Slowbridge's customs have been set in stone by Lady Theobald, who has decreed that young ladies should always wear white muslin to social events and that their only decoration should be fresh flowers - which invariably wilt by the end of the evening. Enter Octavia, bedecked in yards of lace and ribbons and with a profusion of diamond jewelry. She is soon informed that only married ladies wear diamonds in England. She makes other mistakes: Young ladies do not ask men to join them on terraces; they do not invite men to play croquet on their lawns. 

Frances Hodgson Burnett published The Making of a Marchioness in 1901. She had written Little Lord Fauntleroy 15 years before and would write The Secret Garden in 10 years' time; it is these two books for which she is best known. Yet Marchioness was one of Nancy Mitford's favourite books, was considered 'the best novel Mrs Hodgson Burnett wrote' by Marghanita Laski, and is taught on a university course in America together with novels such as Pride and Prejudice, Jane Eyre, and Daisy Miller.

All her life, Valancy Stirling lived on a quiet little street in an ugly little house and never dared to contradict her domineering mother and her unforgiving aunt. At 29, she's never been in love, and her only consolation has been the forbidden books of John Foster and her daydreams of the Blue Castle. Then, one day, she gets a letter and decides that things need to change. For the first time in her life, she does exactly what she wants to and says exactly what she feels.

Ten-year-old Sarah Crue lives life like a princess until tragedy strikes, taking away her fine clothes and privileges. Without her velvet and silk and French maids, she's no longer the envy of all the girls at Miss Minchin's London boarding school, and even has to live in the school's attic, working for the students who were once her friends. Will Sarah's spirit remain unbowed? Follow her through her trials and triumphs in this unforgettable tale beloved by children the world over.

In early 1901, 15 years after Little Lord Fauntleroy and 10 years before The Secret Garden, Frances Hodgson Burnett wrote The Making of a Marchioness. She followed this short novel in the spring of the same year with the sequel, The Methods of Lady Walderhurst. The satisfying Cinderella quality of the first book which illustrated the harsh realism of Edwardian society, combines with the exciting melodramatic developments in the second book to create an intriguing story that continues to entertain us today.

The wonderful adventure story of two boys, one the son of a mysterious impoverished grandee and the other a handicapped son of a n'eer-do-well drunkard, who together travel through Europe on a secret mission to save Samavia from its wicked rulers.

When Will Hastie finally decides to retire from the military and return home to Scotland, he intends to settle down on his family estate and learn to become a farmer. But back home, the death of his best friend and neighbour, Rae, during World War II is still strongly felt. In particular, Rae's sister, Patty, has been brooding for the past 10 years over Rae's final letter home from France. When she decides to share the letter with Will, it sends him off to France to discover for himself the circumstances of Rae's death. His discovery there changes the lives of all those left behind.

'Lady B. stays to tea. (Mem.: Bread-and-butter too thick. Speak to Ethel.) We talk some more about bulbs, the Dutch School of Painting, our Vicar's wife, sciatica, and All Quiet on the Western Front. (Query: is it possible to cultivate the art of conversation when living in the country all the year round?)' If the question suggests a qualified answer, there is no doubt that the art of diary writing is alive and well and very, very funny in Devonshire in the 1920s. At least in the hands of E. M. Delafield.

Set in the industrialising England of the Napoleonic wars, a period of bad harvests, Luddite riots, and economic unrest, Shirley is the story of two contrasting heroines and the men they love. One is the shy Caroline Helstone, trapped in the oppressive atmosphere of a Yorkshire rectory, whose life represents the plight of single women in the 19th century. The other is the vivacious Shirley Keeldar, who inherits a local estate and whose wealth liberates her from convention.

Emily is offered the chance to go to Shrewsbury High School with her friends, but there are two conditions: first, she must live with the aunt she dislikes, and second, she must not write for the duration of her high school education. At first, Emily refuses the offer, unable to contemplate a life without writing, but then her cousin changes the condition slightly, amending it to just a restriction concerning writing fiction. Emily does not think this is much of an improvement, but it turns out to be an excellent exercise for her budding writing career.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

Having lost the family savings on risky investments, Richard Grey removes himself from family life and suffers a bout of depression. Feeling helpless and frustrated, his youngest daughter, Agnes, applies for a job as a governess to the children of a wealthy, upper-class, English family. Ecstatic at the thought that she has finally gained control and freedom over her own life, Agnes arrives at the Bloomfield mansion armed with confidence and purpose.

Orphaned cousins Jane and Lucilla, both 19, receive the exciting news that their guardian is at last allowing them to leave boarding school. But their rosy future is thwarted when they find he has made some bad investments and fled, leaving them with a cottage in the English countryside and a modest bank account.  

Miss Pettigrew is a down-on-her-luck, middle-aged governess sent by her employment agency to work for a nightclub singer rather than a household of unruly children. Over a period of 24 hours, as she becomes caught up in the life of Delysia LaFloss, her own life is changed - forever. This charming, funny, light-hearted 1938 novel was a bestseller on its first appearance. Read by Academy Award winning actress Frances McDormand, who stars in the 2008 film as Miss Pettigrew.

Tess Durbeyfield has become one of the most famous female protagonists in 19th-century British literature. Betrayed by the two men in her life - Alec D’Urberville, her seducer/rapist and father of her fated child; and Angel, her intellectual and pious husband - Tess takes justice, and her own destiny, into her delicate hands. In telling her desperate and passionate story, Hardy brings Tess to life with an extraordinary vividness that makes her live in the heart of the reader long after the novel is concluded.