Daisy Shoemaker can’t sleep. With a thriving cooking business, full schedule of volunteer work, and a beautiful home in the Philadelphia suburbs, she should be content. But her teenage daughter can be a handful, her husband can be distant, her work can feel trivial, and she has lots of acquaintances, but no real friends. Still, Daisy knows she’s got it good. So why is she up all night?

On the eve of her 40th birthday, Alice’s life isn’t terrible. She likes her job, even if it isn’t exactly the one she expected. She’s happy with her apartment, her romantic status, her independence, and she adores her lifelong best friend. But her father is ailing, and it feels to her as if something is missing. When she wakes up the next morning she finds herself back in 1996, reliving her 16th birthday.

Six years after the fight that ended their friendship, Daphne Berg is shocked when Drue Cavanaugh walks back into her life, looking as lovely and successful as ever, with a massive favor to ask. Daphne hasn’t spoken one word to Drue in all this time - she doesn’t even hate-follow her ex-best friend on social media - so when Drue asks if she will be her maid-of-honor at the society wedding of the summer, Daphne is rightfully speechless.

Growing up in 1950s Detroit, they live in a perfect “Dick and Jane” house, where their roles in the family are clearly defined. Jo is the tomboy, the bookish rebel with a passion to make the world more fair; Bethie is the pretty, feminine good girl, a would-be star who enjoys the power her beauty confers and dreams of a traditional life. But the truth ends up looking different from what the girls imagined. Jo and Bethie survive traumas and tragedies.

Twenty-six years after that amazing summer, Ariel, Sheila, Wyatt, and Nick reunite at the hotel where they first met. Now it’s called The Lighthouse and Nick owns the entire operation with his wife and daughter. Ariel and Wyatt, married for decades, arrive with their son, and Sheila’s back too, with her daughter by her side. Life hasn’t exactly worked out the way they had all hoped.

New York Times best-selling author Ali Wentworth offers a comedic look at family, friendship, and lessons learned during the COVID-19 pandemic in her new collection of laugh-out-loud comic vignettes. In Ali’s Well That Ends Well, Wentworth turns her gimlet eye to the year no one saw coming. With her signature irreverent style, she shares the hysterical, absurd, and sometimes trying moments that got her and her family through the pandemic and their experience with the disease that has affected millions of lives. 

Tanzania, 1964. When Katie Barstow, A-list actress, and her new husband, David Hill, decide to bring their Hollywood friends to the Serengeti for their honeymoon, they envision giraffes gently eating leaves from the tall acacia trees, great swarms of wildebeests crossing the Mara River, and herds of zebras storming the sandy plains. 

As children, Sam and Elli were two halves of a perfect whole: gorgeous identical twins whose parents sometimes couldn’t even tell them apart. They fell asleep to the sound of each other’s breath at night, holding hands in the dark. And once Hollywood discovered them, they became B-list child TV stars, often inhabiting the same role. 

Stephen Aston is getting married again. The only problem is, he's still married to his first wife, even though she is in a care facility for dementia. But he'll take care of that easily, by divorcing her—even if his adult daughters protest. Tully and Rachel Aston look upon Heather as nothing but an interloper. Heather is the same age as Rachel and even younger than Tully. Clearly she's a gold digger and after their father's money. Heather has secrets that she's keeping close, and reasons of her own for wanting to marry Stephen.

Matelda, the Cabrelli family’s matriarch, has always been brusque and opinionated. Now, as she faces the end of her life, she is determined to share a long-held secret with her family about her own mother’s great love story: with her childhood friend, Silvio, and with dashing Scottish sea captain John Lawrie McVicars, the father Matelda never knew. . . . 

Big Little Lies meets The Witches of Eastwick—a gloriously entertaining and knife-sharp feminist revenge fantasy about three women whose midlife crisis brings unexpected new powers—putting them on a collision course with the evil that lurks in their wealthy beach town. 

Bloomsbury Books is an old-fashioned new and rare book store that has persisted and resisted change for a hundred years, run by men and guided by the general manager's unbreakable fifty-one rules. But in 1950, the world is changing, especially the world of books and publishing, and at Bloomsbury Books, the girls in the shop have plans.

From afar, Talitha's life seemed perfect. In her 20s, and already a famous model and actress, she moved from London to a palace in Marrakesh, with her husband, Paul Getty, the famous oil heir. There she presided over a swirling ex-pat scene filled with music, art, free love, and a counterculture taking root across the world. When Claire arrives in London from her small town, she never expects to cross paths with a woman as magnetic as Talitha Getty. Yearning for the adventure and independence, she's swept off to Marrakesh, where the two become kindred spirits. 

From the number-one New York Times best-selling author, a novel about three very different women who become friends while seeking refuge in an old beach house.

SFPD Sergeant Lindsay Boxer has guns on her mind. There’s buzz of a last-ditch shipment of drugs and weapons crossing the Mexican border ahead of new restrictive gun laws. Before Lindsay can act, her top informant tips her to a case that hits disturbingly close to home. Former cops. Professional hits. All with the same warning scrawled on their bodies: You talk, you die. Now it’s Lindsay’s turn to choose.