The Nameless Dark debuts a major new voice in contemporary weird fiction. Within these minutes, you'll find whispers of the familiar ghosts of the classic pulps - Lovecraft, Bradbury, Smith - blended with Grau's uniquely macabre, witty storytelling, securing his place at the table amid this current Renaissance of literary horror.

The award-winning and critically-acclaimed master of horror returns with a pair of chilling tales - both never-before-published in print or audio - that examine the violence and depravity of the human condition. Bringing together his acclaimed novella The Sea Dreams It Is the Sky and an all-new short novel My Heart Struck Sorrow, John Hornor Jacobs turns his fertile imagination to the evil that breeds within the human soul. 

In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story.

Behold the Void includes nine stories of terror that huddle in the dark space between cosmic horror and the modern weird, between old-school hard-edged horror of the 1980s and the stylistic prose of today's literary giants.

The title story of this collection - a devilishly ironic riff on H. P. Lovecraft's "Pickman's Model" - was nominated for a World Fantasy Award, while "Probiscus" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

Welcome to Leeds, Massachusetts, where the drowned walk, where winged leeches blast angry static, where black magic casts a shadow over a cringing populace. You've tuned in to WXXT. The fracture in the stanchion. The drop of blood in your morning milk. The viper in the veins of the Pioneer Valley.

In this striking and bleak, yet luminous debut collection, Nathan Ballingrud, winner of the inaugural Shirley Jackson Award, uses the trappings of the Gothic and the uncanny to investigate a distinctly American landscape: The loneliest and darkest corners of contemporary life. Ballingrud’s stories are love stories. They’re also monster stories. Sometimes the monsters collected here are vampires or werewolves.

The Gods of H.P. Lovecraft: a brand new anthology that collects the 12 principal deities of the Lovecraftian Mythos and sets them loose. Featuring the biggest names in horror and dark fantasy, including many New York Times best sellers; full of original fiction; and individual commentary on each of the deities by Donald Tyson.

Wounds is a confounding, strange, and utterly entrancing collection of six stories, including one new novella from Shirley Jackson Award-winning author Nathan Ballingrud. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in The Visible Filth to the search for the map of hell in “The Butcher’s Table”, Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

Hector was the best of the best. A government operative who could bring armies to a halt and nations to their knees. But when his own country betrayed him, he dropped off the grid and picked up the first of many bottles. Natalie can’t remember much of her life before her family brought her to the US, but she remembers the cages. And getting taken away to the Project with dozens of other young children to become part of their nightmarish experiments. That’s how she ended up with the ghost of a dead secret agent stuck in her head.

For four aging men in the terror-stricken town of Milburn, New York, an act inadvertently carried out in their youth has come back to haunt them. Now they are about to learn what happens to those who believe they can bury the past - and get away with murder. Peter Straub's classic best seller is a work of "superb horror" ( Washington Post Book World) that, like any good ghost story, stands the test of time - and conjures our darkest fears and nightmares.

Nicholas, a would-be poet, and Nakota, his feral lover, discover a strange hole in the storage room floor down the hall - "Black. Pure black and the sense of pulsation, especially when you look at it too closely, the sense of something not living but alive." It begins with curiosity, a joke - the Funhole down the hall. But then the experiments begin. "Wouldn't it be wild to go down there?" says Nakota. Nicholas says "We're not." But they're not in control, not from the first moment, as those experiments lead to obsession, violence, and a very final transformation.

Fans of cosmic horror will have much to sup on in these eight tales. The supernatural intrudes upon a wedding; a pier becomes the site of tragedy; a collapsed building is only the start of the nightmare for those trapped in the ruins; a scientist makes the discovery of a lifetime, only to find out that what he’s unearthed has dire consequences not only for himself, but for all of mankind.

These thirteen stories are our own lives, inside out. A boy's summer romance doesn't end in that good kind of heartbreak, but in blood. A girl on a fishing trip makes a friend in the woods, except then that friend follows her back to the city. A father hears a voice through his baby monitor that shouldn't be possible, but now he can't stop listening. From prison guards making unholy alliances to snake-oil men in the Old West doling out justice, these stories carve down into the body of the mind, into our most base fears and certainties, and there's no anesthetic. 

Jon Padgett's The Secret of Ventriloquism, named the Best Fiction Book of 2016 by Rue Morgue Magazine, heralds the arrival of a significant new literary talent. With themes reminiscent of Shirley Jackson, Thomas Ligotti, and Bruno Schulz, but with a strikingly unique vision, Padgett's work explores the mystery of human suffering, the agony of personal existence, and the ghastly means by which someone might achieve salvation from both.