes, the first harvest of dandelions for Grandfather's renowned intoxicant, the distant clang of the trolley's bell on a hazy afternoon. It is yesteryear and tomorrow blended into an unforgettable always. But as young Douglas is about to discover, summer can be more than the repetition of established rituals whose mystical power holds time at bay.

It was January 2021, and Rick Deckard had a license to kill. Somewhere among the hordes of humans out there lurked several rogue androids. Deckard's assignment: find them and then..."retire" them. Trouble was, the androids all looked exactly like humans, and they didn't want to be found!

According to Kurt Vonnegut's alter ego, the old science fiction writer Kilgore Trout, a global timequake will occur on February 13, 2001, at 2:27 p.m. It will be the moment when the universe suffers a crisis of conscience: Should it go on expanding indefinitely or collapse and make another great big BANG? For its own cosmic reasons, it decides to back up a decade to 1991, giving the world a 10-year case of deja vu, making everybody and everything do exactly what they'd done during the past decade.

The best science fiction scrutinizes our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Neil Clarke has selected the short science fiction (and only science fiction) best representing the previous year's writing, showcasing the talent, variety, and awesome "sensawunda" that the genre has to offer.

Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades before the book's publication.

In Act III, we follow Morpheus on a grand journey to take care of family business. He visits with his son Orpheus (Regé-Jean Page), an act that brings with it profound consequences. Accompanied by Delirium (Kristen Schaal), he tracks down their estranged brother, Destruction (David Harewood), the only member of the Endless ever to abandon their post. And at an inn at the intersection of all worlds, a group of travelers are forced together by a storm that threatens to destroy reality itself, with grave repercussions for Morpheus and the rest of the Endless. 

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

When The Sandman, also known as Lord Morpheus - the immortal king of dreams, stories and the imagination - is pulled from his realm and imprisoned on Earth by a nefarious cult, he languishes for decades before finally escaping. Once free, he must retrieve the three “tools” that will restore his power and help him to rebuild his dominion, which has deteriorated in his absence.

Jason arrives at a kingdom in peril and he's surprised to discover that it's not his job to save it. With the authorities fulfilling their responsibilities (for once), he looks forward to some quiet time to rest and recuperate. The locals might not find ceaseless monster onslaughts and an interdimensional invasion relaxing, but Jason has had a rough few years. He's doing his best to let go of his anger. While his team is caught up in duty, Jason has no shortage of people looking to interfere with his rest. Enemies—old and new—are circling, and even would-be allies are trouble.

After his eventful trip to the non-magical molopor in the distant domain of Anghysbel, Minalan’s return to civilization and magic finds him challenged by the changes wrought in the crypt of Szal the Yith. With nine distinctive sets of memories, besides his own, Minalan struggles to define himself in a turbulent time. With his brain buzzing with memories and feelings that aren’t his own and a list of vital tasks he must accomplish in order to save the world of Callidore from destruction, Minalan sets pen to parchment to chronicle his days in the heat of the struggle.

James Patterson’s thrilling adventure series gets an exclusive, audio-only origin story in Daniel X: Genesis, brought to life by an all-star cast. We meet Daniel, an ordinary teen just trying to navigate his way through high school. That all changes when he discovers he has super powers and can conjure up anything, at any time, just by imagining it. Suddenly he’s meeting powerful entities who tell him he is not, in fact, a typical teenage human but an alien...and his parents died not in a car wreck but in an epic battle with an intergalactic villain.  

It’s not easy making the career jump from office-supplies-store middle manager to heroic interdimensional adventurer. At least, Jason tries to be heroic, but it's hard to be good when all your powers are evil. He’ll face off against cannibals, cultists, wizards, monsters...and that’s just on the first day. He’s going to need courage, he’s going to need wit, and he’s going to need some magic powers of his own. But first, he’s going to need pants.

The world has changed. Now, when someone is murdered, they almost always come back to life—and there are professionals, called “dispatchers”, who kill in order to save lives, to give those near the end a second chance. Tony Valdez is a dispatcher, and he has never been busier. But for as much as the world has changed, some things have stayed the same. Greed, corruption, and avarice are still in full swing. 

The world teeters on the brink of destruction. The people who should be saving the Earth ignore Jason Asano's warnings and choose to loot the house as it burns down around them. He lacks the strength to save the world himself, but resolves to do it anyway, impossible be damned. The impossible, in this case, means seizing a power that no mortal should touch. It's a choice from which there is no turning back, and marks Jason's first step into a wider cosmos that he is not yet ready to face. Holding the fate of two worlds in his hands, Jason must decide for himself what home truly means.

Nancy Kranich (played by Emmy-nominated actress Natasha Lyonne of Russian Doll and Orange Is the New Black) is a night nurse on an orbiting space station. But Nancy hates her job, is sick of space, and longs to find adventure and a safe place to smoke cigarettes that won’t blow everyone up.  But when Nancy gets caught up in an outer-space conspiracy involving President Kennedy, former vice-president Richard Nixon, and an intergalactic object that could change the course of history, she gets way more adventure than she bargained for.  

Simon can only watch, helpless, as his family is killed and his friends captured by enemy Travelers—men and women who can summon mystical powers from otherworldly Territories. To top it off, another young man from Simon's village discovers that he's a savior prophesied to destroy evil and save the realm. Prophecy has nothing to say about Simon. He has no special powers, no magical weapons, and no guarantee that he'll survive. But he sets off anyway, alone, to gain the power he needs to oppose the Travelers and topple their ruthless Overlord.