Halla is a housekeeper who has suddenly inherited her great-uncle's estate...and, unfortunately, his relatives. Sarkis is an immortal swordsman trapped in a prison of enchanted steel. When Halla draws the sword that imprisons him, Sarkis finds himself attempting to defend his new wielder against everything from bandits and roving inquisitors to her own in-laws...and the sword itself may prove to be the greatest threat of all.

A paladin, an assassin, a forger, and a scholar ride out of town. It's not the start of a joke, but rather an espionage mission with deadly serious stakes. T. Kingfisher's new novel begins the tale of a murderous band of criminals (and a scholar), thrown together in an attempt to unravel the secret of the Clockwork Boys, mechanical soldiers from a neighboring kingdom that promise ruin to the Dowager's city. 

Bryony and her sisters have come down in the world. Their merchant father died trying to reclaim his fortune and left them to eke out a living in a village far from their home in the city. But when Bryony is caught in a snowstorm and takes refuge in an abandoned manor, she stumbles into a house full of dark enchantments. Is the Beast that lives there her captor or a fellow prisoner? Is the house her enemy or her ally? And why are roses blooming out of season in the courtyard?

Marra never wanted to be a hero. As the shy, convent-raised, third-born daughter, she escaped the traditional fate of princesses, to be married away for the sake of an uncaring throne. But her sister wasn’t so fortunate—and after years of silence, Marra is done watching her suffer at the hands of a powerful and abusive prince. Seeking help for her rescue mission, Marra is offered the tools she needs, but only if she can complete three seemingly impossible tasks:  

Oliver was a very minor mage. His familiar reminded him of this several times a day. He only knew three spells, and one of them was to control his allergy to armadillo dander. His attempts to summon elementals resulted in nosebleeds, and there is nothing more embarrassing than having your elemental leave the circle to get you a tissue, pat you comfortingly, and then disappear in a puff of magic.

Fourteen-year-old Mona isn't like the wizards charged with defending the city. She can't control lightning or speak to water. Her familiar is a sourdough starter, and her magic only works on bread. She has a comfortable life in her aunt's bakery making gingerbread men dance. But Mona's life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona's city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of Mona's worries.

Three years later, Stephen is a broken paladin, living only for the chance to be useful before he dies. But all that changes when he encounters a fugitive named Grace in an alley and witnesses an assassination attempt gone wrong. Now the pair must navigate a web of treachery, beset on all sides by spies and poisoners, while a cryptic killer stalks one step behind....

When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more - Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants...until Mouse encounters some of the terrifying things he described for herself.

I decided that Orion Lake needed to die after the second time he saved my life. Everyone loves Orion Lake. Everyone else, that is. Far as I’m concerned, he can keep his flashy combat magic to himself. I’m not joining his pack of adoring fans. I don’t need help surviving the Scholomance, even if they do. Forget the hordes of monsters and cursed artifacts; I’m probably the most dangerous thing in the place. Just give me a chance and I’ll level mountains and kill untold millions, making myself the dark queen of the world. 

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap out of the audio, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse.

When the witch built the 40-flight tower, she made very sure to do the whole thing properly. Each flight contains a dreadful monster, ranging from a diamond-scaled dragon to a pack of slavering goblins. Should a prince battle his way to the top, he will be rewarded with a golden sword - and the lovely Princess Floralinda. But no prince has managed to conquer the first flight yet, let alone get to the 40th. In fact, the supply of fresh princes seems to have quite dried up.

About three things I was certain. First, Edward was a vampire. Second, there was a part of him, and I didn't know how dominant that part might be, that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.

The world of Faerie never disappeared: it merely went into hiding, continuing to exist parallel to our own. Secrecy is the key to Faerie’s survival—but no secret can be kept forever, and when the fae and mortal worlds collide, changelings are born. Half-human, half-fae, outsiders from birth, these second-class children of Faerie spend their lives fighting for the respect of their immortal relations.

Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss, and by fate. As they endure the ever escalating dangers around them, in their home as well as in the streets of Kabul, they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation.

Heralded as an instant classic of fantasy literature, Maguire has written a wonderfully imaginative retelling of The Wizard of Oz told from the Wicked Witch's point of view. More than just a fairy tale for adults, Wicked is a meditation on the nature of good and evil.

Bryony and her sisters have come down in the world. Their merchant father died trying to reclaim his fortune and left them to eke out a living in a village far from their home in the city. But when Bryony is caught in a snowstorm and takes refuge in an abandoned manor, she stumbles into a house full of dark enchantments. Is the Beast that lives there her captor or a fellow prisoner? Is the house her enemy or her ally? And why are roses blooming out of season in the courtyard?

Oliver was a very minor mage. His familiar reminded him of this several times a day. He only knew three spells, and one of them was to control his allergy to armadillo dander. His attempts to summon elementals resulted in nosebleeds, and there is nothing more embarrassing than having your elemental leave the circle to get you a tissue, pat you comfortingly, and then disappear in a puff of magic.

A paladin, an assassin, a forger, and a scholar ride out of town. It's not the start of a joke, but rather an espionage mission with deadly serious stakes. T. Kingfisher's new novel begins the tale of a murderous band of criminals (and a scholar), thrown together in an attempt to unravel the secret of the Clockwork Boys, mechanical soldiers from a neighboring kingdom that promise ruin to the Dowager's city. 

Three years later, Stephen is a broken paladin, living only for the chance to be useful before he dies. But all that changes when he encounters a fugitive named Grace in an alley and witnesses an assassination attempt gone wrong. Now the pair must navigate a web of treachery, beset on all sides by spies and poisoners, while a cryptic killer stalks one step behind....

Fourteen-year-old Mona isn't like the wizards charged with defending the city. She can't control lightning or speak to water. Her familiar is a sourdough starter, and her magic only works on bread. She has a comfortable life in her aunt's bakery making gingerbread men dance. But Mona's life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona's city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of Mona's worries.

Meet Toadling. On the day of her birth, she was stolen from her family by the fairies, but she grew up safe and loved in the warm waters of faerieland. Once an adult though, the fae ask a favor of Toadling: return to the human world and offer a blessing of protection to a newborn child. Simple, right? If only. Centuries later, a knight approaches a towering wall of brambles, where the thorns are as thick as your arm and as sharp as swords. He's heard there's a curse here that needs breaking, but it's a curse Toadling will do anything to uphold.

In the sequel to Clockwork Boys, Slate, Brenner, Caliban and Learned Edmund have arrived in Anuket City, the source of the mysterious Clockwork Boys. They even managed to build some trust in each other's skills. That trust is built on quicksand as the risks continue to escalate. But the secrets they're keeping could well destroy them, before the city even gets the chance.

Halla is a housekeeper who has suddenly inherited her great-uncle's estate...and, unfortunately, his relatives. Sarkis is an immortal swordsman trapped in a prison of enchanted steel. When Halla draws the sword that imprisons him, Sarkis finds himself attempting to defend his new wielder against everything from bandits and roving inquisitors to her own in-laws...and the sword itself may prove to be the greatest threat of all.