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The Siege of Krishnapur
- Narrated by: Peter Wickham
- Length: 13 hrs and 1 min
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Publisher's Summary
In the Spring of 1857, with India on the brink of a violent and bloody mutiny, Krishnapur is a remote town on the vast North Indian plain. For the British there, life is orderly and genteel. Then the sepoys at the nearest military cantonment rise in revolt, and the British community retreats with shock into the Residency. They prepare to fight for their lives with what weapons they can muster.
As food and ammunition grow short, the Residency, its defences battered by shot and shell and eroded by the rains, becomes ever more vulnerable. The Siege of Krishnapur is a modern classic of narrative excitement that also digs deep to explore some fundamental questions of civilisation and life.
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What listeners say about The Siege of Krishnapur
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- liketolisten
- 12-20-19
Another spellbinding satire on British colonialism
I loved Farrell's Singapore Grip. This is as good on the absurdities of colonialism and brutality of armed conflict. A wonderful reading.
4 people found this helpful
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- Jim Moss
- 01-03-22
one of the best British historical novels of the l
The narrator was outstanding. The book is excellent & adequately covered by reviews on the internet
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- Wiregrass18
- 05-05-21
Wonderful book, wonderfully read.
The book is a remarkable combination of story, interesting information, rich characters, wit, and perspective on the times, enormously enrich by a brilliant reader. My wife and I loved it.
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- Betty Eltezam
- 12-14-20
Over all, Excellent
I’ve read this book many times in book form. It was as expected. My only problem with it was that the narrator kept pronouncing “cantonment” as “cantoonment”.
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- Stokey Sue
- 09-15-18
Great tale
I like many things about this. I like the humour and the way Farrell uses the benefit of hindsight, subtly to underline how and why things went so wrong, leading to the mutiny of the sepoys. I like the way the characters are set up and develop. There is quite a lot of bloodshed but it is so matter of fact that I didn’t find it too stomach churning. Farrell could have been a bit more concise - I didn’t really feel the need for a full exposition of John Snow’s epidemiological studies on cholera.
The reading was generally very good but bore out my theory that every narrator has at least one irritating mispronunciation. In this case it was cantonment, a word that must appear on nearly every page of the printed book. Both the Oxford dictionary and I believe it is pronounced can-TONN-ment but it was consistently delivered as can-tooon-ment. Why? Very irritating.
3 people found this helpful
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- Hazel Oakley
- 01-05-22
Impressively exciting and dull at the same time.
I thoroughly enjoyed the beginning of this book. I greatly enjoyed the ending of this book. However, by about two thirds of the way through I began to feel that *I* was under seige and that I might never reach the end.
I cannot decide if this was very skillful on the part of the author or very lax on the part of their editor.
1 person found this helpful
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- Hoops
- 03-21-21
Colonial tale.
I only listened to this as the author was recommended to me by a recently deceased friend. The background of the story - the imperial, Victorian rule of India - reinforced all my dislike for the British obsession with superiority and empire. It's well written and described in great detail. The narration matches the atmosphere created by the storyline. The author must have done a lot of research as it sounds plausible throughout. Not really my type of book but it kept my interest as I repainted skirting boards and doorframes.
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- Rangyreader
- 08-01-20
Audible: The Siege of Krishnapur
A favourite book, bought in Audible format to refresh myself ahead of a book-group discussion.
Generally a good, gently sensitive reading with a clear voice and diction.
However I was disappointed by the reader’s chosen manner when giving voice to the dialogue of the women characters of the novel. Other male readers/actors often manage this better. He used a very fey falsetto which gave too much of an impression of vacuity; no matter what was being said. Admittedly some of the women are witless, but, by no means all - it tainted all of the female utterances.