Listen to This, which takes its title from a beloved 2004 essay in which Ross described his late-blooming discovery of pop music, showcases the best of Ross’s writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively.

Michael Peppiatt met Francis Bacon in June 1963 in Soho's French House to request an interview for a student magazine he was editing. Bacon invited him to lunch, and over oysters and Chablis they began a friendship and a no-holds-barred conversation that would continue until Bacon's death 30 years later. Fascinated by the artist's brilliance and charisma, Peppiatt accompanied him on his nightly round of prodigious drinking from grand hotel to louche club and casino, seeing all aspects of Bacon's 'gilded gutter life' and meeting everybody around him.

It was with this concise but fulsome review that Wagner’s ‘Ring’ and Its Symbols was welcomed when it first appeared, and it has remained unquestionably a classic of Wagnerian scholarship. Donington takes us through the four operas that make up this magnum opus - The Rhinegold, The Valkyrie, Siegfried, Götterdämmerung - uncovering the relationships (actual, psychological and mythical) that propel forward this tense and powerful story. 

The Rest Is Noise takes the listener inside the labyrinth of modern music, from turn-of-the-century Vienna to downtown New York in the '60s and '70s. We meet the maverick personalities and follow the rise of mass culture on this sweeping tour of 20th-century history through its music.

Devil Take the Hindmost is a lively, original, and challenging history of stock market speculation from the 17th century to the present day. Edward Chancellor traces the origins of the speculative spirit back to ancient Rome and chronicles its revival in the modern world.

This magisterial history - sure to become the definitive work on the subject - recasts the Enlightenment as a period not solely consumed with rationale and reason, but rather as a pursuit of practical means to achieve greater human happiness. 

Histories of music overwhelmingly suppress stories of the outsiders and rebels who created musical revolutions and instead celebrate the mainstream assimilators who borrowed innovations, diluted their impact, and disguised their sources. In Music: A Subversive History, Ted Gioia reclaims the story of music for the riffraff, insurgents, and provocateurs. Gioia tells a 4,000-year history of music as a global source of power, change, and upheaval.

Martin Puchner leads us on a remarkable journey through time and around the globe to reveal the powerful role stories and literature have played in creating the world we have today. Puchner introduces us to numerous visionaries as he explores 16 foundational texts selected from more than 4,000 years of world literature and reveals how writing has inspired the rise and fall of empires and nations, the spark of philosophical and political ideas, and the birth of religious beliefs. Indeed, literature has touched generations and changed the course of history.

Set in the London of the 1660s and of the early 21st century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city, and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a cache of 17th-century Jewish documents newly discovered in his home during a renovation.

Rejecting fragmented histories of nations in the making, this bold revision surveys the shared institutions that bridged difference and distance to bring stability and meaning to the far-flung empire. By supporting new schools, law courts, and railroads along with scientific and artistic advances, the Habsburg monarchs sought to anchor their authority in the cultures and economies of Central Europe. A rising standard of living throughout the empire deepened the legitimacy of Habsburg rule.

The poems of the Poetic Edda have waited a long time for a modern English translation that would do them justice. Here it is at last (Odin be praised!) and well worth the wait. These amazing texts from a 13th-century Icelandic manuscript are of huge historical, mythological, and literary importance, containing the lion's share of information that survives today about the gods and heroes of pre-Christian Scandinavians, their unique vision of the beginning and end of the world, etc.  

Read at school by almost every student, staged in theaters across the land, and long highly valued by both conservatives and liberals alike, Shakespeare's plays are rare common ground in the United States. For well over two centuries now, Americans of all stripes - presidents and activists, writers and soldiers - have turned to Shakespeare's works to address the nation's political fault lines, such as manifest destiny, race, gender, immigration, and free speech.

Simon Callow, the celebrated author of Orson Welles, delivers a dazzling, swift, and accessible biography of the musical titan Richard Wagner and his profoundly problematic legacy - a fresh take for seasoned acolytes and the perfect introduction for new fans.

From the Koran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, real and imagined. Standing as the gateway between East and West, North and South, it has been the capital city of the Roman, Byzantine, and Ottoman Empires. For much of its history it was the very center of the world, known simply as "The City", but, as Bettany Hughes reveals, Istanbul is not just a city but a global story.

From the massively popular podcaster and New York Times best-selling author comes the story of the Marquis de Lafayette's lifelong quest to protect the principles of democracy, told through the lens of the three revolutions he participated in: the American Revolution, the French Revolution, and the Revolution of 1830.

Humans have built hugely complex societies and technologies, but most of us don't even know how a pen or a toilet works. How have we achieved so much despite understanding so little? Cognitive scientists Steven Sloman and Philip Fernbach argue that we survive and thrive despite our mental shortcomings because we live in a rich community of knowledge. The key to our intelligence lies in the people and things around us.

The author of the critically acclaimed Your Favorite Band Is Killing Me offers an eye-opening and frank assessment of the state of classic rock, assessing its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life.

Redefining our traditional understanding of the New Deal, Fear Itself finally examines this pivotal American era through a sweeping international lens that juxtaposes a struggling democracy with enticing ideologies like Fascism and Communism. Ira Katznelson, "a towering figure in the study of American and European history" (Cornel West), boldly asserts that, during the 1930s and 1940s, American democracy was rescued yet distorted by a unified band of southern lawmakers who safeguarded racial segregation as they built a new national state to manage capitalism and assert global power.

Listen to This, which takes its title from a beloved 2004 essay in which Ross described his late-blooming discovery of pop music, showcases the best of Ross’s writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively.

Michael Peppiatt met Francis Bacon in June 1963 in Soho's French House to request an interview for a student magazine he was editing. Bacon invited him to lunch, and over oysters and Chablis they began a friendship and a no-holds-barred conversation that would continue until Bacon's death 30 years later. Fascinated by the artist's brilliance and charisma, Peppiatt accompanied him on his nightly round of prodigious drinking from grand hotel to louche club and casino, seeing all aspects of Bacon's 'gilded gutter life' and meeting everybody around him.

An examination of a world increasingly defined by disorder and a United States unable to shape the world in its image, from the president of the Council on Foreign Relations. Things fall apart; the center cannot hold. The rules, policies, and institutions that have guided the world since World War II have largely run their course. Respect for sovereignty alone cannot uphold order in an age defined by global challenges from terrorism and the spread of nuclear weapons to climate change and cyberspace. Meanwhile, great power rivalry is returning.

In Prince of Darkness, a groundbreaking and vivid account, eminent historian Shane White reveals the larger-than-life story of a man who defied every convention of his time. He wheeled and dealed in the lily-white business world, he married a White woman, he bought a mansion in rural New Jersey, he owned railroad stock on trains he was not legally allowed to ride, and generally he set his White contemporaries' teeth on edge when he wasn't just plain outsmarting them.

Devil Take the Hindmost is a lively, original, and challenging history of stock market speculation from the 17th century to the present day. Edward Chancellor traces the origins of the speculative spirit back to ancient Rome and chronicles its revival in the modern world.

American Pain chronicles the rise and fall of this game-changing pill mill and how it helped tip the nation into its current opioid crisis. The narrative, which swings back and forth between Florida and Kentucky, is populated by a diverse cast of characters.

In The Last of the Doughboys, Richard Rubin introduced listeners to a forgotten generation of Americans: the men and women who fought and won the First World War. Interviewing the war's last survivors face-to-face, he knew well the importance of being present if you want to get the real story. But he soon came to realize that to get the whole story, he had to go Over There, too.